Technology: a necessary but not sufficient condition for creating photographic art

The Observer asked me to write the introduction to a feature about digital cameras. This is how it begins…

The strange thing about photography is that although it’s been revolutionised by digital technology, at heart it’s the same medium that entranced Louis Daguerre, Eugène Atget and André Kertész, to name just three of its early masters. And although it’s become much easier to take photographs that are technically flawless (in terms of exposure and focus), it’s just as difficult to capture aesthetically satisfying images as it was in the age of film and chemicals. It turns out that technology is a necessary, but not a sufficient, condition for creating art.

Still, the technology is pretty impressive…

In the piece I pointed out that the iPhone is now the most popular camera among Flickr users (which highlights how distinctions between hitherto different types of device (phone/camera; MP3 player/phone; etc.) are becoming blurred. This morning I noticed that the Guardian had an interesting feature in which a professional photographer compared the images produced by an iPhone 4S and his top-of-the-range Canon DSLR. The phone turns in a very creditable performance.

A useful ArsTechnica piece comes to similar conclusions:

For snapshot purposes, the iPhone 4S is comparable to the 8MP Canon 20D when it comes to image quality. But that comparison is a little unfair—you can easily achieve better results with newer DSLRs in terms of exposure, noise, and megapixel count. What you can’t do with any DSLR, though, is (again) slip it into your pants pocket. Lenses that have as bright an aperture as the iPhone 4S’s f/2.4 will also either be limited to a single focal length or generally be much larger and heavier than the lightweight kit lenses that many users have.

Thanks to @4b5 on Twitter for the link.

Software: or why the government should engage in magical thinking

This morning’s Observer column.

What governments don’t seem to understand is that software is the nearest thing to magic that we’ve yet invented. It’s pure “thought stuff” – which means that it enables ingenious or gifted people to create wonderful things out of thin air. All you need to change the world is imagination, programming ability and access to a cheap PC. You don’t need capital or material resources or adult permission. Tim Berners-Lee and a tiny group of colleagues created the web out of nothing more than vision and programming skill. A gifted teenager named Shawn Fanning created Napster – and spawned the file-sharing revolution – by sitting in his bedroom for six months and writing code. All Mark Zuckerberg needed in order to launch Facebook was a laptop, his precocious programming skills and a thousand bucks borrowed from a friend. And so on – through Amazon and eBay and Google and Blogger and Twitter and YouTube and countless other world-changing ventures built out of computer programs.

That’s why software is like magic: all you need is ability. And some children, for reasons that are totally and wonderfully mysterious, have an extraordinary aptitude for programming – just as some have a musical, mathematical or artistic gift. If the government excludes computer science from the national curriculum then it will be effectively slamming the door to the future.

ALSO RELEVANT: This post.

The 200mph local area network

This morning’s Observer column.

I am not what you might call a petrolhead. I got that out of my system decades ago by owning a 3.8-litre Mk II Jaguar – until the quadrupling of oil prices in 1973 cured me of the habit. As a result, Top Gear and similar TV programmes tend to pass me by. So it was just idle curiosity that led me to tune into How to Build a Super Car on BBC2. Since McLaren is a Formula One racing team, I assumed that the show would be about how it designs and builds motorised chariots for the likes of Jenson Button.

How wrong can you be?

The First Law of Internet services: no free lunch

This morning’s Observer column.

Physics has Newton’s first law (“Every body persists in its state of being at rest or of moving uniformly straight forward, except insofar as it is compelled to change its state by force impressed”). The equivalent for internet services is simpler, though just as general in its applicability: it says that there is no such thing as a free lunch.

The strange thing is that most users of Google, Facebook, Twitter and other “free” services seem to be only dimly aware of this law…

If Assange were a print man, would he be called a terrorist?

This morning’s Observer column.

When a fellow MP once observed to Ernest Bevin, foreign secretary in the postwar Labour government, that his cabinet colleague Herbert Morrison was “his own worst enemy”, Bevin – who loathed Morrison – famously replied: “Not while I’m alive, he ain’t.” I keep thinking of this every time Julian Assange, the founder of WikiLeaks, appears in the news. The man does indeed appear to be his own worst enemy – alienating all but the most sycophantic supporters, repudiating his “authorised” biography, and so on. The impression one gets from conversations with people who have worked with him is that, as a colleague, he makes the late Steve Jobs look like St Francis of Assisi. But the truth is that Assange has far more formidable enemies than himself. And many of them work for what we might now call “old media”.

Focussing after the fact

This morning’s Observer column.

“From today painting is dead” is an aphorism often attributed to Paul Delaroche, a 19th-century French painter, upon seeing the first daguerreotypes (though Wikipedia maintains there is no compelling evidence that he actually said it). In a way, it was a misjudgment on the same epic scale as Thomas Watson’s celebrated observation that the total world market for computers was five machines. What Delaroche was presumably getting at was that painting as a naturalistic representation of reality was terminally threatened by the arrival of the new technology of “painting with light”. If that is indeed what he meant, then he was only partly right.

What brought Delaroche to mind was the announcement of the Lytro light field camera, which goes on sale next year. Based on some discoveries made by a Stanford student, Ren Ng, the camera turns the normal process of compose-focus-shoot on its head. Instead you just point the Lytro at whatever you want to photograph, and then you can retrospectively focus in on any part of the image. As the New York Times explained: “With Lytro's camera, you can focus on any point in an image taken with a Lytro after you’ve shot the picture. When viewing a Lytro photograph on your computer, you can simply click your mouse on any point in the image and that area will come into focus. Change the focal point from the flower to the child holding the flower. Make the background blurry and the foreground clear. Do the opposite – you can change the focal point as many times as you like.”

Digital Darwinism

This morning’s Observer column.

This is a story about digital Darwinism. Once upon a time, the abiding nightmare of authors and students who used their PCs and laptops to compose books, dissertations and essays was that a random accident – theft of a laptop, perhaps, or a hard-disk crash – would be enough to vaporise years of irreplaceable work. So we all resorted to primitive schemes to protect against that terrible eventuality. In the early days, these took the form of piles of floppy disks stored at other locations; after that, we “burned” the precious files on to blank CDs; later still, we copied them on to USB sticks and flash drives that went in our pockets or on our keyrings; finally, we were even driven to emailing the damned things to ourselves.

Then along came an idea that made all these stratagems look, well, clumsy. It was called Dropbox. You logged on to the Dropbox site, registered (for free) and downloaded a small program (called a ‘client’) on to your computer. Once installed, this program created a special folder – helpfully labelled “Dropbox” – which appeared on your desktop. From then on, you saved any file that you wanted to back up in your Dropbox folder.

So far, so mundane. But even as you continued with your writing, the Dropbox client was busy in the background…

Remembering Dennis Ritchie

My Observer tribute to Dennis Ritchie.

It’s funny how fickle fame can be. One week Steve Jobs dies and his death tops the news agendas in dozens of countries. Just over a week later, Dennis Ritchie dies and nobody – except for a few geeks – notices. And yet his work touched the lives of far more people than anything Steve Jobs ever did. In fact if you’re reading this online then the chances are that the router which connects you to the internet is running a descendant of the software that Ritchie and his colleague Ken Thompson created in 1969.

The software in question is an operating system called Unix and the record of how it achieved its current unacknowledged dominance is one of the great untold stories of our time…

Steven Pinker and the decline in violence

I have a long piece in today’s Observer about Steven Pinker’s new book which includes the transcript of an email exchange he and I had about it.

Steven Pinker is one of those wunderkinder that elite US universities seem to specialise in producing. Born in Canada in 1954, he’s currently a professor of psychology at Harvard, but ever since he arrived in Cambridge, Massachusetts in 1976 he’s been bouncing like a high-IQ tennis ball between Harvard and its prestigious neighbour, MIT (he has professorial chairs at both institutions). By profession he’s an experimental psychologist who began doing research on visual cognition but eventually moved into studying language, especially language acquisition in children. He probably knows more about mankind’s use of verbs, and particularly the distinction between irregular and regular ones, than any other man, living or dead…

What’s significant about the new iPhone

This morning’s Observer column.

Tuesday would be – so the hype machine assured us – iPhone 5 day. But Tuesday came and went and it turned out to be only iPhone 4S day, and the assembled chorus drawn from the Apple-obsessed region of the blogosphere and the “analysts” of Wall Street howled their frustration. Which made one wonder what these people expected – an iPhone 5 that did teleportation? It also made one wonder if anyone on Wall Street has ever heard of the sigmoid function, the universal s-shaped learning curve that shows a progression from small beginnings and accelerates rapidly before creeping slowly towards its maximum point.

The point is that the iPhone has been through the acceleration phase and is now at the point where it can only get incrementally better. What CEO Tim Cook and his colleagues announced on Tuesday represented an implicit acknowledgment of that reality: they announced an incrementally improved product…