Signing away your rights

Just in case you were thinking of entrusting your pictures to PhotoShop Express, it might be worth examining their Terms and Conditions:

“With respect to Your Content that you submit or make available for inclusion on publicly accessible areas of the Services, you grant Adobe a worldwide, royalty-free, nonexclusive, perpetual, irrevocable, and fully sublicensable license to use, distribute, derive revenue or other remuneration from, reproduce, modify, adapt, publish, translate, publicly perform and publicly display such Content (in whole or in part) and to incorporate such Content into other Materials or works in any format or medium now known or later developed.”

Thanks to Geoff Einon for spotting it.

E-vote early, e-vote often…

This morning’s Observer column (about voting machines)…

It’s not just the accuracy of the machines that is questionable, it’s also their security. Several projects have demonstrated how voting machines from all the major makers can be hacked into with comparative ease. This is not an argument for not using machines: who would want to replicate the ‘hanging chads’ fiasco of the 2000 election? But before a society entrusts its central democratic process to machines, it ought to take reasonable steps to instil public confidence in the technology.

This requires only two very basic provisions…

Gordon Brown and the copyright lobby

This morning’s Observer column

The award for Fatuous Statement of the Month goes to Geoffrey Taylor, chief executive of the quaintly named British Phonographic Industry, aka the BPI. (Note for readers under 65: a ‘phonograph’ is an instrument that reproduces sound recorded on a grooved disk.) The winning statement reads: ‘For years, ISPs have built a business on other people’s music.’

Untruth of the day

“For years, ISPs have built a business on other people’s music. “

Geoff Taylor, Chief Executive of the quaintly-named British Phonographic Industry, commenting on reports that the government proposes to legislate to force ISPs to monitor content flowing through their servers.

Brown & Co swallow copyright thugs’ line

From Times Online

People who illegally download films and music will be cut off from the internet under new legislative proposals to be unveiled next week.

Internet service providers (ISPs) will be legally required to take action against users who access pirated material, The Times has learnt…

If you wanted a case study in the naivete of British politicians, then this is it. One expected nothing more of the Brown government (which still thinks that Microsoft is cutting edge), but the Cameroonians seem to have bought the RIAA line too. At any rate, here’s what the Times report says.

Ed Vaizey, the Shadow Arts Minister, said: “David Cameron called on the internet providers to address this issue last summer. The credibility of the Government’s latest threat is undermined by the fact that ministers have spent so many years dithering on whether to legislate.”

Has AT&T lost its marbles?

Tim Wu has an intriguing piece in Slate Magazine in which he ponders the implications of AT&T’s announcement that it is seriously considering plans to examine all the traffic it carries for potential violations of U.S. intellectual property laws. (A similar idea is about to be foisted on UK ISPs by Gordon Broon & Co.)

“No one knows exactly what AT&T is proposing to build”, he writes. “But if the company means what it says, we’re looking at the beginnings of a private police state. That may sound like hyperbole, but what else do you call a system designed to monitor millions of people’s Internet consumption? That’s not just Orwellian; that’s Orwell.”

That’s just the civil libertarian aspect of the idea. The interesting thing is that the commercial downsides could be catastrophic — for AT&T.

The most serious problems for AT&T may be legal. Since the beginnings of the phone system, carriers have always wanted to avoid liability for what happens on their lines, be it a bank robbery or someone’s divorce. Hence the grand bargain of common carriage: The Bell company carried all conversations equally, and in exchange bore no liability for what people used the phone for. Fair deal.

AT&T’s new strategy reverses that position and exposes it to so much potential liability that adopting it would arguably violate AT&T’s fiduciary duty to its shareholders. Today, in its daily Internet operations, AT&T is shielded by a federal law that provides a powerful immunity to copyright infringement. The Bells know the law well: They wrote and pushed it through Congress in 1998, collectively spending six years and millions of dollars in lobbying fees to make sure there would be no liability for “Transitory Digital Network Communications”—content AT&T carries over the Internet. And that’s why the recording industry sued Napster and Grokster, not AT&T or Verizon, when the great music wars began in the early 2000s.

Here’s the kicker: To maintain that immunity, AT&T must transmit data “without selection of the material by the service provider” and “without modification of its content.” Once AT&T gets in the business of picking and choosing what content travels over its network, while the law is not entirely clear, it runs a serious risk of losing its all-important immunity. An Internet provider voluntarily giving up copyright immunity is like an astronaut on the moon taking off his space suit. As the world’s largest gatekeeper, AT&T would immediately become the world’s largest target for copyright infringement lawsuits….

Tim Wu is a great commentator on this stuff, and this is an especially good piece.

Copyright thuggery takes a new twist

Interesting report in the Washington Post…

In an unusual case in which an Arizona recipient of an RIAA letter has fought back in court rather than write a check to avoid hefty legal fees, the industry is taking its argument against music sharing one step further: In legal documents in its federal case against Jeffrey Howell, a Scottsdale, Ariz., man who kept a collection of about 2,000 music recordings on his personal computer, the industry maintains that it is illegal for someone who has legally purchased a CD to transfer that music into his computer.

The industry’s lawyer in the case, Ira Schwartz, argues in a brief filed earlier this month that the MP3 files Howell made on his computer from legally bought CDs are “unauthorized copies” of copyrighted recordings.

“I couldn’t believe it when I read that,” says Ray Beckerman, a New York lawyer who represents six clients who have been sued by the RIAA. “The basic principle in the law is that you have to distribute actual physical copies to be guilty of violating copyright. But recently, the industry has been going around saying that even a personal copy on your computer is a violation.”

The piece attracted 283 comments, one of which usefully pointed to the RIAA’s own FAQ page. This says:

11. How is downloading music different from copying a personal CD?

Record companies have never objected to someone making a copy of a CD for their own personal use. We want fans to enjoy the music they bought legally.

Quite so. But later there’s a link labelled “for more on what the law says about copying CDs, click here”. This leads to the MusicUnited.org site and the following claims:

# It’s okay to copy music onto an analog cassette, but not for commercial purposes.

# It’s also okay to copy music onto special Audio CD-R’s, mini-discs, and digital tapes (because royalties have been paid on them) – but, again, not for commercial purposes.

# Beyond that, there’s no legal “right” to copy the copyrighted music on a CD onto a CD-R. However, burning a copy of CD onto a CD-R, or transferring a copy onto your computer hard drive or your portable music player, won’t usually raise concerns so long as:

* The copy is made from an authorized original CD that you legitimately own

* The copy is just for your personal use.

What this highlights is that there is no limit to what the copyright industries will seek to extort from consumers unless they are constrained by law. It’s only a short step from the RIAA’s apparent position as revealed here (that being allowed to rip a CD onto your hard drive for your personal use is a privilege which “won’t usually raise concerns”, rather than a right) to arguing that merely looking at a web page constitutes making a copy — because a computer can only display a web page after a copy of the page has been loaded into the video RAM of the user’s computer.

If these industries were allowed to get their way, they would reduce the web to a shambles of permanent ongoing micro-payment negotiation.

Thanks to Chris Walker for the original link.

Cyberlawyer 2.0

The Economist has a good profile of Larry Lessig…

WHEN working as a clerk in the early 1990s for Antonin Scalia, a Supreme Court Justice, a twenty-something law graduate became frustrated by the limitations of the creaking mainframe technology used by the court to publish its rulings—a system called Atex that is well known to veteran journalists. So he and another clerk made a presentation about the virtues of personal computers to the Supreme Court’s technology committee. The verdict from its chairman, Justice Sandra Day O’Connor, was swift. “I want PCs on everyone’s desk on Monday,” she ruled. This was more than a one-time judicial victory. The incident also hinted at a legal career in which Lawrence Lessig—today one of America’s leading cyberlaw experts—would always argue on the side of technological progress…

Avoid Western Digital hard drives

From BBC NEWS

One of the world’s largest hard disk manufacturers has blocked its customers from sharing online their media files that are stored on networked drives.

Western Digital says the decision to block sharing of music and audio files is an anti-piracy effort.

The ban operates regardless of whether the files are copy-protected, or a user’s own home-produced content.

Well, that’s one purchasing decision made easier.