Thursday 13 April, 2023

Harriet and her amanuensis

I was struck by this lovely photograph of John Stuart Mill and Harriet Taylor, which appeared yesterday on Brad DeLong’s blog. Seeking information about their relationship I went first to Wikipedia (as one does) and found this:

On 21 April 1851, Mill married Harriet Taylor after 21 years of intimate friendship. Taylor was married when they met, and their relationship was close but generally believed to be chaste during the years before her first husband died in 1849. The couple waited two years before marrying in 1851. Brilliant in her own right, Taylor was a significant influence on Mill’s work and ideas during both friendship and marriage. His relationship with Taylor reinforced Mill’s advocacy of women’s rights. He said that in his stand against domestic violence, and for women’s rights he was “chiefly an amanuensis to my wife”.

Further digging uncovered a real surprise — that the relationship between the two had so intrigued an unlikely sleuth, Fredrich Hayek, that he had embarked in the late 1940s on what Cass Sunstein described as

an enormous, uncharacteristic, and somewhat obsessive undertaking …, which was to assemble what remains of the correspondence between Mill and his eventual wife, Harriet Taylor (one or the other destroyed numerous letters, probably including the most interesting), and to use it as the basis for a narrative account of their mysterious love affair.

How was it, asks Sunstein,

that Hayek, of all people, became captivated by the story of John Stuart Mill and Harriet Taylor? A possible answer is that he had to explain to himself and others why Mill—one of the few thinkers he had to regard as an intellectual equal or superior—moved away from what Hayek celebrated as classical liberalism, which for Hayek was focused on limited government and protection of free markets. But Hayek’s interest in the romance itself outpaced his interest in the evolution of Mill’s thinking (perhaps because of the beauty and great delicacy of the correspondence).

Does that romance have anything to do with liberalism and liberty, asks Sunstein? Answer: yes.

One of the lessons we can draw from Hayek’s work of excavation is that Mill’s distinctive form of liberalism, with its emphasis on individual freedom from the confining effect of social norms, had a great deal to do with his relationship with Taylor. As we shall see, Hayek himself missed the connection entirely, because his own preoccupations lay elsewhere.

Interesting, ne c’est pas?. I have a sinking feeling I might have to read Hayek’s account, just out of curiosity. Next stop: the University Library.


Quote of the Day

“Nobody is forgotten when it is convenient to remember them.”

  • Benjamin Disraeli

Musical alternative to the morning’s radio news

Sharon Shannon | Blackbird

Link

Wonderful musician with an infectious smile.


Long Read of the Day

The Dawn of Mediocre Computing

An intriguing title for an intriguing essay by Venkatesh Rao. It rang a bell for me because I had been musing on the stupendous blandness of ChatGPT’s responses to some of the prompts I had been feeding it.

Well, we all knew it was coming. Computers already easily overwhelm the best humans at chess and Go. Now they have done something far harder: achieved parity with David Brooks at writing.

OpenAI’s ChatGPT, released as a research beta two days ago, has done to the standard high-school essay what cameras did to photorealistic painting and pocket calculators did to basic arithmetic. It is open sign-up and free for now, but I suspect not for much longer, so go try it; and make sure to trawl social media for interesting and revealing examples being posted by people.

As an open-world, real-ish (I’ll define real-ish in a minute) domain, the correct standard for judging an AI on writing is not beating the “best” humans1 in a stylized closed-world competition (the existence of such competitions is a mark of a certain kind of simplicity), but achieving indistinguishability from mediocre humans. And when it comes to writing, nobody does mediocre more mediocrely than David Brooks. I’m in the parity band too, but he epitomizes my thesis in Survival of the Mediocre Mediocre in a way I can only aspire to. In the grim darkness of the far future where there are only extreme weather reports, civilization will be dominated by Brooks-like humans and Brooks-equivalent computers living together in an awkward symbiosis. And that future starts today. We are witnessing the dawn of mediocre computing.

This is an angle of things I hadn’t ever contemplated. Hope you find it interesting.


My commonplace booklet

How to Take Accidentally Wes Anderson photographs

Entrancing, witty and interesting video.


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Tuesday 14 February, 2023

Watering

Captivating piece of urban art by Natalie Rak (aka Rak), a street artist based in Poland.

Thanks to Ingrid Hoeben via Mastodon.


Quote of the Day

”People ask me why I ride with my bottom in the air. Well, I’ve got to put it somewhere.”

  • Lester Pigott, who was Champion Jockey 11 times and rode 29 Classic winners — including the Derby 11 times.

Musical alternative to the morning’s radio news

Martin Hayes and Dennis Cahill | The Cat In The Corner/John Naughton’s Jig

Link

I wish I could claim the credit for this, but my namesake was a legendary Co Clare musician and a great collector of tunes. And Martin Hayes is one of the greatest Irish musicians around today. Thanks to Declan Deasy for the hint.


Long Read of the Day

Love and Loathing in the Time of ChatGPT

As you doubtless already know, there’s a veritable tsunami of comment, speculation, criticism and dazzlement about ChatGPT. Believe me, I’ve read too much of it and I’m depressed by the naïveté and short-termism of a lot of it. All of which explains why I really welcomed this long, long essay by Ali Minai. It’s one of the best things I’ve read to date, and contains, among other things, an ingenious and insightful experiment he did with the system.

Here’s a sample that illustrates the wisdom of the piece:

So what can we learn from these little diversions? First, that ChatGPT is indeed a very powerful tool – one capable of capturing our attention and playing with our minds. It is not a toy.

Second, that, for information it has been trained on explicitly (e.g., individuals with detailed Wikipedia pages and other public information), it has good recall, but once pushed out of this comfort zone, it begins to make stuff up rather than admitting ignorance. There needs to be a caveat here: I have occasionally seen it add incorrect information even for well-known instances, and sometimes to beg off with an excuse of ignorance for an unfamiliar one. ChatGPT too is whimsical in its own way, and seldom generates the same answer twice.

Third, when it does make things up, it does so in a plausible way, making those falsehoods much harder to detect. This is because the entire basis of language models is to generate text that is in context. For applications such as generating movie scripts or fairy tales, this is great, but not when the bot is being queried for accurate information. Finally, we see that ChatGPT is capable of spinning a yarn when the right query comes along, as in the “Grimus Caterwaul” case. Thus, even though it does not really understand, its simulation of understanding is quite impressive. It can, therefore, be a very useful tool in applications that require appropriate confabulation, such as brainstorming or plotting stories…

Do read it. Worth your time.


My commonplace booklet

My piece yesterday on Virginia Woolf’s delight in her new “nine penny” fountain pen, and my wondering what that would be in today’s money, started lots of hares running.

“One of those inflation calculators,” wrote James Mackay,

tells us that £1 today is equivalent to 1.9p (=4.56d) in 1924. So Virginia Woolf’s nine pennies, 9d, then were conveniently close to £2 now. I suspect that your old pens would now sell for more.

Lots of readers, including Andy Linton, Steve Waller and Brian Naughton pointed me to the CPI inflation calculator which claims that £1 in 1024 would be the equivalent of £77.78 today.

Given that there were 240 pennies in a 1924 £, VW’s pen cost £0.0375. Which, being translated into today’s money looks like £2.92. Well, you might get a cheap biro for that, so my guess is that Woolf’s pen cost a lot more than nine old pennies.

This set me off down an entertaining rabbit-hole. I find, for example, that there is no bandwagon onto which some manufacturers will hesitate to jump. Montblanc, for example, created “a rare Virginia Woolf writers limited edition full set of three writing instruments includes fountain pen, ballpoint pen and mechanical pencil” which a dealer is now advertising for £1,000.

And in 2010 Bonhams sold a fountain pen from such a set for $427. According to the blurb,

Seventy-five years after the publication of her novel The Waves, this black resin pen with its carved wave shapes evokes the life and work of this modern British writer. The curved shape of the pen and its simple clip set with a single ruby highlight the pen. 5 ½” (13.8 cm). Medium 18 K gold nib with two engraved elm trees. Includes original packaging and papers. Limited Edition: 08,002/16,000.

Being a snob, perhaps VW would have enjoyed this. Or would she have been mortified? It’s almost enough to make one wonder if someone has marketed a limited edition of Vita Sackville-West’s mechanical pencil. On the other hand, life is short.


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Monday 13 February, 2023

Early morning on the river

On Friday. Thanks to Pete for the pic.


Quote of the Day

”The dogs had eaten the upholstery of a Packard convertible that afternoon and were consequently somewhat subdued.”

  • S.J. Perelman

Musical alternative to the morning’s radio news

The Rolling Stones | Sweet Virginia (Live)

Link


Long Read of the Day

Beyond Borders

Adam Shatz writing in the London Review of Books about Adolfo Kaminsky, possibly the most accomplished forger of the 20th century.

In the spring​ of 1944, a young man was stopped at a checkpoint of the Pétainist milice outside the Saint-Germain-des-Prés metro station. According to his identity card, he was Julien Keller, aged seventeen, a dyer, born in the département of the Creuse. The bag he was carrying contained dozens of other fake identity papers. But he was confident that the police had no idea how frightened he was because he had learned to affect an air of serenity. ‘I also knew, with certainty, that my papers were in order,’ he recalled many years later. After all, ‘I was the one who had made them.’

‘Julien Keller’ was the nom de guerre of Adolfo Kaminsky, who died in Paris last month aged 97. It was largely thanks to him that the German-occupied zone of wartime France was flooded with false documents. The Occupation authorities were on his trail, but they never suspected that the forger they were after was a teenager…

Great story. Extraordinary man.


Well, I never: AI is very proficient at designing nerve agents

Yesterday’s Observer column

Here’s a story that evangelists for so-called AI (artificial intelligence) – or machine-learning (ML) – might prefer you didn’t dwell upon. It comes from the pages of Nature Machine Intelligence, as sober a journal as you could wish to find in a scholarly library. It stars four research scientists – Fabio Urbina, Filippa Lentzos, Cédric Invernizzi and Sean Ekins – who work for a pharmaceutical company building machine-learning systems for finding “new therapeutic inhibitors” – substances that interfere with a chemical reaction, growth or other biological activity involved in human diseases.

The essence of pharmaceutical research is drug discovery. It boils down to a search for molecules that may have therapeutic uses and, because there are billions of potential possibilities, it makes searching for needles in haystacks look like child’s play. Given that, the arrival of ML technology, enabling machines to search through billions of possibilities, was a dream come true and it is now embedded everywhere in the industry…

Do read the whole piece


Books, etc.

The book speaks of the need for storytelling as protection from the chaos of reality, but for whom is reality chaotic? For disillusioned intellectuals, but probably not for merchant bankers and military planners. It may be a rough old place, but that’s different. Virginia Woolf seems to have seen the world as chaotic, but one doubts the same was true of her servants. In any case, you could just as easily see reality as stiflingly rule-bound and constrictive, and fiction as a playful relief from this straitjacket.

Terry Eagleton, reviewing Peter Brooks’s book, Seduced by Story: The Use and Abuse of Narrative.


My commonplace booklet

From Virginia Woolf’s diary for 9 January, 1924.

I may say that coincident with the purchase of 51 Tavistock Sqre (how I like writing that) is the purchase of a nine penny pen, a fountain pen, which has an ordinary nib & writes — sometimes very well. Am I more excited by buying Tavistock Sqre, or by buying my new fountain pen? — which reflection which reminds me that I have volume 7 of Montaigne to polish off.”

Gosh! I wonder what nine 1924 pennies pence would translate to in today’s money. (There must be a conversion table somewhere?) It would give me an idea of what my collection of pens might worth. Apart altogether from their sentimental value, of course.


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Wednesday 25 January, 2023

In Coole Park

If, as I have done, you ever go in search of Coole House in Co. Galway, on the former estate of Lady Gregory, W.B. Yeats’s friend and patroness, you’re in for disappointment. The house, which was sold to the Irish state by Lady Gregory’s daughter-in-law in 1927, was allowed to fall into ruin, and eventually demolished in 1941 in a remarkable act of official vandalism. So now all the remains is the site where it stood and this faded photograph of the building.

  But the Park surrounding where the house stood is lovely and open to the public. One of the most intriguing things I found there was a sequence of five pieces of slate, each with etched handwritten verses of some doggerel.

Here’s the first one.

And here’s the explanation!


Quote of the Day

”Here is how platforms die: First, they are good to their users; then they abuse their users to make things better for their business customers; finally, they abuse those business customers to claw back all the value for themselves. Then, they die.”


Musical alternative to the morning’s radio news

Josef Haydn | String Quartet No. 62, Op. 76 No. 3 “Emperor” | Second Movement | Veridis Quartet

Link


Long Read of the Day

“Just Go Back to the Work.”

Film-maker Lizzie Gottlieb has made a documentary film, Turn Every Page, about the remarkable partnership between Robert Caro, the biographer of LBJ, and her father, Robert Gottlieb, his Editor.

Link

Literary Hub has published the transcript of a nice interview that Lisa Liebman did with the film-maker. Here’s how she sets up the conversation…

When director Lizzie Gottlieb set out to explore the remarkable partnership between her father, celebrated book editor Robert Gottlieb, and the preeminent political biographer Robert Caro for her new documentary Turn Every Page, she knew being impartial was not only impossible, it was beside the point. “I thought, I have to bring people in through my eyes,” she says of the high-stakes story she sees as two literary titans “in a race against time to try to finish their life’s work.”

The filmmaker had met many of her now 91-year-old dad’s impressive roster of writers—who included Toni Morrison, John Le Carré, Doris Lessing, Salman Rushdie, and Joseph Heller—during his years running Simon and Schuster, Knopf, and The New Yorker. But the 50-year-relationship between Gottlieb and the now 87-year-old Pulitzer Prize- and National Book Award-winning author of The Power Broker, and the multi-volume The Years of Lyndon Johnson, remained a mystery. (In the film she notes that she didn’t meet Caro, who’s working on the final Johnson book, until her father’s 80th birthday.)

If you like Caro’s books and/or the process of editing, then this is for you.


Books, etc.

Apropos Seamus Heaney’s habit of using a fountain-pen as a dipper, what should I find in Virginia Woolf’s diary for Sunday 3 September, 1922, but this?

”Perhaps the greatest revolution in my life is the change of nibs — no longer can I write legibly with my old blunt tree-stump — people complained — But then the usual difficulties begin — what is to take its place? At the present moment I’m using Blackie [a fountain pen] against his nature, dipping him, that is to say.”`


My commonplace booklet

From Dave Winer

”I went to ChatGPT and entered “Simple instructions about how to send email from a Node.js app?” What came back was absolutely perfect, none of the confusing crap and business models you see in online instructions in Google. I see why Google is worried. ;-)”


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Christmas Day, 2022

Having one’s cake (and hopefully eating it)


This is really just to say thank you for being a subscriber.

Musical Alternative to the morning’s radio news

Surely it has to be this.

Enjoy the holiday.

John


Wednesday 21 December, 2022

Through OS9, brightly

A 2007 post on Memex 1.1 rendered in the original Mac Operating System (pre-OSX).

Michael Dales is one of the most accomplished geeks I am fortunate to know. Years ago he was CTO of one of the tech companies Quentin and I were involved in. But he is also an accomplished photographer, an expert on motorbikes (ICE and Electric) and now he’s a luthier who makes wonderful bespoke guitars.

This image comes from a side-project of his — writing his blog posts on an old G3 Powermac. It shows what Memex 1.1 looked like on a Macintosh running OS9 back in the day.


Quote of the Day

”This going into Europe will not turn out to be the thrilling mutual exchange proposed. It is more like nine middle-aged couples with failing marriages meeting in a darkened bedroom in a Brussels for a group grope.”

  • E.P. Thompson

Musical alternative to the morning’s radio news

Jimmy Yancey | The Mellow Blues

Link


Long Read of the Day

Trump’s post-presidential existence

I really shouldn’t be recommending this Washington Post piece, but I’m ashamed to say I found it riveting. Here’s a sample:

On a typical day since leaving office, advisers said, Trump gets up early, makes phone calls, watches television and reads some newspapers. Then, six days a week, he plays 18 or sometimes 27 holes of golf at one of his courses. After lunch, he changes into a suit from his golf shirt and slacks and shows up in the office above the Mar-a-Lago ballroom or, when he is in New Jersey, a similar office in a cottage near the Bedminster club’s pool.

By evening, Trump emerges for dinner, surrounded most nights by adoring club members who stand and applaud at his appearance; they stand and applaud again after he finishes his meal and retires for the night. He often orders special meals from the kitchen and spends time curating the music wafting over the crowd, frequently pushing for the volume to be raised or lowered based on his mood. In the Oval Office, Trump had a button he could push to summon an aide to bring him a Diet Coke or snacks. Now, he just yells out commands to whichever employee is in earshot…

18 or 27 holes a day!. I was a very keen golfer in my youth, but this sounds excessive even to me. And, since I guess he doesn’t do much walking on the course (just riding in a gold-cart), it means he’s not getting much real exercise.

There’s lots more in this piece, much of it serious.


Books, etc.

A summary of the report from the US House of Representatives on the January 6 ‘insurrection’ was released on Monday. This NPR piece about the way various publishers are planning to publish the full report in book form is interesting. Whether publishers succeed in making it into a bestseller depends in part on whether the Congressional panel produces the usual stodgy government report which reads — in the words of one professor of English consulted by NPR — “like the instruction manual to a microwave oven”, i.e. “tedious, stilted, dry and stuffed with technical language”.

My hunch, from watching how the Panel went about its work, is that the document might be a page-turner the moment it appears on the Web. It was clear that some people working for the lawmakers understood the importance of building a compelling narrative. Which is what thriller-writers do.


My commonplace booklet

One way of thinking about the future

A sketch for a paper I’m working on.


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Tuesday 13 December, 2022

Snow

On Sunday evening, after I had put Monday’s edition to bed (as we used to say in the letterpress days), I went outside to get some logs and found that it was — unexpectedly — snowing. Suddenly, everything was muffled and eerily quiet. And, as always happens when it first snows, I found myself thinking of the closing pages of James Joyce’s great short story, The Dead, and of the wonderful movie that John Huston made of it.

In the story, Gabriel Conroy and his wife Gretta have returned from a convivial party to the posh Dublin hotel where they are staying. Before retiring to bed they have a sombre conversation about a young boy, Micheal Furey, who had been in love with Gretta many years ago and who had died heartbroken when she had gone to live elsewhere. Sobbing, Gretta throws herself onto the bed and lies face down until she falls asleep, leaving Gabriel pensive and ashamed of his earlier brusqueness.

This is how the story ends.


Quote of the Day

”If there’s one tweet that will tell you everything you need to know about Elon Musk, it’s this one from early this morning:

In five words, Musk manages to mock transgender and nonbinary people, signal his disdain for public-health officials, and send up a flare to far-right shitposters and trolls. The tweet is a cruel and senseless play on pronouns that also invokes the right’s fury toward Anthony Fauci, the chief medical adviser to President Joe Biden, for what they believe is a government overreach in public-health policy throughout the pandemic and an obfuscation of the coronavirus’s origins.”

Musk is, like Trump before him, an Uber-troll. I’ve never used Twitter much and have been havering about deleting my account ever since Musk bought it. The only reason I haven’t is that I need to use my Twitter login to access Dave’s new feed-reader, Feedland, which is one of the best things to happen on the Web for years. Dave is aware of the problem — but thinks is a “lesser of two evils” choice. “Not loving FeedLand because it uses Twitter for identity”, he writes,

“is like not loving a friend because they had a baby with someone you don’t like. Or not loving NetNewsWire, for example, because it runs on Macs and iOS and Apple does crazy shit that fucks everything up. (I use Macs, lots of them, despite what I think of Apple.)”

I get it, so I will keep my Twitter account (but not post to it) until Dave decides to add another user-authentication method. Feedland is too good to lose.


Musical alternative to the morning’s radio news

Bach – Oboe d’Amore Concerto in D BWV 1053 Cafe Zimmerman

Link


Long Read of the Day

The Apocalyptic Vision of T. S. Eliot’s ‘The Waste Land’

Fabulous long read by James Parker in The Atlantic. The best thing I’ve read on The Waste Land. It’s interesting that the two best essays I’ve read marking the centenary of the poem — this one and Anthony Lane’s have both been by journalists rather than literary critics.

This is how Parker’s essay opens…

Imagine, if you will, a poem that incorporates the death of Queen Elizabeth II, the blowing up of the Kerch Bridge, Grindr, ketamine, The Purge, Lana Del Rey, the next three COVID variants, and the feeling you get when you can’t remember your Hulu password. Imagine that this poem—which also mysteriously contains all of recorded literature—is written in a form so splintered, so jumpy, but so eerily holistic that it resembles either a new branch of particle physics or a new religion: a new account, at any rate, of the relationships that underpin reality.

Now imagine this poem making news, going viral, becoming the poem—hailed over here, reviled over there—such that everybody is obliged to react to it, and every poem yet unwritten is already, inevitably, altered by it. And now imagine that the author of this poem—the poet himself—is a haunted-looking commuter whom you half-recognize from the subway platform.

You’re getting close to The Waste Land.

Do read it.


My commonplace booklet

Raspberry Pi hires former spy gadget-maker who baked devices into surveillance ops

Nice story in The Register.

A former technical surveillance officer at the UK’s Eastern Region Special Operations Unit (ERSOU) – a team charged with tackling serious organized crime and terrorism across seven local police forces – has joined the Raspberry Pi Foundation and expressed his professional admiration for the organization’s single board computers when pressed into service on police business.

Toby Roberts, the former officer, has been revealed as the Foundation’s maker-in-residence – a gig devoted to baking Pis into all sorts of devices to assist pros and hobbyists alike do likewise…

If he offers you a piece of the Chocolate Pi, be suspicious.


This Blog is also available as a daily email. If you think that might suit you better, why not subscribe? One email a day, Monday through Friday, delivered to your inbox. It’s free, and you can always unsubscribe if you conclude your inbox is full enough already!

Friday 7 October, 2022

Above Coniston

This, the vista from the crag above John Ruskin’s house, must be one of the nicest views in the whole of the Lake District.


Quote of the Day

”When all is said and done, leading a good life is more important than keeping a good diary.”

  • Siegfried Sassoon, diary entry, 8 July 1923

Musical alternative to the morning’s radio news

Mozart | Piano Sonata No. 12 in F Major, K. 332 | II. Adagio

Link

Perfect for a reflective moment after breakfast.


Long Read of the Day

‘The Onion’ goes to court 

And not any old court either but the US Supremes. It’s submitted an Amicus Curiae brief to the US Supreme Court, which is hearing a case brought by a guy who was arrested by Ohio police because he made fun of them on a Facebook page. The US Sixth Circuit court upheld the police’s case, and he has appealed to SCOTUS.

The Onion’s Brief is hilarious but profound. It is in fact the best justification for parody and satire that I’ve read. Among other things, it points out that “for parody to work, it has to plausibly mimic the original”.

The Sixth Circuit’s ruling imperils an ancient form of discourse. The court’s decision suggests that parodists are in the clear only if they pop the balloon in advance by warning their audience that their parody is not true. But some forms of comedy don’t work unless the comedian is able to tell the joke with a straight face. Parody is the quintessential example. Parodists intentionally inhabit the rhetorical form of their target in order to exaggerate or implode it — and by doing so demonstrate the target’s illogic or absurdity.

If you read nothing else this weekend, read the Brief.

This is how it opens:

INTEREST OF THE AMICUS CURIAE

The Onion is the world’s leading news publication, offering highly acclaimed, universally revered cover- age of breaking national, international, and local news events. Rising from its humble beginnings as a print newspaper in 1756, The Onion now enjoys a daily readership of 4.3 trillion and has grown into the single most powerful and influential organization in human history.

In addition to maintaining a towering standard of excellence to which the rest of the industry aspires, The Onion supports more than 350,000 full- and part- time journalism jobs in its numerous news bureaus and manual labor camps stationed around the world, and members of its editorial board have served with distinction in an advisory capacity for such nations as China, Syria, Somalia, and the former Soviet Union. On top of its journalistic pursuits, The Onion also owns and operates the majority of the world’s transoceanic shipping lanes, stands on the nation’s leading edge on matters of deforestation and strip mining, and proudly conducts tests on millions of animals daily.

The Onion’s keen, fact-driven reportage has been cited favorably by one or more local courts, as well as Iran and the Chinese state-run media. Along the way, The Onion’s journalists have garnered a sterling repu- tation for accurately forecasting future events. One such coup was The Onion’s scoop revealing that a for- mer president kept nuclear secrets strewn around his beach home’s basement three years before it even happened.

The Onion files this brief to protect its continued ability to create fiction that may ultimately merge into reality…

You get the idea. Do read on.


The EU wants to put companies on the hook for harmful AI 

At the moment, the EU seems to be the only game in town when it comes to trying to rein in tech power. (The US under Biden is making real efforts, but we’ll have to see if any of them prove fruitful.) This MIT Technology Review article by Melissa Heikkilä provides a good background on the EU’s AI Act and its new proposal to impose strict liability on companies that release or deploy AI products which cause harm to individuals and/or organisations.

The EU is creating new rules to make it easier to sue AI companies for harm. A bill unveiled this week, which is likely to become law in a couple of years, is part of Europe’s push to prevent AI developers from releasing dangerous systems. And while tech companies complain it could have a chilling effect on innovation, consumer activists say it doesn’t go far enough.

Powerful AI technologies are increasingly shaping our lives, relationships, and societies, and their harms are well documented. Social media algorithms boost misinformation, facial recognition systems are often highly discriminatory, and predictive AI systems that are used to approve or reject loans can be less accurate for minorities.

The new bill, called the AI Liability Directive, will add teeth to the EU’s AI Act, which is set to become EU law around the same time. The AI Act would require extra checks for “high risk” uses of AI that have the most potential to harm people, including systems for policing, recruitment, or health care.

The new liability bill would give people and companies the right to sue for damages after being harmed by an AI system…


My commonplace booklet

”Google UK staff earned average of more than £385,000 each in 18 months” 

Guardian Link. Gives you some idea of how insanely profitable these tech companies are.


  This Blog is also available as a daily email. If you think that might suit you better, why not subscribe? One email a day, Monday through Friday, delivered to your inbox. It’s free, and you can always unsubscribe if you conclude your inbox is full enough already!


Thursday 6 October, 2022

Quote of the Day

”Well, it’s about everything in particular, isn’t it?”

  • Muriel Spark on Proust’s A la recherché du temps perdu.

Musical alternative to the morning’s radio news

Ry Cooder & David Lindley | Its All Over Now

Link


Long Read of the Day

King Charles Has Some Very Strange Ideas About How Cities Should Look

He sure does, as this nicely critical essay by Owen Hatherley reveals. I thought I knew it all, including the cringe-worthy Poundbury, the village/town he founded in Dorset, but I hadn’t known about his chosen architect or his role in Transylvania.

The key to understanding the politics of Britain’s new king, Charles III, lies in Transylvania. Anyone interested in architecture in the United Kingdom since the 1980s has had to reckon with the activities of the then Prince of Wales, which have included books, a TV series, and even an entire town, Poundbury in Dorset, designed as a showcase of his ideas. But it is in the eastern Balkans that his personal vision has come closest to fruition.

In 2018, on a trip to Romania, I was tipped off by the urbanist Gruia Badescu that I would find an explanation of Charles’s politics in the western region of the country — the area that was for many centuries part of the Habsburg Empire, but which is best known outside Romania for being the ancestral seat of a (fictional) aristocratic vampire…

Read on. It’s worth it.


Molly Russell was trapped by the cruel algorithms of Pinterest and Instagram

My Observer OpEd piece about a social-media-engineered tragedy.

As the inquest into the death of Molly Russell ground to its conclusion on Friday, what kept flashing like a faulty neon sign in one’s mind was a rhetorical question asked by Alexander Pope in 1735: “Who breaks a butterfly upon a wheel?” For Pope it was a reference to “breaking on the wheel”, a medieval form of torture in which victims had their long bones broken by an iron bar while tied to a Catherine wheel, named after St Catherine who was executed in this way.

For those at the inquest, the metaphor’s significance must have been unmistakable, for they were listening to an account of how an innocent and depressed 14-year-old girl was broken by a remorseless, contemporary Catherine wheel – the AI-powered recommendation engines of two social media companies, Instagram and Pinterest.

These sucked her into a vortex of, as the coroner put it, “images, video clips and text concerning or concerned with self-harm, suicide or that were otherwise negative or depressing in nature… some of which were selected and provided without Molly requesting them”. Some of this content romanticised acts of self-harm by young people on themselves, while “other content sought to isolate and discourage discussion with those who may have been able to help”. His verdict was not suicide but that “Molly Rose Russell died from an act of self-harm whilst suffering from depression and the negative effects of online content”…

It was an extraordinary inquest. And it reached a radical verdict. Do read on.


Does Keir Starmer needs to raise his rhetorical game?

Matthew d’Ancona of Tortoise Media thinks that he does:

In an interview with the Observer yesterday, Starmer called for fossil fuel corporations to pay more of their windfall profits to meet the costs of the energy price freeze – a legitimate and popular idea. But here is how he justified it: “We’ve tried it out with numerous focus groups, polling. We’ve tested it and tested it and the vast majority of people can’t understand why you wouldn’t do that.”

No prospective PM should ever speak like this in public. It is not the language of a man who is straining to take command of the ship of state, to stride into Downing Street and immediately start writing “Action This Day” on the briefs in his first red box. It is the language of the Monty Python accountant, Mr Anchovy, who claims that he wants to be a lion tamer – but only “via easy stages”, such as banking and insurance.

It’s smart piece, but I’m not convinced. The best Prime Minister in modern British history — Clement Attlee — might have been mistaken for an accountant. When he was PM, he and his wife went — in their own modest car — bed-and-breakfasting in the Lake District. Arriving at one B&B, Atlee realised that he had no cash on him, so he asked the landlady if she would accept a cheque. She said no. He asked why. “Because I don’t know who you are. You might be anybody”.

What people forget is that Atlee ran the country while Churchill ran the war. And after Labour’s landslide victory he ran a very efficient Cabinet which was full of strong and bigger egos than his. Among other things, they created the National Health Service and nationalised the coal, steel and railway industries (a task that Attlee, in his down-to-earth way regarded as a Mergers & Acquisition activity — which is why he called for Geoffrey Vickers, the leading M&A specialist in the City of London, to oversee it.)

Churchill was witty in his public disparagement of him. (E.g. “A modest man with much to be modest about.” “An empty taxi drew up and Clement Attlee got out.”) But he knew better than anyone what a formidable operator Attlee was.

There’s a famous limerick which is sometimes attributed to him.

There were few who thought him a starter,
And many who thought themselves smarter.
But he ended up PM, CH and OM,
An Earl and a Knight of the Garter.

It’s not inconceivable that people might write about Keir Starmer in these terms in a century from now. We shall just have to wait and see.


My commonplace booklet

Sacre Bleu! The Paris Métro goes paperless link


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