Twitter: big idea or leading-edge uselessness?

I’m puzzled by the buzz about Twitter: why would anyone want to know the tiny details of what I am doing at any given moment? But lots of people I know are intrigued by it and I can’t quite see why.

David Weinberger has just posted the best case I’ve seen so far for paying attention to it.

I’ve been twittering. I’m not entirely sure why, and I feel too old for it, but I’m finding it fascinating. And more than that.

Twitter and other such sites (e.g., Jaiku) are “microblogs” where you can post very short messages (e.g., 140 characters) and see the scroll of messages posted by your buddies. You can Twitter via the Web site, IM, or SMS on your cell phone.

In general, people seem to post what they’re doing at the moment, plus occasional quotes and ideas of interest. So, by definition it should be trivial. But, Twitter is about the intimacy of details. Without it, I’d hear from people maybe once a year, when I run into them at a conference or they send a holiday newsletter. (Actually, I don’t get any of those any more. Two explanations: 1. Blogging has obviated them. 2. Nobody likes me. Third explanation: Both of the above.) We then engage in the odd ritual of narrative construction called “catching up.” We give the headlines in each of the big areas in our lives. The kids are fine, the job sucks, we botoxed the cat, etc. But with Twitter, you see the day-to-day life of your friends.

A lot of it of course I don’t care about. But it turns out that I do like hearing that Paolo Valdemarin, an Italian friend I see every couple of years, is sitting on his porch, drinking wine and watching the sunset. I do like hearing that Jessamyn West, who I unfortunately run into very rarely, is working on a presentation to librarians, which she then shares with her Twitter pals. I do care that BradSucks, a Canadian musician I’ve only met once, is rehearsing for a live show. This is, to mangle Linda Stone’s phrase, continuous partial friendship, and it’s a welcome addition to the infrequent, intermittent friendships we’re able to manage in the real world.

It helps that the volume of flow is so impossibly high that there’s zero expectation that anyone is keeping up. “Hey, dude, why didn’t you know that? I like twittered it two days ago?” is just not a reasonable complaint.

I don’t know if Twitter or one of its new-and-improved competitors will survive, or what it will become. It’s hot at the moment, which usually means that it’s not going to be hot soon. But it’s a powerful platform for something, and even in its current state, it addresses our desire to fill every interstice with social connections.

The Proper Care And Feeding Of Fools, Internet Edition

Doug Stewart is not amused by the Digger’s revolt over the AACS DVD key.

To put it frankly, the actions of the digg community are idiotic. They are not “brave”. R3 was not “censoring” their “speech” and the infantile kicking of the ox goad that resulted was ludicrous in the extreme. “Brave” users seeking to stick it to the MPAA “Man” would have posted the offending string on their own blogs and thus exposed themselves to potential litigation, rather than dragging an unwilling digg into the fight. If they seek the destruction of the community they take part in, I can think of no quicker route than to get the creators sued into oblivion.

So well-played, diggers. You managed to make Slashdotters seem principled and Farkers seem reasonable by comparison. Dunces.

The end of professional photography?

Nice Guardian column by Andrew Brown…

Half a dozen lurid and splodgy pictures in the local paper brought home to me the death of an honourable profession this week. I took them. I am in my small way responsible for impoverishing an old friend, because he, not me, is a professional photographer, and his living has been more or less abolished by the changing world. Just as film has been replaced by digital, professionals are being replaced by amateurs. The changes are partly technological and partly economic, but the final blow to his profession has come from Flickr and similar Web 2.0 sites…

Later: Nick Carr has commented on Andrew’s piece. “It’s not that I have anything against amateur photographers (being one myself)”, he writes,

it’s that I think we’ll find – are finding already, in fact – that while amateur work may be an adequate economic substitute for professional work, there are things that pros can accomplish that amateurs cannot. We see in the decline of professional photojournalism how the Internet’s “abundance” can end up constricting our choices as well as expanding them.

Playing tag with authority

David Weinberger’s new book, Everything is Miscellaneous, was published yesterday. Lee Rainie, Director of the Pew Internet and American Life Project, has done an interesting interview with him (published in pdf format).

There’s an illuminating passage in the interview in which he illustrates the implicit values embedded in the Dewey taxonomic system:

In Melvil Dewey’s world, all information is divided into ten major topical categories that might have made perfect sense to well-educated Westerners who shared Dewey’s frames of reference, but perhaps not to others. For instance, Dewey assigned the 800-899 block of numbers to literature and then doled out numbers 800-889 to American, European and classical languages. Thus, he squeezed every other bit of literature into the 10 remaining digits. Among other things, that means Russian literature did not even get its own whole number. It comes under 891.7, amidst East Indo-European and Celtic literatures.

It was also perfectly logical to Dewey that he list material relating to pets in the “technology” block of numbers in the 600s. Here’s how he worked that out:

600 Technology
630 Agriculture and related technologies
636 Animal husbandry
636.7 Dogs
636.8 Cats1

Weinberger has also done a DIY blurb for the book on the Berkman site.

We’re very good at organizing things in the real world. Whether we’re organizing a kitchen or laying out a new corporate head quarters, we have a variety of sophisticated techniques that we’re perfectly at home with. But, whether we arrange things alphabetically, by size, or by pecking order, when it comes to real objects, we always have to follow two basic principles: Everything has to go somewhere, and no thing can be in more than one place. That’s just how reality works.

But in the digital world we’re freed from those restrictions. Whether we’re organizing our downloaded songs, digital photos, an online store, or entire libraries of scientific information, we can put our electronic stuff into as many electronic folders as we want. If your catalog of engineering equipment is on line, you can put, say, a bolt into electronic bins according to size, material, cost, quality, and whether it’s been approved for outdoor use. In fact, you don’t even have to decide for your users which categories make sense. You can let them create their own categories by “tagging” electronic items however they like. At Flickr.com, for example, people tag photos with whatever will help them find those photos again, and users tag the millions of books cataloged at LibraryThing.com. Because these tags are public, you can click on one and find all the photos or books that others have tagged that way. This can be a powerful way to browse and an even more powerful way to do research collectively.

The alternative at such sites would be for the owners of the site to create their own taxonomy of categories. But every way we classify represents a set of interests. No taxonomy works for all interests and for all ways of thinking about a domain. For example, the vendor selling hardware such as bolts can anticipate that sometimes we’ll want to search by size, but not that someone is going to want to find a bolt to use as a gavel in a dollhouse or a bolt with a particular electrical resistance. There are an infinite number of ways we may want to slice up our world because there are an infinite number of human interests. In the physical world, we have to pick one, so we have expert taxonomists who make the best decision. But in the digital world, we can leave all the digital objects as a huge miscellaneous pile, each tagged with as much information about it as possible. Then, we can use computers to slice through the miscellany, organizing on the fly according to the categories that matter to us at that moment. So, it turns out that while the miscellaneous box represents the failure of real world organizational schemes, it is how digital organization succeeds.

This has an unsettling effect since we have large institutions that get much of their value — and their authority — from their privileged position as organizers of information. For example, the most prestigious position at a newspaper belongs to those who decide what goes in and which stories go on the front page. Likewise, businesses influence our decision processes by artfully arranging their offerings, and educators decide what will be taught and how topics relate. Now that the users and readers are able to do that for themselves, authority is rapidly shifting from those institutions to the new social networks through which we’re figuring out how to put things together for ourselves.

We are rapidly developing new principles and techniques for figuring out how to make sense of the miscellaneous so that it is more responsive to our needs, interests, and points of view. While the technology that’s emerging is powerful and fascinating, the more important change is occurring at the level of institutions and authority. That’s where we’ll see the real effect of the miscellaneous.

Later… A librarian friend writes: “I was once told that Dewey’s interest in classification was stimulated by the muddle in his mother’s jam cupboard which he sorted out and arranged nicely.” On such hinges does history turn!

On this day..

… in 1992, rioting that claimed 54 lives and caused $1 billion in damage erupted in Los Angeles after a jury in Simi Valley acquitted four Los Angeles police officers of almost all state charges in the videotaped beating of Rodney King. You could say it was the beginning of user-generated content, though the video in question wasn’t circulated on the Net. (The Web was just over a year old at that point.)

What SONY doesn’t get

If, like me, you’re struck by the fact that unsold SONY PS3s are stacked rafter-high in every computer-games shop while you can’t get a Nintendo Wii for love or money, look no further.

Thanks to Tom for finding it. He also tells me that “the tune is called ‘How To Save A Life’ by The Fray — this guy took the tune and changed the lyrics”.

Fun with the Dinosaurs

James Cridland found this hilarious post by Rick Segal about an encounter he had with some network TV executives. Excerpt:

These guys were bragging about the ability to start showing TV shows online. If, for example, you go to ABC’s website, you can watch episodes of certain shows pretty much a day or so after they air on TV.

They were proud of these two key points.

They had ‘locked down’ the content. Their words, not mine.

They had ‘locked out’ the rest of the world outside the US. Their words, not mine.

Me: “Yer kidding, right?”

Them: “Not at all. We got this baby right. We’d show you but since we are in Canada, you can’t see the stuff.”

Me: Sigh

I crank up the laptop and fire up the abc.com website and we verify that I get the evil, only those in the US can see this, message.

Me: Pay attention, boyz.

Step one: Google: ip spoofer software

Step two: grab one, install it.

Step three: watch Ugly Betty.

Them: Nobody is going to know how to do that. Besides, if you were to tell people, we’d sue for damages.

Me: So, if I told the world that in order to get around websites that restrict access by IP, you could change the IP address via a zillion pieces of software freely available on the Internet, you’d sue me? Really? Like as in, say a blog entry? Can I get that in writing? As a promise?

Them: Blank stares

Lovely! This is the ‘push’ mentality personified.

Is the stampede to go online slowing up?

Peter Preston thinks so, and quotes some findings from Ipsos Mori’s quarterly technology tracking poll.

This time last year, 60 per cent of British adults had online access. Now it’s 62 per cent, a relatively tiny shift. Three in four people over 65 have no access at all. Only one in 11 pensioners in the DE category – those most dependent on state support – can log on. Meanwhile, at the other end of the age and education range – ABs between 18 and 34 – internet penetration is actually falling back a little. Park Associates’ latest US survey may show two thirds of all adults online there, but, of those not hooked up, 44 per cent are just not interested in surfing their lives away.

We are not either on the internet or in print, but somewhere in between, and likely to stay there for years. We must commit millions to the digital future, but still cut down forests and drive distribution lorries along motorways at midnight. We must watch one pot of gold empty, but another fill up somewhat more slowly than we’d hoped…

YouTube biggest hits may not be infringers

Interesting NYT report

ON YouTube, copyrighted video clips of movies and TV shows are far less popular compared with noncopyrighted material than previously thought, according to a new study.

On their face, the results could have serious implications for YouTube’s owner, Google, and the media companies, most notably Viacom, with which it has been negotiating. But not everyone agrees.

Vidmeter, which tracks the online video business, determined that the clips that were removed for copyright violations — most of them copyrighted by big media companies — comprise just 9 percent of all videos on the site. Even more surprising, the videos that have been removed make up just 6 percent of the total views (vidmeter.com).

The Vidmeter report is here.