Missing in action

This blog went missing yesterday, for reasons that were entirely ridiculous, not to say predictable: it was moved to a different server. My web-hosting service had, of course, alerted me well in advance that this would happen but — well, you can guess the rest: the email got swamped in the tide that floods my inbox and…

After I’d reset the DNS pointers, it took 24 hours for the change to ripple through. If you’re a regular reader, please accept my apologies. As usual, incompetence rather than conspiracy provides the best explanation.

Grace under pressure

No, not a picture of a Jubilee dinner, but of something far more moving and significant. Some months ago, a lovely young man who was a classmate of my daughter at secondary school — a clever, charming, athletic undergraduate — had a terrible accident while on a sporting trip abroad. He fell from an hotel balcony and suffered horrendous head injuries. When they got him to hospital, the medics thought he would die. He was in a coma for weeks, had emergency brain surgery and was eventually flown home to our local hospital where he is beginning to make a slow — but in the circumstances miraculous — recovery. He has a wonderful, supportive family but they’re not rich, and this catastrophe has obviously stretched their resources, so many of us have been wondering how best we can help.

Then two of their closest friends had an idea. Why not organise a “benefit evening”? So they set about it. A dinner in the village hall, cooked by volunteers, with everyone paying a lot more than they would in a restaurant. And an ”auction of promises” afterwards.

So last evening we drove through what VS Pritchett once called ”the most gardened country on earth” to the village hall. It was the kind of beautiful English summer evening that George Orwell (and John Major) would have recognised. The only thing missing was those old maids cycling to Evensong. When we got to the Hall, we were directed efficiently into a field specially set aside for parking. Our stewards were young men — some of whom I recognised from the primary-school gate when I used to meet their parents as I picked up my own children. Then into the Hall, which was packed to the rafters. Long trestle-tables with white linen, glasses and cutlery. Legions of the injured boy’s classmates recruited as waiters and dressed neatly in black trousers and white shirts. Guests of all ages, including many grandparents — and villagers who hadn’t known either the boy or his family but felt moved to put their personal weight behind this gesture of solidarity. Lots of parents I hadn’t met for years. Introductions which went, ”Hello, I’m JP’s Mum. You must be Annie’s Dad”. Teachers from the (terrific) school that so many of our children had attended. And the injured boy’s twin brother.

Then the meal: excellent boeuf bourgignon for the carnivores; and an equally delicious vegetarian option. And lots of dessert, with each table taking its turn to collect it. All in good order and with much cheerful jostling. Afterwards a few short speeches: from the boys’ rugby coach; then the sparky teacher who taught our children English for GCSE; and finally the injured lad’s identical twin.

”Some of you won’t know my brother”, he said, ”but now you do, because usually people cannot tell us apart”. He spoke movingly but without mawkish sentimentality, and left us marvelling at the capacity of human beings to rise above adversity. He and his brother are as close as it possible for two people to be; so in a way part of him was down the road in hospital as he spoke. Listening to him I felt that, for once, Hemingway’s definition of courage as ”grace under pressure” was justified.

And then the auction of promises. People had come up with an amazing array of offerings. Numerous tickets to rugby Internationals (for sums ranging between £120 and £280); a round of golf with the school principal (£120). Tickets to cricket Test Matches. Paintings by local artists. A week in an Alpine chalet (£1200). Another week in a Portuguese villa. A meal for two in a local restaurant (we went to £100 on this and were outbid). A free annual tax return by a local accountant (a snip at £35). And so it went on and on, with the audience being continually amazed — and delighted — by the frenzied bidding.

What fuelled the event was a shared recognition of how fragile is the thread by which life hangs. Here, after all, was a family which had done everything right: brought up two lovely lads who had the world at their feet — boys who turned out to be not only nice people and terrific athletes but also had won places at Oxford. And then — bang! — in one fateful moment, it all disintegrated. They had experienced the terror that lurks at the back of every parent’s mind. There but for the Grace of God and all that…

It was one of the most heart-warming events I’ve ever attended, an affirmation of the power of friendship and human empathy, a reminder — against the horrifying evidence of our capacity for inhumanity that is currently on display in Syria — of the better angels of our nature. And it was all so very English, somehow: no histrionics; no tears; just a quiet, determined pragmatism. As we drove home in the dark I was reminded of why I love living in this country.

The Queen and I

HMQ and I have one thing in common: we both use Leica cameras. This famous photograph is of her with a M3. My first Leica was an M2, which I bought from an antiquarian bookseller towards the end of my time as a student. It came with a 50mm Summicron lens. He accepted a facsimile edition of Newton’s Principia in part exchange.

The difference between HMQ and me is therefore simple: she got her cameras as a gift from Leitz, whereas I have always paid (through the nose) for them. It’s said that she requested that they should come without serial numbers, so they engraved her initials on them instead.

Since 1925, Leica has had a tradition of giving cameras with special serial numbers to a select group of prominent people. As well as the Queen they include photographers Alfred Eisenstat and Henri Cartier-Bresson, the co-inventors of Kodachrome film (Leopold Mannes and Leo Godowsky Jr.), US president Dwight Eisenhower and Woody Allen (serial number 3,555,555).

Why Allen? Well, it turns out that he’s an avid Leica enthusiast. After being presented with the camera (an M8.2, for those who are interested in such things) he explained that when he was preparing for the film Vicky Cristina Barcelona and had to choose a camera for actress Scarlett Johansson to use (her character plays a photographer), he chose a Leica.

Now there’s product placement for you.

What Facebook is really up to (maybe)

I’m not what you’d describe as a natural Facebooker. Sure I have a FB page and a bunch of ‘friends’ but I visit the site only rarely, and that’s mainly to find out what my kids or my friends’ kids are up to. Some Facebookers make the mistake of thinking that I’m an active user, but that’s because I’ve arranged for Twitter (of which I am an active user) to feed my tweets to FB where they appear as Updates.

All of which is by way of saying that my views on social networking are not based on deep personal experience and so should be taken with a pinch of salt. But, hey! this is a blog and blogs are places for unfinished thoughts, work-in-progress and the like. So here goes.

At the moment Facebook has two distinctive features. The first is a huge subscriber base — 900 million and counting. The second is a higher level of user engagement than any other service on the Web. Something like half of the users log in every day, and when logged in spend more time on the site than users of any other site. so the key question for anyone wanting to understand the Facebook phenomenon is: what’s driving them to do this?

I think I know the answer: it’s photographs — photographs that they or their friends have uploaded. Two reasons for thinking this: (1) the staggering statistics of how many photographs FB now hosts (100 billion according to some estimates), and the rate at which Facebookers upload them every day; and (2) personal observation of friends and family who are users of the site. Of course people also log into Facebook to read their friends’ status updates, newsfeeds/timelines, messages, wall-posts etc. But more than anything else they want to see who’s posted pics from last night, who’s been tagged in these images, and where (i.e. at which social event) the pictures were taken.

Hold that thought for a moment while we move to consider the speculation (now rampant) that Facebook is developing a smartphone. Henry Blodget thinks that this would be a crazy idea for seven different reasons, and I’m inclined to agree with him. (But then I would have said — probably did say — the same about Steve Jobs’s decision to enter the mobile phone market.)

Zuck & Co aren’t crazy — not in that way anyway — so let’s assume that they share Blodget’s view — that building a phone qua phone would be a daft idea. And yet everyone’s convinced that they are building something. So what is it?

Dave Winer, whom I revere, thinks it’s a camera. And not just any old camera, either, but what Dave calls a social camera. Here’s how he described it.

Here’s an idea that came to me while waiting for a train to Genova. I was standing on a platform, across a pair of tracks a man was taking a picture of something in my direction. I was in the picture, the camera seemed to be pointed at me.

I thought to yell my email address across the tracks asking him to send me a copy of the picture. (Assuming he spoke English and I could be heard over the din of the station.)

Then I thought my cell phone or camera could do that for me. It could be beaming my contact info. Then I had a better idea. What if his camera, as it was taking the picture, also broadcast the bits to every other camera in range. My camera, sitting in my napsack would detect a picture being broadcast, and would capture it. (Or my cell phone, or iPod.)

Wouldn’t this change tourism in a nice way? Now the pictures we bring home would include pictures of ourselves. Instead of bringing home just pictures that radiate from me, I’d bring home all pictures taken around me while I was traveling.

Of course if you don’t want to broadcast pictures you could turn the feature off. Same if you don’t want to receive them.

A standard is needed, but the first mover would set it, and there is an incentive to go first because it would be a viral feature. Once you had a Social Camera, you’d want other people to have one. And you’d tell them about it.

Dave wrote that in 2007, which is 35 Internet-years ago, and I remember thinking that it was a bit wacky when I first read it. But then I’m a serious (or at any rate an inveterate) photographer, and for me photographs are essentially private things — artefacts I create for my own satisfaction. Of course I am pleased if other people like them, but that’s just icing on the cake.

Over the years, though, my views changed. I bought an Eye-Fi card, which is basically just an SD card with onboard WiFi. Stick into your camera and it wirelessly transmits the images you take to a computer on the same Wi-Fi network. It’s fun (though a bit slow unless you keep the image size down) but can be useful at times — e.g. in event photography.

And then came the iPhone. The first two versions had crappy cameras, just like most other mobile phones. But from the 3S model onwards, the iPhone cameras improved to the point where they’re almost as good as the better point-and-shoot digital compacts. Given the First Law of Photography, which is that the best camera is the one you have with you, and given that most people always carry a phone whereas only hardcore snappers like me always carry a separate camera, it was only a matter of time before the market for compact cameras began to feel Christensen-type disruption. And so it has proved, to the point where the most popular ‘camera’ amongst Flickr users is now the iPhone 4.

Now start joining up these dots — as Dave Winer did in this blog post — and you can see the glimmer of an intriguing possibility. Consider: if we accept that (i) the Facebook geeks are smart, (ii) social photography is Facebook’s addictive glue, (iii) cameras have morphed into cameraphones and (iv) Facebook recently paid an apparently insane amount of money for Instagram, then maybe the device that Zuck & Co are incubating is actually a camera which has photo-sharing built in. And if it also happens to make phone calls and send texts well, that would be a bonus.

Neat, eh?

Dave Winer: still programming after all those years

Dave Winer (one of my heroes) has been programming for 37 years. He writes about that in reflective mood:

Some conclusions may be in order.

First, most people don’t program that long. The conventional wisdom is that you “move up” into management long before you’ve been coding for 37 years. Only thing is I don’t see programming as a job, I see it as a creative act. I drew a big circle shortly after I started, and said I was going to fill the circle. So until the circle is full, I still have more to do.

“Legacy”: the use and abuse of a term

The word “legacy” crops up a lot in discussions about innovation in cyberspace, so it was good to find thoughtful essay about it by Stephen Page, current CEO of Faber & Faber, the eminent publishing house of which TS Eliot was famously a Director.

In any revolution, language matters. One powerful word in the digital revolution is “legacy”. There is a conscious attempt to employ the word pejoratively, to suggest that existing media businesses – publishers, in the case of books – are going to fail to make the leap to a new world.In common usage, the first meaning of legacy is an inheritance, or something handed down from the past. A second meaning, more specific and recent, denotes technological obsolescence, or dramatic business-model shift. These two meanings have been fused to imply inevitable irrelevance for those with history, especially in media. This is a sleight of hand that would be sloppy if it wasn’t so considered.

Let’s deal with technological obsolescence. Media businesses are not technology businesses, but they can be particularly affected by technology shifts. I run a so-called legacy publishing house, Faber & Faber. Most of our business is based on licensing copyrights from writers and pursuing every avenue to find readers and create value for those writers. We are agnostic about how we do this. For our first 80 years, we could only do it through print formats (books); now we can do it through books, ebooks, online learning (through our Academy courses), digital publishing (such as the Waste Land app) and the web. Technology shifts have tended to result in greater opportunity, not less.

Implicit, I suppose, in the pejorative use of the term legacy is that we at Faber, like other publishers, don’t get it – “it” being the new economy, the new rules. There is something in this, of course. It’s harder to transform an existing business into one with a new culture and cost structure than to start afresh. Any existing business, no matter what old-world strength it has, will fail if it is not bold enough to attack its own DNA where necessary. The ailing photography firm Eastman Kodak is widely cited as a recent example of this phenomenon. But this is business failure due to cultural stasis. There is nothing inevitable in failure for existing businesses, but they have particular issues to figure out: simply adhering to old business practices will lead to failure. Failure will not be because of technology, but through failure to react to technology. In fact, it could be regarded as squandering the opportunity of a beneficial legacy.

He’s right about the two meanings. A legacy can be a source of mindless complacency — the kind of mindset one finds in the trust-fund Sloanes who hang out in Belgravia and Chelsea. But it can also be a source of strength — as in the case of Faber, who seem to me to be approaching the challenges of digital technology with imagination and vision. For example, the wonderful Waste Land App produced by my friend Max Whitby and his colleagues at TouchPress required access to the Eliot papers and rights held by Faber. So they used their ‘legacy’ to add value to a digital product in a distinctive and valuable way.

But others legatees in the publishing (and other content industries) have viewed their inheritances in different and less imaginative ways. Think, for example, of the way Stephen Joyce has relentlessly used his control of the Joyce estate to prevent imaginative uses of his grandfather’s works. (Mercifully, Ulysses is now finally out of copyright and therefore beyond Stephen’s baleful reach, which is what has enabled TouchPress to embark on an imaginative App based around a new translation that will come out later this year.). Or of the way some legatees have viewed their inheritances as guarantees that the digital revolution will never threaten their hold on a market.

Still, Mr Page is right: “legacy” is too often used as a term of patronising abuse by tech evangelists who think that they have “the future in their bones” (as C.P. Snow put it in his famous Rede Lecture all those years ago.)