Hilarious film short imagining James Joyce and Samuel Beckett having (well, actually, not having) a game of golf. Funded by the Irish Film Board (Bórd Scannán na hEireann ) and not for those of delicate sensibilities.
Who was it who defined golf as “a good walk spoiled”?
Later… Just wondering what their respective handicaps would be. Joyce’s would be that he talked too much; Beckett’s that he talked too little.
Thanks to Gerard for the link.
Lovely panoramic image…
On January 26, people from Perth, Australia gathered on a local beach to watch a sky light up with delights near and far. Nearby, fireworks exploded as part of Australia Day celebrations. On the far right, lightning from a thunderstorm flashed in the distance. Near the image center, though, seen through clouds, was the most unusual sight of all: Comet McNaught. The photogenic comet was so bright that it even remained visible though the din of Earthly flashes. Comet McNaught continues to move out from the Sun and dim, but should remain visible in southern skies with binoculars through the end of this month.
Thanks to James Miller for the link.
Remarkable YouTube video by Michael Wesch. Really clever use of the medium. Version 2 here.
Thanks to Tony Hirst for the link.
Jon Hannibal Stokes has a thoughtful piece on ArsTechnica about Meraki Networks, a start-up which is commercialising networking technology that emerged from the MIT Roofnet project.
In a nutshell, MIT’s Roofnet allows people in and around Central Square in Cambridge to gang together their wireless access points into a kind of wireless cloud that anyone with a WiFi device can access if they’re in range. There are some specifics I’m leaving out—you have to use a particular model of router, and you have to sign up for the program—but you get the general idea.
There are two ways to participate in Roofnet as a wireless access provider: as a node on the mesh, or as a gateway. If you participate as a node, then all you do is put the right model of wireless router running the right software in your window and turn it on. The router connects to other, nearby wireless routers, and it routes packets for the network and acts as an access point for end users. Of course, there have to be wired connections providing Internet connectivity somewhere in the mesh, and that’s where the gateways come in. If you participate in Roofnet as a gateway, then you’re sharing your own personal cable or DSL bandwidth with the rest of the network.
Meraki Networks plans to commercialize this mesh network model by offering a small, cheap ($50) wireless router, the Meraki Mini, that comes pre-loaded with the mesh network software. You can use the Mini to launch your own wireless network by just plugging it into your own broadband connection. The Mini’s software lets you do traffic monitoring and shaping, branding, and billing, so that you’re essentially reselling the bandwidth of a company like Comcast or AT&T. (Yeah, the telcos are gonna love that idea, but more on that in a moment.) Other users with Minis can connect to your router and extend the network outwards, choosing to participate as nodes or as gateways. With enough of these devices, you could cover a whole apartment building, or a whole block, with wireless… that is, if they don’t step on each other.
As Stokes points out, there are lots of interesting potential problems here. Some are technical — e.g. what happens when the mesh becomes very dense and interference starts to become a real problem? But it doesn’t take a rocket scientist to spot the other, more intractable, problems.
As for the legal challenges, everyone from the federal government to the RIAA to your broadband provider are going to want a piece of you the moment you hang out an ISP shingle and start billing customers. Will you be obliged to comply with CALEA if you choose to route VoIP traffic? Will your (quasi?) official status as an “ISP” grant you immunity to RIAA lawsuits while making you the target of subpoenas instead? Is Comcast really going to sit still while the number of wired Internet connections in an apartment block drops by half or more, with their remaining customers acting as competition by reselling Comcast’s own bandwidth to former customers?
Of course, not all ISPs are like Comcast and Verizon, which forbid sharing your wireless connection with others. Speakeasy, for instance, actively encourages their users to share their connection with the public. I think ISPs could get creative and ask for a cut of the proceeds that users get from reselling bandwidth, in effect making their end users authorized bandwidth resellers. But that idea makes sense, and when it comes to anything that smells of “P2P” and “grassroots,” rationality rarely prevails in the boardroom.
There’s an extra angle to this in the UK, in that I think that it’s actually illegal under the provisions of one of the Communications Acts for an ordinary person to sell bandwidth. (I can freely share my wireless network with my neighbour, but I couldn’t sell him airtime.)
Of course the guys who set up Meraki know all this, which is where the interesting bit comes in. The NYT reports that Google and Sequoia Capital have invested in the company.
Stay tuned.
John Buckman explains Why I created Magnatune Records…
# Radio is boring: everyone I know is into interesting music, yet good music is rarely played on the air. I’m into everything from Ambient, Industrial, Goth, Metal to Renaissance, Baroque, Tango, Indian Classical and New Age (and many other genres!), and so are many of my friends. Yet, these genres are barely visible in record stores, and totally absent from the airwaves. Radio is mostly about Country, Pop, and Rock, with a little bit of dull, safe classical thrown in.
# CDs cost too much, and artists only get 20 cents to a dollar for each CD sold. If they’re lucky. And, most CDs quickly go out of print: I buy more CDs from EBay than Amazon.
# Online sales (such as over Amazon.com) often cost the artist 50% of their already-pathetic royalty (due to a common record contract provision). International sales and mark-downs often net the artist no royalties.
# Record labels lock their artists into legal agreements that hold them for a decade or more. If it’s not working out, labels don’t print the band’s recordings but nonetheless keep them locked into the contract, forcing them to produce new albums each year. Even hugely successful artists often end up owing their record label money.# Napster, Gnutella and Kazaa proved that people love music, and they want to share it. Lawsuits may shut Kazaa down (and Kazaa obviously promotes copyright violation), just as Napster was shut down. Clearly there’s a huge public demand for Open Music.
# Using the Internet to listen to music is usually tedious: there are too many ads, too many clicks, and the sound quality is usually bad. It’s too much work, not enough reward. A well run Internet radio station (such as Shoutcast, or Spinner) solves that, but the entrenched record industry wants to kill that too, with onerous licensing terms and odd “rights limited” playback schemes.
# I read this article by Courtney Love six months after starting Magnatune, and was stunned by how much I have in common with her vision and understanding of the music business. And, she’s much more eloquent than I am.
And his solution?
# I thought: why not make a record label that has a clue? That helps artists get exposure, make at least as much money they would make with traditional labels, and help them get fans and concerts.
# Magnatune is my project. The goal is to find a way to run a record label in the Internet Reality: file trading, Internet Radio, musicians’ rights, the whole nine-yards.
Good stuff. Interesting site. Smart guy.