Streaming to the future

Jason Calcanis says:

I’m going to be starting my own show in the next two weeks called “This Week in Startups” (place holder up at www.thisweekinstartups.com). More details on the show shortly… it’s basically going to be our emails in stream video format. :-)

For background: Streaming video is actually working these days and these show get in the low thousands of viewers live–and hundreds of thousands of viewers after their live viewings. We’re actually seeing the beginnings of a real business emerging. We built out Mahalo’s Studio for < $20,000 and it looks as good as Charlie Rose's studio (in fact we based it on his studio). At this point we can run a live show for $50 to $500 an hour depending on the staff setup (i.e. one video switcher no camera operators, or up to three or four folks running the studio). Think about that: running a live television studio reaching thousands of people in 16:9 with almost HD streaming, perfect lighting, professional audio and live video switching... setup for $20,000. Five years ago that would be $250,000 and ten years ago it would have been one million. I'm thinking we're going to let folks use the studio from time-to-time to live stream in exchange for them promoting Mahalo Answers on the air. It's just crazy! The world is changing... quickly.

The future of news (and of lots more besides)

Three interesting pieces have appeared recently, each of which sheds light on the seismic changes underway in our media environment.

First of all, Emily Bell had a perceptive column on the TMA (“too much stuff”) syndrome, and the $64 billion question:

How does an industry that has force-fed all manner of output to an audience that can’t digest it draw back? The economic downturn will make this confrontation easier to resolve. The way out is for a narrowing at one end of the distribution pipe – the creation end. Production companies in the UK are now bigger and more powerful than broadcasters, not least because of the over-commissioning spree.

There is as much good television now as there has been for a long time – Iran and the West, The Devil’s Whore, Mad Men, Red Riding – yet it barely has space to breathe. We are moving, probably for all manner of creative content, toward the “iPlayer model”. The number of shop windows and the level of output will drop dramatically with closure and consolidation, but the opportunity to consume will exponentially expand through technology.

Rationally this is something every media business knows, but moving towards it is incredibly painful and often extremely expensive. Not to mention slow. The light at the end of the tunnel is the possibility that, when all of the current attrition is over, there will still be enough revenue from advertising to support the very best of the content. Shrinkage is the new black, even the stylish Lygo can see that. The war against too much stuff has officially begun. The challenge is to make sure we are left, when the gloom lifts, with the right stuff.

Then there was Clay Shirky’s essay (about which I’ve already blogged) in which he highlighted the blind-spot that disables most media discussion about the future of news, namely the failure to distinguish between form and function. What matters is news and journalism, not the survival of one particular form (the newspaper) which — for historical and technological reasons — happened to become the dominant way of fulfilling that function until recently. Journalists are obsessed with the importance of preserving the newspaper, rather than the thing that newspapers existed to produce. This, it seems to me, is a pretty widespread misconception, and it applies to many fields other thn journalism. Libraries, for example. Travel agents. And maybe universities.

Finally, there was Steven Johnson’s speech to the South by Southwest Interactive Conference in Austin. This is another example of trying to take the long view of what’s happening, rather than constantly engaging in panic-stricken extrapolation from short-term trends. One thing I especially liked is that he shares my view that ecological metaphors are the best tools for discussing what’s happening.

The metaphors we use to think about changes in media have a lot to tell us about the particular moment we’re in. McLuhan talked about media as an extension of our central nervous system, and we spent forty years trying to figure out how media was re-wiring our brains. The metaphor you hear now is different, more E.O. Wilson than McLuhan: the ecosystem. I happen to think that this is a useful way of thinking about what’s happening to us now: today’s media is in fact much closer to a real-world ecosystem in the way it circulates information than it is like the old industrial, top-down models of mass media. It’s a much more diverse and interconnected world, a system of flows and feeds – completely different from an assembly line. That complexity is what makes it so interesting, of course, but also what makes it so hard to predict what it’s going to look like in five or ten years. So instead of starting with the future, I propose that we look to the past.

To use that ecosystem metaphor: the state of Mac news in 1987 was a barren desert. Today, it is a thriving rain forest. By almost every important standard, the state of Mac news has vastly improved since 1987: there is more volume, diversity, timeliness, and depth.

I think that steady transformation from desert to jungle may be the single most important trend we should be looking at when we talk about the future of news. Not the future of the news industry, or the print newspaper business: the future of news itself. Because there are really two worst case scenarios that we’re concerned about right now, and it’s important to distinguish between them. There is panic that newspapers are going to disappear as businesses. And then there’s panic that crucial information is going to disappear with them, that we’re going to suffer as culture because newspapers will no long be able to afford to generate the information we’ve relied on for so many years.

When you hear people sound alarms about the future of news, they often gravitate to two key endangered species: war reporters and investigative journalists. Will the bloggers get out of their pajamas and head up the Baghdad bureau? Will they do the kind of relentless shoe-leather detective work that made Woodward and Bernstein household names? These are genuinely important questions, and I think we have good reason to be optimistic about their answers. But you can’t see the reasons for that optimism by looking at the current state of investigative journalism in the blogosphere, because the new ecosystem of investigative journalism is in its infancy. There are dozens of interesting projects being spearheaded by very smart people, some of them nonprofits, some for-profit. But they are seedlings.

So here are some principles for thinking intelligently about our emerging media environment:

  • Think ecologically
  • Think long-term. What’s happening might be as profound as what happened after the emergence of print — and look how long it took for those effects to work their way through society.
  • Don’t confuse existing forms with the functions that they enable. It’s the functions that matter. Forms may be transient, the product of historical or technological circumstances.
  • Er, that’s it

    LATER: Andrew Keen isn’t entirely impressed by the Shirky essay.

    But for all the invigorating qualities of Shirky’s prose and ideas, I found the piece to be just a tad depressing. The weakness of his skeptical argument is also its great strength. Since we don’t know the ending to the news business saga, we can’t know for sure if this will have a happy ending. Shirky acknowledges that “many of these models will fail” and that “over time” some of these experiments might “give us the reporting we need”. I’ve bolded and itallicized that “might” because I suspect that Shirky isn’t himself completely convinced that a real solution will emerge. And that’s a depressing thought because a society without journalism isn’t a good society.

    And the question that I’d throw back at the laissez-faire Shirky is this: how absolutely should we stand back and trust the free market to come up with a solution to the crisis of the news business? We certainly aren’t trusting this unfettered market to solve Wall Street’s financial crisis. Nor are most Americans happy with a free market in healthcare that has left millions of people without insurance. So if we can agree that the news business, like healthcare and the financial sector, is too important to fail, then shouldn’t the government be taking a more active gardening/watering role in ensuring that at least one or two of today’s digital flowers fully bloom in the future?

    Young listeners deaf to iPod’s limitations

    Fascinating piece in The Times about the impact that MP3 compression has had on music fans.

    Research has shown, however, that today’s iPod generation prefers the tinnier and flatter sound of digital music, just as previous generations preferred the grainier sounds of vinyl. Computers have made music so easy to obtain that the young no longer appreciate high fidelity, it seems.

    The theory has been developed by Jonathan Berger, Professor of Music at Stanford University, California. For the past eight years his students have taken part in an experiment in which they listen to songs in a variety of different forms, including MP3s, a standard format for digital music. “I found not only that MP3s were not thought of as low quality, but over time there was a rise in preference for MP3s,” Professor Berger said.

    He suggests that iPods may have changed our perception of music, and that as young people become increasingly familiar with the sound of digital tracks the more they grow to like it.

    He compared the phenomenon to the continued preference of some people for music from vinyl records heard through a gramophone. “Some people prefer that needle noise — the noise of little dust particles that create noise in the grooves,” he said. “I think there’s a sense of warmth and comfort in that.”

    Music producers complain that the “compression” of some digital music means that the sound quality is poorer than with CDs and other types of recording. Professor Berger says that the digitising process leaves music with a “sizzle” or a metallic sound…

    Worth reading in full.

    The drunk, the lamp-post and Amazon’s Kindle

    This morning’s Observer column.

    Know the old joke about the drunk and the lost keys? A policeman finds a guy scrabbling under a lamp-post and asks him what he's doing. “Looking for my keys,” he replies. “Is this where you dropped them?” asks the cop. “No,” replies the drunk, “but at least I can see what I’m doing here.”

    When it comes to technology futures, we’re all drunks, always looking in the wrong place…

    LATER: Interesting stuff about the upcoming eReader from the Cambridge firm Plastic Logic.

    STILL LATER: See Jakob Neilsen’s review of the new Kindle.

    Asus shows off dual-screen laptop

    According to IT PRO,

    Asus has unveiled a new dual-screen computer prototype, which can be used as a laptop, multimedia machine or an e-book reader.

    Similar in design to OLPC’s second generation XO, the concept design dispenses with a hardware keyboard to offer two touchscreens, either of which can be used to display a software keyboard, or even trackpad for those who prefer using the mouse icon over a touch interface.

    Both of these would be adjustable, with the keyboard capable of being stretched across both screens should you need extra space. Obviously, users would also be able to manipulate the device through hand gestures, handwriting recognition and multi-touch…

    No hint of when this might come to market. Funny how the commercial manufacturers continually copy the XO designers…

    More interesting is a new device called The Touch Book, which has the features of a netbook: 10 to 15 hour battery life, low cost and small size, but the interface of a slate computer with a completely detachable keyboard. The Touch Book starts at $299 for slate only configurations or $399 for slate plus keyboard and is poised to dramatically change our view of netbooks. More info here.

    Thanks to Jack Schofield for the links.

    Our great hop forward

    As some readers know, I’m a co-founder (with Quentin) of Camvine, the company that is going to be the eBay of pixels. (Well, maybe the iTunes of digital signage might be more accurate.) Anyway, what we’ve done is create a system which makes it easy to put digital information on screens anywhere — and to manage those screens from anywhere over the Net. (You can even manage your screens from your iPhone.) We have three ace developers working round the clock on this in Cambridge and they’ve produced elegant, slick and highly functional software. But look what happens when we turn our backs.

    More info on Michael’s Blog.

    Who’s Messing with Wikipedia?

    This diagram summarises the editing activity on the wikipedia page about Global Warming. I produced it by running the entry through an intriguing new web service described by Technology Review.

    Despite warnings from many high-school teachers and college professors, Wikipedia is one of the most-visited websites in the world (not to mention the biggest encyclopedia ever created). But even as Wikipedia’s popularity has grown, so has the debate over its trustworthiness. One of the most serious concerns remains the fact that its articles are written and edited by a hidden army of people with unknown interests and biases.

    Ed Chi, a senior research scientist for augmented social cognition at the Palo Alto Research Center (PARC), and his colleagues have now created a tool, called WikiDashboard, that aims to reveal much of the normally hidden back-and-forth behind Wikipedia’s most controversial pages in order to help readers judge for themselves how suspect its contents might be.

    Wikipedia already has procedures in place designed to alert readers to potential problems with an entry. For example, one of Wikipedia’s volunteer editors can review an article and tag it as ‘controversial’ or warn that it ‘needs sources.’ But in practice, Chi says, relatively few articles actually receive these tags. WikiDashboard instead offers a snapshot of the edits and re-edits, as well as the arguments and counterarguments that went into building each of Wikipedia’s many million pages.

    This is a great idea.

    The downside of Web 2.0

    Hmmm… It’s really tough. On the one hand, one cannot run a business nowadays without taking Google into account. On the other hand, one can’t build a business that depends on Google.

    A number of Google services just announced that they are about to shut down. The Google Video team announced that it will shut down uploads in a few months, while the Google Notebook team announced that it is stopping development the service will continue to function, however. According to Danny Sullivan, Google is also closing Jaiku, a Twitter-like micro-blogging service that was bought by Google before it even launched, but which has lingered in invite-only mode ever since. Google Catalog search, which made shopping catalogs searchable, will also be closed soon.

    Update: Google will release the Jaiku code under the open source Apache license, so that other organizations can pick up where the Google team left off. It is not clear if current users will be able to transfer their accounts.

    The flip side of Moore’s Law

    From this week’s Economist

    Constant improvements mean that more features can be added to these products each year without increasing the price. A desire to do ever more elaborate things with computers—in particular, to supply and consume growing volumes of information over the internet—kept people and companies upgrading. Each time they bought a new machine, it cost around the same as the previous one, but did a lot more. But now things are changing, partly because the industry is maturing, and partly because of the recession. Suddenly there is much more interest in products that apply the flip side of Moore’s law: instead of providing ever-increasing performance at a particular price, they provide a particular level of performance at an ever-lower price.

    The most visible manifestation of this trend is the rise of the netbook, or small, low-cost laptop. Netbooks are great for browsing the web on the sofa, or tapping out a report on the plane. They will not run the latest games, and by modern standards have limited storage capacity and processing power. They are, in short, comparable to laptops from two or three years ago. But they are cheap, costing as little as £150 in Britain and $250 in America, and they are flying off the shelves: sales of netbooks increased from 182,000 in 2007 to 11m in 2008, and will reach 21m this year, according to IDC, a market-research firm. For common tasks, such as checking e-mail and shopping online, they are good enough.