
John Seely Brown, photographed at the Royal Society last Monday. The portrait behind him is of Robert May.

John Seely Brown, photographed at the Royal Society last Monday. The portrait behind him is of Robert May.

I cycled home from town yesterday. Along this lovely road.

The gate in Clare College which leads to the Backs. Photographed this afternoon.

King’s College Chapel this afternoon. Ruskin called it “a great upturned sow”. Silly man. It’s a wonderful building.

Seen in the kitchen of a friend who makes cider from the apples in the garden.

Photographed last Sunday.

Blakeney Harbour last Thursday. Photographed by Fiona.
And all done in 97 images on Flickr!
Thanks to Pete for the link.
This is a truly lovely idea: a series of portraits of people along with photographs of what they have for breakfast.
Thanks to Pete for spotting it.
This is interesting to anyone who — like me — muses on the aesthetic differences between digital and analogue photography.
TrueGrain is a creative tool for accurately recapturing the aesthetics of black and white film with digital imagery.
TrueGrain takes the form of a stand-alone image processing utility that imposes the physical characteristics of a real-world film stock onto a digital image. The synthesis is done through measured and sampled data gathered from the actual film and development process being reproduced…
Here’s the workflow:
1. Prepare a color digital photograph as a TIF file
2. Load the TIF file into TrueGrain
3. Choose a film stock
4. Save the resulting image
It’s ingenious, but expensive. A single licence costs $300. Having just taken delivery of a batch of chemicals for processing some recent films, I’ll stick with chemistry for the time being.
There’s a nice irony in using sophisticated digital processing techniques to create an analogue effect!
Many thanks to Boyd Harris for spotting it.