I’m not entirely overwhelmed by Obama & Co going all righteous over Sony’s ill-fated comedy, The Interview. So this piece in The Atlantic came as a welcome antidote to the fabricated indignation emerging from the White House.
This film is not an act of courage. It is not a stand against totalitarianism, concentration camps, mass starvation, or state-sponsored terror. It is, based on what we know of the movie so far, simply a comedy, made by a group of talented actors, writers, and directors, and intended, like most comedies, to make money and earn laughs. The movie would perhaps have been better off with a fictitious dictator and regime; instead, it appears to serve up the latest in a long line of cheap and sometimes racism-tinged jokes, stretching from Team America: World Police to ongoing sketches on Saturday Night Live.
Yes, North Korea has long been ruled by an eccentric dynasty of portly dictators with bad haircuts. Yes, the propaganda the regime regularly trumpets to shore up its cult of personality is largely ridiculous. And yes, we on the outside know better, and can take comfort in pointing fingers and chuckling at the regime’s foibles.
But it takes no valor and costs precious little to joke about these things safely oceans away from North Korea’s reach. When a North Korean inmate in a political prison camp or a closely monitored Pyongyang apparatchik pokes fun at Kim Jong Un and the system he represents — that is an act of audacity. It very literally can cost the person’s life, and those of his or her family members. To pretend that punchlines from afar, even in the face of hollow North Korean threats, are righteous acts is nonsense.