Terabyte hard drives are here

From CNET News

Last year, Hitachi Global Storage Technologies predicted hard-drive companies would announce 1 terabyte drives by the end of 2006. Hitachi was only off by a few days.

The company said on Thursday that it will come out with a 3.5-inch-diameter 1 terabyte drive for desktops in the first quarter, then follow up in the second quarter with 3.5-inch terabyte drives for digital video recorders, bundled with software called Audio-Visual Storage Manager for easier retrieval of data, and corporate storage systems.

The Deskstar 7K1000 will cost $399 when it comes out. That comes to about 40 cents a gigabyte. Hitachi will also come out with a similar 750GB drive. Rival Seagate Technology will come out with a 1 terabyte drive in the first half of 2007. The two companies, along with others, will tout their new drives at the upcoming Consumer Electronics Show in Las Vegas, and will show off hybrid hard drives, as well.

A terabyte is a trillion bytes, or a million megabytes, or 1,000 gigabytes, as measured by the hard-drive industry. (There are actually two conventions for calculating megabytes, but this is how the drive industry counts it.) As a reference, the print collection in the Library of Congress comes to about 10 terabytes of information, according to the How Much Information study from U.C. Berkeley. The report also found that 400,000 terabytes of e-mail get produced per year. About 50,000 trees would be necessary to create enough paper to hold a terabyte of information, according to the report.

Taste, trust and user-generated content

Splendid rant by Simon Jenkins…

Whatever the borderline between amateur and professional, skill and artistry, some things are very difficult to do, and most people will admire and pay those who do them. Every creative talent comes with unseen baggage, directors, designers, stage-setters, publishers, editors and coaches. No art is without effort, and the effort is collective. If the electronic marketplace becomes devoid of copyright, producers will devise ways of protecting and “monetising” their appeal. Pulp fiction still seems to be thriving.

The internet has certainly torn up the media of communication pioneered by Gutenberg and Caxton, Marconi and Reith. The anarchist in me is attracted by the sovereignty of the mob. I like to see the market, the audience, hitting back occasionally – even if it does so from the Tower of Babel. Shakespeare had to contend with his groundlings and La Scala with its claque.

But rulebooks there will always be. The popular scientist EO Wilson explained the cultural genetics that guide our myriad responses to group stimuli. Embedded in our DNA, they govern everything from artistic sensibility to habit, style and forms of pleasure. In matters of taste, these genes demand frameworks of trust, whether the proclaimed intermediary be a priest or a fashion editor.

I trust certain writers, directors, composers, artists, even newspapers, to widen my horizons without revolting me. Between their transmitting and my receiving is a zone of faith. That is why, however worldwide the web, there will never be a “blog-standard” newspaper. I need to trust a news-gatherer to adhere to known standards of veracity and taste, or my own judgment will go haywire. Those with no one to trust are not to be trusted.

There is no substitute for a disciplined, rule-bound, edited news-gatherer any more than there is for a formal theatre, movie-maker or publisher. Marshall McLuhan’s “the medium is the message” will not find its apotheosis in the internet. The message transcends the medium and always will. The fact that a reader’s taste can sometimes be shocked shows the power of the trust on which it is normally based.

The backlash against user-generated content gathers pace.

shortText.com

shortText is a neat, simple idea. Suppose you want to post something quickly to the Web with a URL that you can distribute. Go to shorttext.com, type in the box and link to an image or video (if desired) and hit the ‘Create URL’ button. Bingo!

There’s also a shortText plug-in for FireFox which enables you to do the same by highlighting some text and right-clicking on it.

MySpace and the sharecropping economy

Interesting post by Nick Carr about the economic implications of user-generated content.

What’s being concentrated, in other words, is not content but the economic value of content. MySpace, Facebook, and many other businesses have realized that they can give away the tools of production but maintain ownership over the resulting products. One of the fundamental economic characteristics of Web 2.0 is the distribution of production into the hands of the many and the concentration of the economic rewards into the hands of the few. It’s a sharecropping system, but the sharecroppers are generally happy because their interest lies in self-expression or socializing, not in making money, and, besides, the economic value of each of their individual contributions is trivial. It’s only by aggregating those contributions on a massive scale – on a web scale – that the business becomes lucrative. To put it a different way, the sharecroppers operate happily in an attention economy while their overseers operate happily in a cash economy. In this view, the attention economy does not operate separately from the cash economy; it’s simply a means of creating cheap inputs for the cash economy.

It strikes me that this dynamic, which I don’t think we’ve ever seen before, at least not on this scale, is the most interesting, and unsettling, economic phenomenon the Internet has produced.

Carr has written about this before. For example:

Web 2.0, by putting the means of production into the hands of the masses but withholding from those same masses any ownership over the product of their work, provides an incredibly efficient mechanism to harvest the economic value of the free labor provided by the very many and concentrate it into the hands of the very few.

Ed Felten disagrees with this analysis:

It’s a mistake, too, to think that MySpace provides nothing of real value to its users. I think of MySpace as a low-end Web hosting service. Most sites, including this blog, pay a hosting company to manage servers, store content, serve out pages, and so on. If all you want is to put up a few pages, full-on hosting service is overkill. What you want instead is a simple system optimized for ease of use, and that’s basically what MySpace provides. Because it provides less than a real hosting service, MySpace can offer a more attractive price point — zero — which has the additional advantage of lowering transaction costs.

The most interesting assumption Carr makes is that MySpace is capturing most of the value created by its users’ contributions. Isn’t it possible that MySpace’s profit is small, compared to the value that its users get from using the site?

Underlying all of this, perhaps, is a common but irrational discomfort with transactions where no cash changes hands. It’s the same discomfort we see in some weak critiques of open-source, which look at a free-market transaction involving copyright licenses and somehow see a telltale tinge of socialism, just because no cash changes hands in the transaction. MySpace makes a deal with its users. Based on the users’ behavior, they seem to like the deal.

The Saddam death video

The Guardian asked me to comment on the video…

It was not an edifying experience, but the poor quality of the cameraphone video mitigated its ghastliness. It is shot from the stairs below the gallows platform. There’s a lot of jostling and shouting in Arabic. The various pre-execution procedures are shown – the black cloth being placed around Saddam’s neck, then the noose with its (to the uninitiated eye, anyway) ludicrously large knot. The rope has a lot of slack. More shouting. Saddam appears to smile, but given the quality of the video, it’s impossible to be sure. Then he is pushed forward. Nothing happens for a bit, except that the camerawork deteriorates further, sometimes focusing on the stairs. Whoever’s doing this is having trouble keeping their lens on the action.

Then there’s a loud crack, and Saddam disappears. Suddenly, one understands why the rope had so much slack. The shouting increases in volume and intensity. The camera focuses jerkily on the stairs for a time. The cameraman is obviously ascending them for a better view. Then there are a few surreal frames of the executed man’s face, now horizontal, which reminded one, bizarrely, of one of those art-movie sequences of a drowned man under water. Then fade to black.

I was the 811,625th person to view it, according to the YouTube statistics box…

Metcalfe’s Law updated

From Chris Anderson

Metcalfe’s Law says that value of a networks grows with the square of the number of nodes. Today’s Web, which is as much about contributing as consuming — two-way links, as opposed to the old one-way networks of broadcast and traditional media — allows the same to apply to people. Connecting minds allows our collective intelligence to grow with each person who joins the global conversation. This information propagation process, which was once found in just a few cultures of shared knowledge, such as academic science, is now seen online in everything from hobbies to history. The result, I think, will be the fastest increase in human knowledge in history…

Amazon.co.mars

From BBC NEWS

The billionaire founder of amazon.com has released the first images of the launch of a private spacecraft that could bring space travel to the masses.

A video of the cone-shaped Goddard vehicle shows it climbing to about 85m (285ft) before returning back to Earth.

The test launch took place in November 2006 in a remote part of Texas, but details have only now been released…

You’d have thought it would have been cheaper to get FedEx to deliver to Mars.

Don’t email me!

Wonderful rant by Joel Stein in the LA Times (free subscription required).

Here’s what my Internet-fearing editors have failed to understand: I don’t want to talk to you; I want to talk at you. A column is not my attempt to engage in a conversation with you. I have more than enough people to converse with. And I don’t listen to them either. That sound on the phone, Mom, is me typing.

Some newspapers even list the phone numbers of their reporters at the end of their articles. That’s a smart use of their employees’ time. Why not just save a step and have them set up a folding table at a senior citizen center with a sign asking for complaints?

Where does this end? Does Philip Roth have to put his e-mail at the end of his book? Does Tom Hanks have to hold up a sign with his e-mail at the end of his movie? Should your hotel housekeeper leave her e-mail on your sheets? Are you starting to see how creepy this is?

Not everything should be interactive. A piece of work that stands on its own, without explanation or defense, takes on its own power. If Martin Luther put his 95 Theses on the wall and then all the townsfolk sent him their comments, and he had to write back to all of them and clarify what he meant, some of the theses would have gotten all watered down and there never would have been a Diet of Worms. And then, for the rest of history, elementary school students learning about the Reformation would have nothing to make fun of. You can see how dangerous this all is.

I get that you have opinions you want to share. That’s great. You’re the Person of the Year. I just don’t have any interest in them. First of all, I did a tiny bit of research for my column, so I’m already familiar with your brilliant argument. Second, I’ve already written my column, so I can’t even steal your ideas and get paid for them.

There is no practical reason to send your rants to me…

Great stuff. Worth reading in full.

The phone conference

A phone conference in the Ndiyo office/lab this afternoon. Michael Dales (left) and Quentin are talking to Andy Fisher of Displaylink (whose disembodied voice is emerging from the handset held by Quentin). The conversation (about NIVO protocols, among other things) is largely incomprehensible to ordinary mortals. Fortunately, however, a representative of this latter category was present, and capable of operating a camera.