YouTube Breeding Harmful Scientific Misinformation

From Slashdot

“University of Toronto researchers have uncovered widespread misinformation in videos on YouTube related to vaccination and immunization. In the first-ever study of its kind, they found that over half of the 153 videos analyzed portrayed childhood, HPV, flu and other vaccinations negatively or ambiguously. They also found that videos highly skeptical of vaccinations received more views and better ratings by users than those videos that portray immunizations in a positive light.

According to the lead researcher, ‘YouTube is increasingly a resource people consult for health information, including vaccination. Our study shows that a significant amount of immunization content on YouTube contradicts the best scientific evidence at large. From a public health perspective, this is very concerning.’ An extract from the Journal of the American Medical Association is available online.”

Nixon on Reagan

Lovely stuff. A new transcript of a conversation between Henry Kissinger (the patron saint of gravel mixers) and Tricky Dick Nixon.

For years, the Presidential Recordings Program of the Miller Center of Public Affairs at the University of Virginia has been transcribing and analyzing the tape recordings Nixon secretly made in the White House. Even though it’s been 33 years since a disgraced Nixon left office, his tapes are still being processed by the National Archives, and the Miller Center has only recently gotten to the tape of this particular conversation. According to the newly created transcript of the meeting, both Nixon and Kissinger believed Reagan was not the brightest bulb in the GOP. Here are some key excerpts:

President Nixon: What’s your evaluation of Reagan after meeting him several times now.

Kissinger: Well, I think he’s a–actually I think he’s a pretty decent guy.

President Nixon: Oh, decent, no question, but his brains

Kissinger: Well, his brains, are negligible. I–

President Nixon: He’s really pretty shallow, Henry.

Kissinger: He’s shallow. He’s got no…he’s an actor. He–When he gets a line he does it very well. He said, “Hell, people are remembered not for what they do, but for what they say. Can’t you find a few good lines?” [Chuckles.] That’s really an actor’s approach to foreign policy–to substantive….

President Nixon: I’ve said a lot of good things, too, you know damn well.

Kissinger: Well, that too.

Later in the 24-minute-long discussion, the two discussed the possibility of Reagan running for president:

President Nixon: Can you think though, Henry, can you think, though, that Reagan with certain forces running in the direction could be sitting right here?

Kissinger: Inconceivable.

So much for Kissinger’s powers of prognostication. As they were finishing up–after discussing other matters–Nixon slammed Reagan again:

President Nixon: Back to Reagan though. It shows you how a man of limited mental capacity simply doesn’t know what the Christ is going on in the foreign area.

Knacker of the Yard (and Fleet Street’s Finest) beaten by woman using Google Images

Truly, you could not make this up…

A single mother put police and journalists to shame in their attempts to unravel the mysterious reappearance of the canoeist John Darwin by using a simple Google search, it emerged today.

The woman found the picture that apparently shows Darwin with his wife, Anne, in Panama City in July last year.

When confronted with the picture, which was printed in the Daily Mirror yesterday, Anne Darwin is reported to have admitted: “Yes that’s him. My sons will never forgive me.”

It was found by the anonymous woman after she tapped in the words “John, Anne and Panama” into Google. She then forwarded the picture to both Cleveland police and the Mirror.

She said when she forwarded the picture to detectives, she was told: “You’re joking.”

She turned to the internet after becoming suspicious about the story, which has gripped the world’s attention, and she admitted her scepticism had paid dividends.

Thanks to Adrian Monck for spotting it.

Lennon in his own rite

Paul Kindersley pointed me at Ubucom, an avant-garde site, where I found this amazing film of John Lennon and Yoko Ono and their friends, including Ringo, Allen Ginsberg and many others who had gathered to celebrate John’s birthday on October 9, 1972. This film — made by Jonas Mekas and shot on 16mm — is the only record of the event. We hear a series of improvised songs, sung by John, Ringo, Yoko Ono, and their friends — not in a clean studio recording, but as birthday singing: relaxed, chaotic and happy.

Other sequences included in the film mean that it develops like a contemporary music video: a party for John & Yoko at Klein’s (their agent) on June 12, 1971; August 1972 at Madison Square Garden; the Central Park Vigil on the day John was shot; and some other rare footage of John and Yoko shot on different occasions. The soundtrack also includes John’s comments on his own film-making — the “home movies” he made with 8mm technology. The most catchy song, sung in an improvised manner in the film, is the Attica Blues. The drummer for the last part of the film is Dalius Naujolaitis. Amazing stuff: like a trip in a time machine.

I saw John and Yoko once in the flesh. They came to a wierd hippie event held in the Lady Mitchell Hall in Cambridge in, I think, the Autumn of 1969. The hall was packed, and a good many of those present (though not, I hasten to add, this blogger) were, er, stoned. The old adage — that if you can remember the Sixties then you probably weren’t there — is only true up to a point.

Ah, those were the days! Remind me to tell you sometime about the Boer War.

In praise of Schumpeter

Brad de Long has written a thoughtful review of Thomas McCraw’s biography of Joseph Schumpeter. If Ricardo and Marx were the economists of the 19th century, he says, and Keynes the economist for the 20th, then Schumpeter is the man for the 21st.

That missing reign was Schumpeter’s, for he had insights into the nature of markets and growth that escaped other observers. It is in that sense that the late 20th and early 21st centuries in economics ought to have been his: He asked the right questions for our era.

He asked those questions in a book he wrote while working at the University of Czernowitz in his mid-20s: the Theory of Economic Development. Previous first-rank economists (with the partial exception of Marx) had concentrated on situations of equilibrium. In that model, development is a gradual process, in which competition keeps goods high-quality and affordable, and the abstemious owners of capital await the long-term rewards of deferred gratification.

Schumpeter pointed out that that wasn’t how market economies really worked. The essence of capitalist economies was, as Marx had recognized before him, the entrepreneur and the innovator: the risk taker who sets in motion new and more-efficient ways of making old or new products, and so produces an economy in constant change. Marx saw that the coming of capitalist economies destroyed all feudal, traditional, and patriarchal relationships and orders. Schumpeter saw farther: that market capitalism destroys its own earlier generations. There is, he wrote, a constant “process of industrial mutation — if I may use that biological term — that incessantly revolutionizes the economic structure from within, incessantly destroying the old one, incessantly creating a new one. This process of Creative Destruction is the essential fact about capitalism. It is what capitalism consists in, and what every capitalist concern has got to live in.”

Schumpeter saw entrepreneurs not as inventors, but as innovators. The innovator, writes Brad,

shows that a product, a process, or a mode of organization can be efficient and profitable, and that elevates the entire economy. But it also destroys those organizations and people who suddenly find their technologies and routines outmoded and unprofitable. There is, Schumpeter was certain, no way of avoiding this: Capitalism cannot progress without creating short-term losers alongside its short- and long-term winners: “Without innovations, no entrepreneurs; without entrepreneurial achievement, no capitalist … propulsion. The atmosphere of industrial revolutions … is the only one in which capitalism can survive.”

I’ve often thought about that as I listen to the bleating of music executives and their lawyers about the impact of the Net on their business models. In their different ways, Steve Jobs and Shawn Fanning are Schumpeterian entrepreneurs.

The Panorama screw-up

On May 21 last, the BBC Panorama programme screened a sensationalist ‘inquiry’ into allegations that wi-fi in schools posed serious health risks to children. Two viewers objected that the programme presented a misleading impression of the state of scientific knowledge and one interviewee complained that the scientific evidence had been presented in an unbalanced way and that the treatment of his own contribution was unfair to him.

The BBC’s Editorial Complaints Unit has considered the issue and issued a ruling

The programme reflected concerns about wi-fi which had been expressed by Sir William Stewart, Chairman of the Health Protection Agency, and it was legitimate to focus on questions raised by an eminent scientist with particular responsibility for public health issues. The programme made clear that its measurements of wi-fi and mobile phone mast radiation were taken at the points where schoolchildren were likely to be exposed to the respective signals, thus avoiding the false impression that the level of radiation from wi-fi was higher at source, and the results to date of the experiment on “electro-sensitivity” were correctly represented as inconclusive. However, the programme included only one contributor (Prof Repacholi) who disagreed with Sir William, compared with three scientists and a number of other speakers (one of whom was introduced as a former cancer specialist) who seconded his concerns. This gave a misleading impression of the state of scientific opinion on the issue. In addition, Prof Repacholi’s contribution was presented in a context which suggested to viewers that his scientific independence was in question, whereas the other scientists were presented uncriticaly. This reinforced the misleading impression, and was unfair to Prof Repacholi.

Further action

The Executive Editor/Commissioning Editor for TV Current Affairs discussed the finding, and the need to reflect the weight of scientific opinion effectively, with the Panorama team. The team is also planning a special session to explore issues of balance and fair dealing with contributors in relation to scientific and medical topics. The finding against this edition of Panorama will be marked on the programme website in the appropriate place.

Hmmm. I’ve just been poking round the Panorama web site and the aforementioned finding is nowhere to be seen.

Update: Nice email from Duncan Thomas who found it buried in the Panorama archive — it’s at the bottom of this page.

Formatting errors

OFCOM, the UK Communications regulator, has been monitoring the output of Ocean FM, described as “an Adult Contemporary music and information station targeting 25-44 year-olds in South Hampshire”.

The regulator is Not Amused. Here’s the nub of the matter:

Ocean’s core music remit, as set out in the Format’s Character of Service, is to be an Adult Contemporary station for 25-44 year-olds in South Hampshire. Listening to the
station and carrying out analysis of the music logs for the three days, we noted that Ocean is currently interpreting its Adult Contemporary Format in a very Adult Rock type of way, with the inclusion during daytime programming of a high number of classic and alternative/modern rock tracks such as Arctic Monkeys/Fluorescent Adolescent; The Jam/Going Underground; Lynyrd Skynyrd/Sweet Home Alabama; The Cure/Friday I’m In Love; The Clash/Should I Stay Or Should I Go; The Who/My Generation; and The Buzzcocks/Ever Fallen In Love.

Nevertheless, we recognise that within the context of its Format Ocean could legitimately argue it is providing a more rock-leaning ‘Modern AC’ or ‘Hot AC’ type of format often seen in the USA and other commercial radio markets, and we also noted the inclusion of a number of more typical mainstream AC tracks on the playlist such as Robbie Williams/Angels; Simply Red/Fairground; 10cc/Dreadlock Holiday; Take That/Patience; Spandau Ballet/Gold; Michael Jackson/Off The Wall; Anastacia/Left Outside Alone; Madonna/Like A Prayer and Rod Stewart/You’re In My Heart.

The Format allows for (but does not require) up to 30 hours per week of specialist music programming, and Ocean provides a 1980s-themed ‘Skool Daze’ show and Alice Cooper’s rock programme, which are both aired on Friday and Saturday nights.

As previously noted, Ocean FM’s Format requires that “music programming will be
predominantly (up to 70%) current a/c [Adult Contemporary] tracks and those from the previous twelve months, along with a spread of a/c hits from across the years.” Ofcom’s monitoring of the station across the three days showed that, excluding Alice Cooper’s specialist rock show, an average of just 9.5% of the tracks aired by Ocean were either current tracks or tracks drawn from the past 12 months. (This compares to the minimum 51% of current and recurrent tracks that would be required to constitute the “predominant” ingredient of the station’s music programming).

We therefore concluded that Ocean is in clear breach of its Format, and a Yellow Card warning has been issued. If we find that these issues have been addressed when we monitor the station again, then the Yellow Card will be lifted.

There’s something deliciously quaint about this, don’t you think? It’s so redolent of the old world of broadcasting. And the idea of receiving a licence for a particular ‘format’ is just wonderful.

Thanks to Geoff Peters for spotting it.