Sanitising history

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I can’t stand Downton Abbey, the current opiate of the couch-potato class. Neither can Polly Toynbee:

To control history by rewriting the past subtly influences present attitudes too: every dictator knows that. Downton rewrites class division, rendering it anodyne, civilised and quaintly cosy. Those upstairs do nothing unspeakably horrible to their servants, while those downstairs are remarkably content with their lot. The brutality of servants’ lives is bleached out, the brutishness of upper-class attitudes, manners and behaviour to their servants ironed away. There are token glimpses of resentments between the classes, but the main characters are nice, in a nice world. The truth would be impossible without turning the Earl of Grantham and his family, the Crawleys, into villains, with the below-stairs denizens their wretched victims – a very different story, and not one Julian Fellowes would ever write.

Much attention is paid to detail. Place settings are measured to perfection with a ruler, the footmen’s buttons absolutely correct, yet everything important is absolutely wrong. Start with the labour: what we see is pleasant work by well-manicured maids in fetching uniforms, healthy and wholesome, doing a little feather-dusting of the chandeliers, some silver polishing, some eavesdropping while serving at table and some pleasant cooking with Mrs Patmore. There is even time for scullery maid Daisy to sit at the kitchen table improving herself with home education. In Downton the hierarchical bullying of servants by one another is replaced by the housekeeper and butler’s benevolent paternalism: what a nice place to work.

What we never see is bedraggled drudges rising in freezing shared attics at 5.30am; slopping out chamber pots, heaving coal, black-leading grates, hauling cans of hot water with hands already made raw by chilblains and caustic soda…

Right on. Terrific rant.

How to teleport a spanner

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socket-wrench

Now here is a lovely story about technology and ingenuity:

My colleagues and I just 3D-printed a ratcheting socket wrench on the International Space Station by typing some commands on our computer in California.

We had overheard ISS Commander Barry Wilmore (who goes by “Butch”) mention over the radio that he needed one, so we designed one in CAD and sent it up to him faster than a rocket ever could have. This is the first time we’ve ever “emailed” hardware to space.

Details are fascinating. Worth reading in full.

The Sony ‘censorship’ controversy

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This just in from Mark Anderson, the guy who told me about the sub-prime mortgage racket nine months before the collapse (and indeed before I knew what a sub-prime mortgage was):

When Dalian Wanda, China’s largest commercial real estate and entertainment firm, bought the US’ second-largest theater chain, AMC, a few years ago, I wondered what the result would be.

Already, we had started to see the effects of China’s desire to move its censorship efforts offshore and into the US film industry, with the increase in various levels of pandering to Chinese censors by US studios in an effort to get Chinese domestic distribution. Double endings, Chinese heros, Chinese settings, and even Chinese script approval, all became part of the new economics of making more money on blockbuster films.

This week, as Sony wrestled with how to manage the damage from North Korea’s hack of its networks, it waited for theater chains to ring in. According to the LA times, Regal decided not to cancel, but to delay showing The Interview, a comedy based on “taking out” Kim Jung Un.

And then AMC announced it would pull all of its US theaters out of distribution for the film. It was AFTER AMC’s announcement that Sony decided to pull not just the single Christmas day showing, but the entire distribution of the film.

Could Sony have launched the film in defiance of AMC’s pullout? I seriously doubt it.

Result: For all intents and purposes, it appears that China censored the American film offerings this season, and not Sony.

For some reason, all of the press seems to have missed this story to date.

Quote of the Day

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“When I get asked in interviews to predict the future, I always have to struggle to come up with something plausible-sounding on the fly, like a student who hasn’t prepared for an exam. 1 But it’s not out of laziness that I haven’t prepared. It seems to me that beliefs about the future are so rarely correct that they usually aren’t worth the extra rigidity they impose, and that the best strategy is simply to be aggressively open-minded. Instead of trying to point yourself in the right direction, admit you have no idea what the right direction is, and try instead to be super sensitive to the winds of change.”

And

“Another trick I’ve found to protect myself against obsolete beliefs is to focus initially on people rather than ideas. Though the nature of future discoveries is hard to predict, I’ve found I can predict quite well what sort of people will make them. Good new ideas come from earnest, energetic, independent-minded people.

Betting on people over ideas saved me countless times as an investor. We thought Airbnb was a bad idea, for example. But we could tell the founders were earnest, energetic, and independent-minded. (Indeed, almost pathologically so.) So we suspended disbelief and funded them.”

Paul Graham

Who’s got Putin-envy now?

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Interesting OpEd piece by Tom Friedman.

IN March, the House Intelligence Committee chairman, Mike Rogers, was asked on “Fox News Sunday” how he thought President Obama was handling relations with Russia versus how President Vladimir Putin had been handling relations with the United States. Rogers responded: “Well, I think Putin is playing chess, and I think we’re playing marbles. And I don’t think it’s even close.”

Hmmm. Marbles. That’s an interesting metaphor. Actually, it turns out that Obama was the one playing chess and Putin was the one playing marbles, and it wouldn’t be wrong to say today that Putin’s lost most of his — in both senses of the word.

Rogers was hardly alone in his Putin envy. As Jon Stewart pointed out, Fox News has had a veritable Putin love fest going since March: Sarah Palin opined to the network that: “People are looking at Putin as one who wrestles bears and drills for oil. They look at our president as one who wears mom jeans and equivocates and bloviates.” Fox contributor Rudy Giuliani observed on the same day that in contrast with Obama, Putin was “what you call a leader.”

Personally, I can’t understand why the West is obsessing about ISIS when Putin’s loose on the borders of Europe. That’s not to say that ISIS isn’t dreadful; but it doesn’t have nukes. And the more desperate Putin becomes as Russia’s economic woes increase, the more dangerous he becomes. Or so it seems to me.

How not to introduce an IT system

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This morning’s Observer column

When you walk into my GP’s surgery, the first thing you see is a screen on the receptionist’s counter. Displayed on it are the words (all in capitals) “TOUCH THE SCREEN TO ARRIVE FOR YOUR APPOINTMENT”. Being pedantic, the first time I saw it I pointed out to the receptionist that I had arrived for my appointment. She grimaced. I then asked if the medical implications of asking every patient to use the same touchscreen during, say, a flu epidemic had been considered. Another grimace. It was, she explained, “a new system”.

This system was provided by Epic Systems, a US corporation based in Wisconsin, which may explain why its software designers seem unfamiliar with the verb “to arrive”. It’s one of eight major vendors of healthcare information systems, all of which are based in the US, and it got its foot in the NHS door quite a long time ago. My doctor’s surgery has been using it for a while. At the beginning, the system’s user-interface was abysmal and dysfunctional. Now, several years on, it’s merely ugly. But at least it works…

Read on

LATER

One of my colleagues wrote, confirming my friend’s experience:

The only thing that marred our recent experience of Addenbrookes A&E (also with suspected broken foot/feet, there must be something in the water in Cambridge!), was the introduction of the new system:
there was a 20 minute wait to register once we had initially registered, because the details hadn’t come through, then the x-ray results had to be manually retrieved …and really very stressful for the staff who had to keep apologising and physically running between departments to get results.

Kim Jong Un is not a joke

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I’m not entirely overwhelmed by Obama & Co going all righteous over Sony’s ill-fated comedy, The Interview. So this piece in The Atlantic came as a welcome antidote to the fabricated indignation emerging from the White House.

This film is not an act of courage. It is not a stand against totalitarianism, concentration camps, mass starvation, or state-sponsored terror. It is, based on what we know of the movie so far, simply a comedy, made by a group of talented actors, writers, and directors, and intended, like most comedies, to make money and earn laughs. The movie would perhaps have been better off with a fictitious dictator and regime; instead, it appears to serve up the latest in a long line of cheap and sometimes racism-tinged jokes, stretching from Team America: World Police to ongoing sketches on Saturday Night Live.

And…

Yes, North Korea has long been ruled by an eccentric dynasty of portly dictators with bad haircuts. Yes, the propaganda the regime regularly trumpets to shore up its cult of personality is largely ridiculous. And yes, we on the outside know better, and can take comfort in pointing fingers and chuckling at the regime’s foibles.

But it takes no valor and costs precious little to joke about these things safely oceans away from North Korea’s reach. When a North Korean inmate in a political prison camp or a closely monitored Pyongyang apparatchik pokes fun at Kim Jong Un and the system he represents — that is an act of audacity. It very literally can cost the person’s life, and those of his or her family members. To pretend that punchlines from afar, even in the face of hollow North Korean threats, are righteous acts is nonsense.

Right on.

Cowardice, Hollywood style

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George Clooney nails it in an interview with Deadline.

DEADLINE: How could this have happened, that terrorists achieved their aim of cancelling a major studio film? We watched it unfold, but how many people realized that Sony legitimately was under attack?

GEORGE CLOONEY: A good portion of the press abdicated its real duty. They played the fiddle while Rome burned. There was a real story going on. With just a little bit of work, you could have found out that it wasn’t just probably North Korea; it was North Korea. The Guardians of Peace is a phrase that Nixon used when he visited China. When asked why he was helping South Korea, he said it was because we are the Guardians of Peace. Here, we’re talking about an actual country deciding what content we’re going to have. This affects not just movies, this affects every part of business that we have. That’s the truth. What happens if a newsroom decides to go with a story, and a country or an individual or corporation decides they don’t like it? Forget the hacking part of it. You have someone threaten to blow up buildings, and all of a sudden everybody has to bow down. Sony didn’t pull the movie because they were scared; they pulled the movie because all the theaters said they were not going to run it. And they said they were not going to run it because they talked to their lawyers and those lawyers said if somebody dies in one of these, then you’re going to be responsible.

This is interesting because it suggests a promising new line for real and would-be ‘terrorists’: simply issue vague threats about nameless horrors to be visited upon public venues in the US and corporate lawyers will do the rest.