The $64 billion question

A tweet from Armando Iannucci from the Oscar ceremony:

I’m sitting in front of Rupert Murdoch. What should I do to him?

Answer: block his view but offer him the option of seeing the ceremony for a fee.

The Magnum Archive Sale

Fascinating account of the background to Magnum’s sale of its press prints archive to Michael Dell.

Last week, one of the most important photojournalism archives in history, the Magnum Photo Agency’s press prints collection, was sold to Michael Dell of Dell computers. Specifically, to Dell’s private investment firm, MSD Capital LP.

The collection will be housed by the Harry Ransom Center at the University of Texas, Austin.

“Right place, right time, right people.” That’s how Eli Reed, Magnum photographer and photojournalism professor at the school, summed up the deal. “It was a long time coming; it didn’t just happen quickly,” he said.

Impressively keeping with Magnum’s cooperative policies, the deal ensures the photographers still retain total ownership of their works. Only the prints used by Magnum through 2003 for publication were sold, not the rights to the images themselves.

Though the price remains undisclosed, the collection of photographs had been insured for a value of $100 million. Industry insider Paul Melcher speculated the price at around $30 million.

The press prints collection comprises of over 185,000 images by over 100 renowned photographers, including seminal talent such as Henri Cartier-Bresson, Robert Capa, Elliott Erwitt, Ernst Haas and Eve Arnold. Magnum was established in 1947 to wrest control from publishers back into the hands of the photographers by allowing shooters to keep the rights to their images. In so doing, Magnum pioneered a new business model for photojournalism.

This also explains why the putative deals with Corbis and Getty never went through. The Magnum photographers wanted to retain the rights. Now they appear to have got what they wanted: retention of rights, plus $30 million to invest in their upcoming online service. Neat.

Also: nice to know that the University of Texas will scan both front and back of each print. Those office scribbles can sometimes be interesting. For example,

Toyota recall: latest

A musician friend who knows that we have a Prius sent us this:

In response to Toyota’s massive car recall: Yamaha has recalled 20,000 pianos due to a problem with the pedal sticking, causing pianists to play faster than they normally would, resulting in a dangerous number of accidentals. The sticky pedal also makes it harder for pianists to stop at the end of the piece, making it extremely risky for the audience.

Bill Francis and his kit

The Guardian had a nice obit of photographer Bill Francis today which included the observation that he was “passionate about his cameras and equipment, Bill always had the best, favouring a Hasselblad and his family of Leicas.”

But the photograph used to illustrate the piece shows him with a Rolleiflex and a 35mm camera which may or may not be a Leica and indeed might even be a Zeiss Ikonta — viz:

Not a Hasselblad in sight.

LATER: On reflection, I think he is using a Leica. An M3, maybe.

The trouble with Venture Capital?

Aw, shucks: the VC industry is in trouble — at least if this Technology Review article is to be believed.

The real problem is not complex: there’s too much venture capital, and there are too many venture capitalists, for the industry to be really profitable. The industry as a whole now has about $200 billion under management, more than twice what it did in 1998, and venture funds invested $20 billion to $30 billion a year for most of the past decade. And on the level of individual funds, huge amounts of capital combined with falling startup costs have, in ­Anderson’s words, made funds “muscle­bound”: a $500 million fund can’t make too many small investments, even if that’s what would make economic sense, because the partners don’t have the time to supervise hundreds of companies. (This is one reason, along with the desire to limit risk, that many VCs have started to wait until later rounds to invest.) In the absence of another bubble, there’s no way for new companies to generate profits big enough to provide a reasonable return on $20 billion to $30 billion a year. Kedrosky, for one, argues that for the industry to consistently generate competitive returns, annual investment and money under management need to fall by more than half. And while Wilson describes himself as “very optimistic” about the coming decade, he says that the industry “needs to return to the size and shape it was in the late ’80s and early ’90s.”

The interesting thing is that this diagnosis is not especially controversial. Most people in the industry think there’s too much money. It’s like traffic, though: everyone thinks there’s too much of that, but no one wants to take public transportation. And while in most businesses competition takes care of the problem by forcing the losers out, here winnowing takes much longer, because venture capital isn’t like the stock market: if you get disillusioned, you can’t just pull your money out of it. The limited partners who invest in venture capital funds make long-term, binding commitments to meet the “capital calls” of the general partners who manage the funds and make investments. This is, from the perspective of innovation, venture capital’s great strength: instead of needing a quick return, it can afford to build companies. Nonetheless, it creates what Wilson calls “a huge amount of latency in the system.” So even though the industry has been moving toward a more sensible balance between money under management and potential returns, it takes a long time to push underperformers out.

This suggests that the industry as a whole still has at least a few years of underperformance ahead.

Travellers in East Anglia are often puzzled by place names like “Adventurers’ Fen”. In fact they are throwbacks to the first wave of ‘Adventurer Capitalists’ — i.e. the people who put up the money to pay for the draining of the Fens.

Gutter press-ups

Andrew Rawnsley has some stirring reactions to his treatment by the Friends of Gordo.

[One of] the paradoxes of finding myself nose to nose with Gordon Brown and his attack machine. The revelations about his behaviour in The End of the Party have been denounced by the prime minister as lies and attacked by his anonymous mouthpieces as “malicious falsehoods” along with a fruity variety of other desperate denials. The more they snarled, the more messages and calls I received from senior Labour figures wanting to express their solidarity and telling me to stand firm. Some offered very useful tips about how to cope in a cage fight with No 10.

“Gutter journalism” was the abuse which spat from the mouth of John Prescott, a man whose infidelities include having sex with a junior civil servant in a hotel room while his long-suffering and oblivious wife, Pauline, waited downstairs to have dinner with the treacherous and hypocritical toad. Her recent memoir describes how he slunk back to their home in Hull to confess to his adultery before it became public. His security staff preceded him into the house to dump a bag of his dirty smalls for Pauline to wash. I know which of us is better acquainted with the gutter.

That’s the stuff!

Hummer RIP

Cheer up! Here’s a piece of good news for a change.

General Motors is to wind down production of its gas-guzzling Hummer brand following the collapse of a deal to sell the business to a Chinese manufacturer.

The Detroit based company, which announced plans to offload Hummer last year as part of its efforts to focus on core brands such as Chevrolet, Buick and Cadillac, said that the proposed buyers, Sichuan Tengzhong Heavy Industrial Machines, had been unable to complete the acquisition.

As a result, GM said it would begin the “orderly wind-down” of the Hummer operations.

John Smith, GM vice president of corporate planning and alliances, said the group had considered a number of possibilities for Hummer and was disappointed that the deal with Tengzhong could not be completed.

Panton Principles launched!

The principles are:

  • Where data or collections of data are published it is critical that they be published with a clear and explicit statement of the wishes and expectations of the publishers with respect to re-use and re-purposing of individual data elements, the whole data collection, and subsets of the collection. This statement should be precise, irrevocable, and based on an appropriate and recognized legal statement in the form of a waiver or license. When publishing data make an explicit and robust statement of your wishes.
  • Many widely recognized licenses are not intended for, and are not appropriate for, data or collections of data. A variety of waivers and licenses that are designed for and appropriate for the treatment of data are described here. Creative Commons licenses (apart from CCZero), GFDL, GPL, BSD, etc are NOT appropriate for data and their use is STRONGLY discouraged. Use a recognized waiver or license that is appropriate for data.
  • The use of licenses which limit commercial re-use or limit the production of derivative works by excluding use for particular purposes or by specific persons or organizations is STRONGLY discouraged. These licenses make it impossible to effectively integrate and re-purpose datasets and prevent commercial activities that could be used to support data preservation. If you want your data to be effectively used and added to by others it should be open as defined by the Open Knowledge/Data Definition – in particular non-commercial and other restrictive clauses should not be used.
  • Furthermore, in science it is STRONGLY recommended that data, especially where publicly funded, be explicitly placed in the public domain via the use of the Public Domain Dedication and Licence or Creative Commons Zero Waiver. This is in keeping with the public funding of much scientific research and the general ethos of sharing and re-use within the scientific community.

    From Panton Principles.