Friday 20 June, 2025

A plug for rural France

This volcanic plug near Le Puy-en-Velay is my favorite sight on our drive southwards through the Massif Centrale.


Quote of the Day

“Learn from the mistakes of others. You can never live long enough to make them all yourself.”

  • Groucho Marx

Musical alternative to the morning’s radio news

J.S. Bach | Cello Suite No. 4 in E-Flat Major, BWV 1010: II. Allemande | Yo-Yo Ma

Link


Long Read of the Day

 America’s descent into the suppression of dissent

Christina Pagel has been tracking the Trump administration’s actions across four domains of suppressing dissent. This is her latest account. It’s only when you see how it’s evolving that the extent of the threat to the republic becomes more and more obvious.

The number and severity of the administration’s actions to suppress dissent have increased each month. There is nothing to suggest either from the last five months or administration rhetoric that Trump will de-escalate. His cabinet and the Republican party has rallied firmly behind him. Homeland Security Secretary Kristi Noem vowed to “liberate this city (LA) from the socialists and the burdensome leadership that this governor and that this mayor have placed on this country”; Senator Marco Rubio has backed aggressive measures—including revoking thousands of visas—to “protect national security”; and Stephen Miller has openly urged ICE to “intensify efforts” against what he terms agitators. Some commentators are warning that these crackdowns could be a dress rehearsal for potential unrest during or after the midterm elections. This hardening stance has already emboldened extremists, manifesting most tragically in the June 15, 2025, shooting of two Democratic state lawmakers in Minnesota by a gunman posing as a police officer.

What might come next? If the trajectory continues to worsen, we might see the administration shift from crackdowns against specific protests to more institutionalised repression.

Yep. Watching what’s happening in the US makes me think of how people in Britain in the 1930s must have thought if they were following reports of what was happening in Germany.


My commonplace booklet

As LLMs come to be part of everyday life, too much of the attention seems to be on how students will be able to ‘cheat’ with them by getting AIs to write their essays. But not enough people are paying attention to how the existence of LLMs is affecting reading. That has already been transformed by the existence of earlier technologies — like eBooks. But how do LLMs come into the picture?

Joshua Rothman has a very nice essay about this in the New Yorker, in which the excerpt below stood out, partly because I follow Tyler Cowen and have always been amazed by the amount of reading he manages to do.

In January, the economist and blogger Tyler Cowen announced that he’d begun “writing for the AIs.” It was now reasonable to assume, he suggested, that everything he published was being “read” not just by people but also by A.I. systems—and he’d come to regard this second kind of readership as important. “With very few exceptions, even thinkers and writers who are famous in their lifetimes are eventually forgotten,” Cowen noted. But A.I.s might not forget; in fact, if you furnished them with enough of your text, they might extract from it “a model of how you think,” with which future readers could interact. “Your descendants, or maybe future fans, won’t have to page through a lot of dusty old books to get an inkling of your ideas,” Cowen wrote. Around this time, he began posting on his blog about mostly unremarkable periods of his life—ages four to seven, say. His human readers might not care about such posts, but the entries could make it possible “for the advanced A.I.s of the near future to write a very good Tyler Cowen biography.”

Cowen can think this way because large language models, such as OpenAI’s ChatGPT or Anthropic’s Claude, are, among other things, reading machines. It’s not exactly right to say that they “read,” in the human sense: an L.L.M. can’t be moved by what it reads, because it has no emotions, and its heart can’t race in suspense. But it’s also undeniable that there are aspects of reading at which A.I.s excel at a superhuman level. During its training, an L.L.M. will “read” and “understand” an unimaginably large quantity of text. Later, it will be able to recall the substance of that text instantaneously (if not always perfectly), and to draw connections, make comparisons, and extract insights, which it can bring to bear on new pieces of text, on which it hasn’t been trained, at outrageous speed.


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Wednesday 18 June, 2025

Temptation


Quote of the Day

”Don’t look at me in that tone of voice.”

  • Dorothy Parker

Musical alternative to the morning’s radio news

Planxty | True Love Knows No Season

Link


Long Read of the Day

Loathe thy neighbor: Elon Musk and the Christian right are waging war on empathy

Interesting piece by Julia Carrie Wong on the deep waters that the techno-fascist right are leading us into.

Here’s a sample

Just over an hour into Elon Musk’s last appearance on Joe Rogan’s podcast, the billionaire brought up the latest existential threat to trouble him.

“We’ve got civilizational suicidal empathy going on,” Musk said. “And it’s like, I believe in empathy. Like, I think you should care about other people, but you need to have empathy for civilization as a whole and not commit to a civilizational suicide.”

The idea that caring about others could end civilization may seem extreme, but it comes amid a growing wave of opposition to empathy from across the American right. Musk learned about “suicidal empathy” through his “public bromance” with Gad Saad, a Canadian marketing professor whose casual application of evolutionary psychology to culture war politics has brought him a sizable social media following. By Saad’s accounting – and this is not dissimilar from the white nationalist “great replacement theory” – western societies are bringing about their own destruction by admitting immigrants from poorer, browner and more Muslim countries.

“The fundamental weakness of western civilization is empathy,” Musk continued to Rogan, couching his argument in the type of pseudoscientific language that’s catnip to both men’s followings on X. “The empathy exploit. They’re exploiting a bug in western civilization, which is the empathy response.”

Apparently American catholics, led by that prominent convert, J.D. Vance, are also becoming sceptical about the value of empathy. If you think that evangelical christians voting for Trump is weird, then you ain’t seen nothing yet.


My commonplace booklet

After a frantically busy Term we have run away to France and at the last minute I booked us into a hotel in Avallon — the Hotel de la Poste — about which I knew precisely zero other than (a) it would be a good overnight stay on the first stage of our annual slow drive down to Provence, and (b) it’s conveniently near a charging station. Upon arrival we find that:

  • The place was built in 1707 and was one of the first Post Office relay stations
  • It was one of the first restaurants in France to receive three Michelin stars in 1935
  • Over the centuries it has welcomed inter alia: Louis Philippe, The Duke and Duchess of Windsor, Pablo Picasso, Liz Taylor and Josephine Baker.

Also, Napoleon stayed there on his way back to Paris after his return from Elba in 1815. I’m pretty sure that he didn’t pay for his room.

It’s ancient, friendly. unfashionable and doesn’t feel posh. A bit like this blogger, in fact.


Errata

Thanks to David Elliott and Bill Janeway for pointing out that Joe Weizenbaum’s Eliza program dated from the 1960s and not 1996! It’d be nice to explain it as a typo, but I’m afraid that sloppy proof-reading is a better one.


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Monday 16 June, 2025

Back in the day

Irish writers Patrick Kavanagh (left) and Anthony Cronin in Dublin on June 16, 1954 preparing for the first public celebration of James Joyce’s Ulysses.

I was born in a country whose religious and civic establishments mostly regarded James Joyce, not as a pioneering modernist writer, but as “a filthy pornographer”. In 1954, the 50th anniversary of the day on which all the action in the novel takes place, a group of distinguished Irish writers decided that they had had enough of this philistinic nonsense. They rented a couple of antique horse-drawn cabs and staged a reenactment of the part of the novel in which Leopold Bloom and his friends drive to Paddy Dignam’s funeral.

Thus was born Bloomsday, which has, er, blossomed into a worldwide celebration of the day. In the 1980s, appalled that a literary city like Cambridge studiously ignored the great day, I decided to host a lunch at which participants would read passages from the novel and have the same lunch that Leopold Bloom enjoyed in Davey Byrne’s pub, namely a glass of Burgundy and a gorgonzola sandwich. And I’ve done that ever since.

Which of course reminds me of an ancient Irish joke:

First man: “Do you like gorgonzola?” Second man: “No, but I hear that his brother Émile is a bloody fine novelist.”


Quote of the Day

”What I had not realized is that extremely short exposures to a relatively simple computer program could induce powerful delusional thinking in quite normal people.”

  • Joseph Weizenbaum, on discovering how his ‘Eliza’ program (written in 1996) seemed to seduce some of its users, or at any rate imbued the program with human qualities.

And guess what: AI Chatbots are even more persuasive than Eliza. Which is why they are worrying tools for spreading misinformation.


Musical alternative to the morning’s radio news

Enya | I dreamt I dwelled in Marble Halls

Link

An unusual and striking rendering of a song that was popular in Joyce’s own day.


Long Read of the Day

Bloomsday Explained

Lovely Paris Review essay by Jonathan Goldman.

“Bloomsday,” the James Joyce scholar Robert Nicholson once quipped, “has as much to do with Joyce as Christmas has to do with Jesus.” The celebrations of Ulysses every June 16—the date on which the novel is set—attract extreme ends of the spectrum of literary enthusiasm. Academics and professionals mingle with obsessives and cranks, plus those simply along for the ride. The event can be stately and meticulous or raucous and chaotic—or, somehow, all of the above.

A telling instance came a few years ago, when the Irish Arts Center arranged a Bloomsday picnic in New York’s Bryant Park, under the rueful shadow of the Gertrude Stein statue. (Stein disliked Joyce.) Aspiring Broadway types were enlisted to circulate in period costume before bursting into popular songs from 1900-era Ireland. I spoke to one of the performers, a young Irish actor who had recently moved to New York. Had she read Ulysses? “I plan to,” she said, and in my memory, she adds, “I’m told it’s a grand book by them that knows.” The kicker was when the Irish finance minister, in town for summit meetings, got up to say that his government would take as inspiration the balanced daily budget that appears in Ulysses. The problem? Leopold Bloom’s spreadsheet in Ulysses works out only because he omits the money he’s paid to Bella Cohen’s brothel. No one pointed out the irony.

The admixture of expertise and fanboyism that marks Bloomsday, perhaps unique among literary gatherings, is remarkable…

It is indeed. And I am guilty as charged. But do read the essay.


So long, Bill Atkinson, and thanks for the epiphany

Yesterday’s Observer column

I still remember the moment when I first encountered his work – a moment that James Joyce might have described as an epiphany. It was at a workshop for academics in Cambridge organised by Apple UK in 1984 to introduce its new Macintosh computer. In a stuffy conference room were a number of tables on which sat chic, cream-coloured machines with 9in screens and separate keyboards. Each had been set up displaying a picture of a fish, and I remember staring at the image, marvelling at the way the scales and fins seemed as clear as if they had been etched on the screen.

Picking up courage, I clicked on the “lasso” tool and selected a fin with it. The lasso suddenly began to shimmer. I held down the mouse button and moved the rodent gently. The fin began to move across the screen!  I pulled down the edit menu and clicked on “cut”. The fin disappeared. Finally, I closed the file and then reloaded it from the disk.

As the edited image reappeared, I had the kind of feeling that Douglas Adams had experienced when he had done the same operation – “that kind of roaring, tingling, floating sensation”, as he put it when talking to US tech journalist Steven Levy. In the blink of an eye, all the Teletypes and dumb terminals and character-based displays that had been defining parts of my experience with computers were consigned to history. I had suddenly seen the point – and the potential – of computer graphics…

Read on


So many books, so little time

I’m a sucker for diaries. Always have been. But Alan Clark’s three volumes, of which this is the last, were the best political diaries ever, partly because they were shameless, but also because of how revealing they could be. He was not a nice man: old-fashioned terms ‘cad’ and ‘bounder’ come immediately to mind. But his great saving grace is that he doesn’t seem to have been a hypocrite. When accosted by revelations of appalling behaviour that would have ended any other politician’s career — like the affairs he had with virtually the entire female side of a particular family — he would cheerfully plead guilty as charged. But this cad/bounder, was a dazzling diarist. The writer he most reminded me of was Samuel Pepys, who was also no angel. This final volume goes all the way to Clark’s death from a brain tumour. He kept it going until he could no longer focus on the page. You had to admire him for that alone.


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Friday 13 June, 2025

Smoke signals

The Orchard, Grantchester.


Quote of the Day

“The dubious privilege of a freelance writer is he’s given the freedom to starve anywhere.”

  • S.J. Perelman

Musical alternative to the morning’s radio news

Mozart | Symphony No. 36 in C Major, K. 425 “Linz” – (1) Adagio – Allegro spiritoso

Link

Many years ago I drove from Cambridge to Vienna on my own, and I had all the Mozart symphonies on cassettes to keep me company. I played this on the A1 autobahn as I passed Linz on the last lap of the journey.


Long Read of the Day

An Ugly New Marketing Strategy Is Driving Me Nuts (and You Too)

Perceptive blog post by Ted Gioia on what comes after enshittification: the annoyance economy.

The rules of marketing never change. That’s what they told me in business school.

If you could peer inside the meetings at head office, you would see a never-ending loop of Glengarry Glen Ross.

Always be closing. Those are the A-B-Cs of business.

But that’s not true anymore.

In recent days, a new marketing strategy has emerged. I’ve never seen it before. And I wish it would go away. You probably do too.

It’s a new way of advertising. It’s a new way of marketing. It’s a new motivational tool.

It didn’t exist when I studied marketing back at Stanford GSB. I had the best marketing teachers in the world, but they never dreamed of doing this to customers.

Here’s the new marketing playbook of 2025:

>Do NOT try to close.

>Do NOT try to sell.

>Do NOT try to persuade.

>Don’t even listen.

The goal now is merely to ANNOY. The big companies do it on purpose.

Big streaming platforms are the experts at this new marketing tool. They want you to pay for a premium, ad-free subscription. The more annoying the commercials, the more likely you are to pay.

You will pay just to get rid of the ad.

Read on. It’s sharp.

Right on cue, YouTube is now becoming even more annoying. Same strategy: pay to avoid the ads.


So many books, so little time

Evelyn Waugh was a nasty man but an annoyingly good writer. And he could be very funny. His novel Scoop, for example, is the funniest thing ever written about old-style British journalism. But I’m discovering that his letters were often in the same league.

Here’s. An example — a letter he wrote to his wife in 1942 when his army unit (3 Commando) was on training in Scotland.

So, No. 3 Cmdo, Commando, were very anxious to be chums with Lord Glasgow so they offered to blow up an old tree stump for him, and he was very grateful and he said, don’t spoil the plantation of young trees near it because that is the apple of my eye and they said no, of course not we can blow a tree down so that it falls on a sixpence and Lord Glasgow said goodness you are clever and he asked them all to luncheon for the great explosion. So Col. Durnford-Slater D.S.O. said to his subaltern, have you put enough explosive in the tree. Yes, sir, 75 lbs. Is that enough? Yes sir, I worked it out by mathematics, and it is exactly right. Well, better put in a bit more. Very good sir.

And when Col. D. Slater, D.S.O., had had his port he sent for the subaltern and said subaltern, better put a bit more explosive in that tree. I don’t want to disappoint Lord Glasgow.” Very good sir.

Then they all went out to see the explosion, and Col. D.S.D.S.O. said, you will see that tree fall flat at just the angle where it will hurt no young trees and Lord Glasgow said goodness you are clever.

So soon they lit the fuse and waited for the explosion and presently the tree, instead of falling quietly sideways, rose 50 feet into the air taking with it half an acre of soil and the whole of the young plantation.

And the subaltern said Sir I made a mistake, it should have been 7 and a half not 75.

Lord Glasgow was so upset he walked in dead silence back to his castle and when they came to the turn of the drive in sight of his castle, what should they find but that every pane of glass in the building was broken.

So Lord Glasgow gave a little cry & ran to hide his emotion in the lavatory and there when he pulled the plug the entire ceiling, loosened by the explosion, fell on his head.

This is quite true.


Feedback

Marco Pagni emailed about the ‘Ode to Joy’ story in my and Andrew Brown’s comments on Otto Dov Kulka’s Landscapes of the Metropolis of Death to say that I should have a look at Slavoj ZiZek’s experimental movie The Pervert’s Guide to Ideology, in which he has interesting things to say about the ‘Ode’. So I did, and he does — mainly about the various powers and groups who have used Beethoven’s symphony as an anthem or theme tune. Spoiler alert: some of these users are unsavoury.


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Wednesday 11 June, 2025

Banksy woz here

Bristol.


Quote of the Day

”Time may be a great healer, but it’s a lousy beautician.”

  • Dorothy Parker

Musical alternative to the morning’s radio news

Ludovico Einaudi | Maria Callas

Link


Long Read of the Day

The Israel-Gaza tragedy and Europe’s responsibility

Timothy Garton Ash is one of the wisest and best-read people I know, and his Substack makes for compelling reading. But this latest essay in particular stands out.

Here’s a sample:

I have not written about Gaza before for one simple reason: I try to write about things I know about. I have no expert knowledge of the Middle East, nor anything to contribute from first-hand experience there. Yet the relentless daily scenes of innocent suffering, Palestinian and Jewish (in the case of the hostages and their relatives), have become so overwhelmingly oppressive to the spirit and conscience that in the end I feel compelled to do so. As Bertolt Brecht wrote, there are times when ‘a conversation about trees is almost a crime/ because it involves being silent about so many misdeeds’.

I do worry about the danger of purely performative virtue-signalling. (A recent protest letter signed by a long list of writers contains the portentously self-important formulation ‘this is about our moral fitness as the writers of our time’.) I’ve no illusion that what I say will change anything, except perhaps to a tiny degree in some corner of the European debate. But through the personal, informal format of a Substack newsletter – not a final, finished article – I can try to think aloud about one aspect of this tragedy close to both my personal and professional concerns: Europe’s responsibility.

For a start, let’s be clear: this is a European story. It was the pogroms of the late 19th and early 20th century, mainly on the territory of the Russian Empire, that kickstarted the waves of Jewish emigration to Palestine. The Zionists shared with many others in central and eastern Europe at that time the conviction that only having your own sovereign state would secure your people’s safety, freedom and collective future. It was then Nazi Germany’s attempt to exterminate all the Jews of Europe, now widely known as the Holocaust or Shoah, that gave the decisive push for both the creation of the state of Israel and widespread international acceptance of its legitimacy. In that sense, the innocent Palestinians who were driven out of their homes and off their family lands in 1948 – and since – have been paying the price for European barbarism.

This historic responsibility has led many Europeans, and especially Germans, to feel a very special sympathy for and responsibility towards the Jewish state. I feel it very strongly myself. Ever since I started studying the history of Nazi Germany some 50 years ago, the Holocaust has been central to the way I think not just about Europe, and what we are trying to do on our own continent, but also about how Europeans should speak and act in the world. If I’m honest, I hate to think, and even in my heart of hearts find it difficult to accept, that a Jewish state can behave in this way…

Do read it. What it brought back to me was Auden’s poem “September 1, 1939” and especially its closing lines.

Screenshot


My commonplace booklet

I enjoyed “”Parodies Lost”, Dave Pell’s take on the Trump-Musk flame war.

You can’t parody the intersection between tech billionaires and geopolitics. No matter how ridiculous and offensive the scenarios you manage to conjure from even the darkest and most devilish recesses of your imagination, reality will blow it away.

Indeed, it took less than a week for our sadly non-fiction state of affairs to bring us an all too real fight between a criminal billionaire president and an evil super billionaire tech bro, each armed with their own social media platforms as they engaged in a flame war that shook governments, moved markets, gripped the media, and enraptured the world. Even though the devolution of the world’s most world-damaging bromance was predictable (spoiler alert: no town is big enough for that much sociopathic malignant narcissism), its actual realization left me nostalgic for the quaint world depicted in parodies and satires, and even more so for the days when the worst thing you saw on social media was someone trying to make their family vacation look a little better than it actually was.

While the flame war was funny, its underlying meaning is anything but. It’s a reflection of where we are in America, with way too much power and wealth in the hands of a few—and the wrong few at that. Does the future of America come down to an evil billionaire vs an evil dictator? Maybe we all need some ketamine. This is a lose-lose fight with the American people coming out as the biggest losers of all.


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Monday 9 June, 2025

Closed for business


Quote of the Day

“I find television very educating. Every time somebody turns on the set, I go into the other room and read a book.”

  • Groucho Marx

Musical alternative to the morning’s radio news

František Xaver Pokorný | Concerto in F-major for two horns

Link

New to me, and lovely.


Long Read of the Day

The End of Silicon Politics 

Yascha Mounk’s reflections on the lessons to be drawn from the Trump—Musk divorce.

The “HUGEst” political alliance of the century is breaking apart before our eyes in suitably spectacular fashion.

For the last months, the most powerful man in the world, Donald Trump, and the richest man in the world, Elon Musk, were a political item. Musk donated large sums to Trump’s campaign, lavished the newly reelected president with praise on his social network, and neglected his companies to pursue his side quest at the helm of the Department of Government Efficiency (DOGE). In return, Trump gave Musk unprecedented powers over the federal bureaucracy, staged joint press conferences in the Oval Office, and allowed him to lecture the assembled cabinet before rolling cameras. Nothing better symbolized the supposed “vibe shift” in America than the fact that Trump, practically a social pariah when he was first elected to the White House, could upon his return count on the outspoken support of the world’s most famous entrepreneur—and many other leading figures in Silicon Valley.

But it was also clear from the start that the match between Musk and Trump might prove stormy. The egos of both men are evidently outsized, their temperaments famously volatile. It did not take a genius to predict that their supposedly perfect match might prove short-lived, or even that it would end in acrimony. And yet, the speed with which their epic bromance has turned into an explosive feud is astonishing…

Read on. Mounk thinks the underlying reason for the break-up is the one well-known to divorce lawyers: When marriages fail, “it is often because each partner projected their hopes onto the other, only to discover belatedly that these had all along been misplaced”. Well, well.


Universities must learn to see AI as more than a tool for cheating

Yesterday’s Observer column

Remember when ChatGPT first broke cover in late 2022 – the excitement, astonishment, puzzlement at what a mere machine could suddenly do? And then the attendant feelings of dread, anger, anxiety and denialism that struck teachers and academic administrations everywhere. This, they fumed, was a tool custom-built to enable cheating on a global scale.

In an academic world – especially the humanities – built on assessing students on the basis of written essays, how would we be able to assign grades when machine-written essays would be undetectable and in some cases much better than what the average student could produce on their own? Since this would be cheating, they concluded, the technology should be banned.

Thus did academia slam the stable door, apparently without troubling itself to reflect upon whether there might be alternative ways of grading student performance. Students, for their part, saw the technology as heaven-sent, and went for it like ostriches that had stumbled upon a hoard of brass doorknobs (as PG Wodehouse would have put it)…

Read on


So many books, so little time

My piece in Friday’s edition about reading Otto Dov Kulka’s Landscapes of the Metropolis of Death reminded Andrew Brown of an essay he had written about the book many years ago.

So why did Imre, the conductor of the children’s choir in the family camp at Auschwitz, teach his charges Ode to Joy? What was his purpose? What was his point? Kulka sees the point of having a choir. Without activity, life would have been even closer to unendurable. But why, he asks, did Imre have the children perform a hymn, a manifesto that proclaims human dignity, humanistic values and a faith in the future “in the place where the future was perhaps the only definite thing that did not exist”?

One answer – and clearly the one that all respectable opinion must favour – is that this was a message of hope. Imre (himself gassed on 8 March 1944) knew or hoped that some children might survive, that some might be able to start rebuilding civilisation, and that to do so they needed the noblest things that European civilisation has made: Beethoven, Schiller and Dostoyevsky (another inmate, dying of diphtheria, passed on to Kulka his copy of Crime and Punishment).

This, Kulka says, is one possibility, “a very fine one” in fact. But there is another, apparently far more likely…

Read on. It’s a fine piece.


My commonplace booklet

This was the front page of the Financial Times on Saturday. Ponder it for a moment, and reflect on how we got to this nightmarish position, where two insanely-wealthy feuding sociopaths, one a narcissist who has a finger on the nuclear button, the other a ketamine-fuelled man-child who can shut off internet access to the Ukraine military by flicking a switch, are being beseeched by some distressed hedge-fund dudes to “hug and make up”.


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Friday 6 June, 2025

Anyone for punting?


Quote of the Day

”Of course I talk to myself. I like a good speaker, and I appreciate an intelligent audience.”

  • Dorothy Parker

Musical alternative to the morning’s radio news

If Ever I Would Leave You | Trumpet Solo by Sal Grippaldi

Link


Long Read of the Day

What John McPhee Taught Generations of Writers and Journalists

My battered copy of an invaluable guide.

Peter Hessler’s essay on a beloved mentor and tireless proponent of ‘Creative Nonfiction’. Sounds like an oxymoron, I know, but it’s anything but.

Sample:

I first became a McPhee reader in the margins of the essays that I submitted for class. He marked every paper in pencil, in a tight left-handed script. He crossed out words, and he drew boxes around phrases, and he inscribed long comments that sometimes ran perpendicular to the text. “You can’t make a silk purse out of this,” he wrote, in response to one of my poorly executed descriptions. Next to a sentence with oddly formal phrasing, he remarked, “This could be said with several pebbles removed from the mouth.” Once, when I used a subject’s name four times in the span of two sentences, McPhee wrote, “Listen to the character’s name thudding like horseshoes. Vary it. Use pronouns here and there.”

Other comments thudded in a way that made horseshoes seem soft:

“This sort of thing is irritatingly repetitive.”

“The incongruity in this line isn’t artful, it’s just awkward.”

“I wish you would listen more critically to the rhythms and sound of the prose.”

“You are extraordinarily repetitive for someone who writes on your level.”

“This is lame cleverness.”

But…

there were also many instances of praise, when John McPhee wrote in the margins “yes,” or “ah,” or “a fine moment.”

Lovely. Do read it.


So many books, so little time

In a way, I’ve been avoiding this book for years. But I’ve always kept it on my desk or on a nearby shelf, awaiting the moment when I could confront it. Its author, the historian Otto Dov Kulka dedicated his life to studying and writing about Nazism and the Holocaust. But for a long time he set to one side his personal experiences as a child inmate at Auschwitz. In the book he brings together the personal and historical, in a devastating — and yet sometimes poetic — account of the concentration camps and the private mythology he had constructed around those experiences.

There’s one searing passage when he recalls how a harmonica somehow came into his possession.

I learned to play it and I played things that entered my mind, including one of the melodies we sang in the children’s choir… and a young Jewish prisoner from Berlin comes up to me — I was then a boy of 11 — and says, “Do you know what you are playing?” And I tell him: “Look, what I am playing is a melody we sang in that camp which no longer exists.” He then explained to me what I was playing and what we sang there and the meaning of those words. I think he also tried to explain the terrible absurdity of it, the terrible wonder of it, that a song of praise to joy and to the brotherhood of man Schiller’s ‘Ode to Joy’ from Beethoven’s Ninth Symphony, was being played opposite the crematoria of Auschwitz, a few hundred metres from the place of execution, with the greatest conflagration ever experienced by that same mankind that was being sung about was going on at the very moment we were talking and in all the months we were there.


Linkblog

Something I noticed, while drinking from the Internet firehose.

  •  Elon Musk discovers Trump doesn’t stay bought Nice piece on why even vast amounts of money doesn’t buy you appreciation from Trump. Couldn’t happen to a nastier guy. Link

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Wednesday 4 June, 2025

Orchids


Quote of the Day

”Ten years ago, when your plane touched down in Dulles or DCA (Ronald Reagan Washington National Airport), you were coming home. Because we had been here for so long. And you would relax. Now I just tense up wherever I am coming in from. There is a menace, an edge to life. Not just in Washington, but in America, that just wasn’t there before. And the possibility of dark stuff. I guess what schoolkids must feel when they do shooting drills. You are suddenly aware of something.”

  • FT columnist Edward Luce in an Irish Times interview 03/06/2025

Musical alternative to the morning’s radio news

Bob Dylan | Girl from the North Country

Link

This was the lovely going-out music at the funeral of a wonderful woman on Monday. It was spot on for the person and the occasion.


Long Read of the Day

The Myth of Automated Learning

Lovely blog post by Nicholas Carr arguing that the real threat AI poses to education isn’t that it encourages cheating but that it discourages learning. Carr is a wise and perceptive thinker. And he goes right to the heart of the issue.

Because generative AI is a general-purpose technology that can be used to automate all sorts of tasks and jobs, we’re likely to see plenty of examples of each of the three skill scenarios in the years to come. But AI’s use by high-school and college students to complete written assignments, to ease or avoid the work of reading and writing, is a special case. It puts the process of deskilling at education’s core. To automate learning is to subvert learning.

Unlike carpentry or calculus, learning is not a skill that can be “mastered.” It’s true that the more research you do, the better you’ll get at doing research, and the more papers you write, the better you’ll get at writing papers, but the pedagogical value of a writing assignment doesn’t lie in the tangible product of the work — the paper that gets handed in at the assignment’s end. It lies in the work itself: the critical reading of source materials, the synthesis of evidence and ideas, the formulation of a thesis and an argument, and the expression of thought in a coherent piece of writing…

This is a great piece. Should be required reading for every parent — and teacher.


So many books, so little time

Screenshot

My son Brian, who has been experimenting productively for quite a while with Claude.ai has nudged into producing what he believes is the first novel completely written by an LLM. It’s available on Amazon.uk, and he’s documented on Github the whole process by which it was created.

It all stemmed from a simple question to Claude: “If YOU were to write a book, what would it be about?”

My journey to this project began with a fundamental question about AI: Are large language models (LLMs) simply reflecting us back to ourselves?

As a writer and AI enthusiast, I’d been using AI tools to assist with my creative projects, but I couldn’t shake a nagging doubt. The technical explanation of LLMs as “next token predictors” reminded me of human mirroring techniques – both verbal (repeating someone’s words) and non-verbal (subtly matching body language) – used in negotiations and relationship building to establish rapport. Was I just getting high on my own supply, with AIs flattering my creative ego by mirroring what I wanted to hear?

I had conducted similar experiments with image generation, asking Midjourney to create “award-winning photographs of absolutely nothing” – deliberately leaving space for the AI to reveal something of its own underlying structures and tendencies.

This time, I wanted to test something more ambitious: Could an AI conceptualise and execute an entire creative work if given complete freedom? Not as a co-author or assistant following human direction, but as the primary creative force?

I’ve been reading the book. It’s oddly competent, and also slightly unconvincing. ‘Uncanny valley’ stuff, I guess.

Brian’s rules for the experiment were:

  1. Claude would determine the novel’s concept, characters, plot and themes.
  2. My role would be purely technical — facilitating Claude’s access to tools and managing the process.
  3. I would provide zero creative input or direction.
  4. All decisions about the narrative would come from Claude.

Interesting ne c’est pas?


Linkblog

Something I noticed, while drinking from the Internet firehose.

  • The David Lynch Collection Link

Almost 450 items from the personal archive of one of the masters of cinema, this special auction offers fans and collectors alike an intimate portal into the life and world of the man who brought us a vast body of work including: Twin Peaks, Mulholland Drive, Blue Velvet, Eraserhead, Lost Highway, Inland Empire, Wild at Heart, The Straight Story, The Elephant Man, Dune, and more.

This collection includes artifacts from all aspects of Lynch’s personal creative life, including the art supplies and tools from his home art studio and wood shop, a vast array of furniture that includes many pieces designed and built by Lynch himself, unique instruments and equipment from his home audio recording studio, memorabilia and ephemera relating to many of his filmed projects, and several coffee machines and mugs because he could never be more than 15 steps away from a damn good cup of coffee.


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Monday 2 June, 2025

Mary Poppins en famille

Arles, 2017


Quote of the Day

”The highest intellects, like the tops of mountains, are the first to catch and to reflect the dawn.”

  • Thomas Macaulay

A thought that sometimes came to mind during the three days of the Beyond Neoliberalism conference last week.


Musical alternative to the morning’s radio news

Taj Mahal & Ry Cooder | Statesboro Blues

Link

Just the ticket for a Monday morning.


Long Read of the Day

A Reality Check for Tech Oligarchs

If, like me, you sometimes wonder what Silicon Valley’s oligarchs are smoking, then this review essay (Gift Link) by John Kaag in The Atlantic is for you. His subject is Adam Becker’s More Everything Forever: AI Overlords, Space Empires and Silicon Valley’s Crusade to Control the Fate of Humanity, which has just arrived on my desk, but the review is interesting in its own right, if only because it provides a glimpse of the madness that grips these people who envision a “vibrant utopia” in which humanity

”has harnessed technology to transcend all of its limits—old age and the finite bounds of knowledge most of all. Artificial intelligence oversees an era of abundance, automating labor and generating wealth so effectively that every person’s needs are instantly met. Society is powered entirely by clean energy, while heavy industry has been relocated to space, turning Earth into a pristine sanctuary. People live and work throughout the solar system. Advances in biotechnology have all but conquered disease and aging. At the center of this future, a friendly AI—aligned with human values—guides civilization wisely, ensuring that progress remains tightly coupled with the flourishing of humanity and the environment”.

This quasi-religious vision, apparently,

“is based on two very basic beliefs. First, that death is scary and unpleasant. And second, that thanks to science and technology, the humans of the future will never have to be scared or do anything unpleasant. “The dream is always the same: go to space and live forever,” Becker writes. (One reason for the interest in space is that longevity drugs, according to the tech researcher Benjamin Reinhardt, can be synthesized only “in a pristine zero-g environment.”) This future will overcome not just human biology but a fundamental rift between science and faith”.

Worth a read. It’s a testimony to the way immense wealth, acquired early in life, drives people mad.


RIP Sebastião Salgado

A truly great photographer has passed away.

From the Obituary in LFI:

His work is defined by impressive black and white images, predominantly published in series. He was an ambassador for humanity, a fighter for justice and a resolute activist. His pictures are dedicated above all to the disadvantaged all over the world, to those affected by wars and crises, but also to the forces of nature. Salgado was a cautioning voice and a precise observer; he saw his images as a call to take more responsibility for the world and our fellow human beings. His photographs show people’s misery and suffering, the destruction of social relationships, but also the dignity and pride of every individual. His images were often shocking, but he was also able to convey the magical beauty of the world.

The FT also had a good obituary:

His work was politically and emotionally challenging. Salgado has been criticised by some for the beauty of composition with which he depicted people in extreme states of suffering. Salgado said that he sought to preserve the dignity of his subjects, and that he didn’t know how to shoot an “un-composition”. He also said there had been instances when he had put his camera down rather than take a particular shot. He once described seeing 10,000 people die from cholera in a single day in a refugee camp in Goma in the Democratic Republic of Congo. John Easterby, the former director of archiving at Magnum, believed that Salgado’s images forced viewers “to look at the unlookable”.


AI: the new globalisation that will create a world of have-nots and have-yachts

Yesterday’s Observer column:

One of the most pernicious misconceptions we have about digital technology is that it is – somehow – weightless, frictionless and dematerialised. You press a button on your phone, launch an app and there it is. What you don’t realise is that you just triggered an interaction with an unfathomable infrastructure of network towers, fibreoptic cables and huge aluminium sheds located somewhere else on the planet. The technology may seem magical but, in reality, it has a heavy material footprint. And it’s about to get much heavier.

How come? Our networked world is morphing into one in which machine-learning systems – AKA AI – will be everywhere. And that’s bad news for the planet, because AI systems are insatiable consumers of parallel computing power and, accordingly, very power-hungry.

Read on


My commonplace booklet

You can perhaps see why I like writing for the Observer!


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Friday 30 May, 2025

Memorial Day

Monday was Memorial Day, which is always marked by a moving ceremony at the American Cemetery in Madingley, near Cambridge.

The ceremony is about remembering the thousands of soldiers, sailors and airmen who are buried or memorialised here, but also about celebrating the wartime alliance between the US and the UK — as you can see on the little flags marking every grave. But there was a strange undertone on Monday: here was an event celebrating the ‘special’ relationship between the two countries at a time when the US has ceased to be a reliable ally, and might turn out to be an enemy.


Quote of the Day

”I tried to resist his overtures, but he plied me with symphonies, quartets, chamber music, and cantatas.”

  • S.J. Perelman

Musical alternative to the morning’s radio news

John Prine | All the Best

Link


Long Read of the Day

 Is it Possible to Read Walden When You Own a Smartphone?

Nice essay by Rebecca Baumgartner on trying to read Thoreau while simultaneously owning a smartphone — two activities that seem fundamentally at odds. As someone who reads a lot, I feel her pain.

Each time I return to the passage about the water level of Walden Pond, I have to mentally shift back down to first gear. And just like you can’t cram a car’s transmission from fifth to first gear without going through the gears in between, there’s an adjustment. A new kind of mind is required, almost. I have spent weeks on a single chapter in this way, until my mental gearbox is exhausted and the muddy hill seems less and less worth the effort.

This is the real explanation of what people mean when they say “I want to read more but I can’t find the time.” Being a reader of any kind in 2025, but particularly a reader of works like Walden, does not mean becoming a person who “has more time”; it means getting used to shifting down to first gear while the culture is racing past you in fifth gear…

That bit about wanting to read more but not being able to find the time, rings bells for me. In fact it was one of the reasons why, when I was designing this newsletter, I decided to always have a ‘long read’ of the day.


My commonplace booklet

Inside DOGE

At last, an interesting insider’s account of what it was like to be doing Musk’s bidding in the early days of the coup. I particularly liked this entry for Day 8:

The reality was setting in: DOGE was more like having McKinsey volunteers embedded in agencies rather than the revolutionary force I’d imagined. It was Elon (in the White House), Steven Davis (coordinating), and everyone else scattered across agencies.

Meanwhile, the public was seeing news reports of mass firings that seemed cruel and heartless, many assuming DOGE was directly responsible.

In reality, DOGE had no direct authority. The real decisions came from the agency heads appointed by President Trump, who were wise to let DOGE act as the ‘fall guy’ for unpopular decisions.

This reminded me of something Ted Chiang had written a while ago in the New Yorker:

I suggest that we think about A.I. as a management-consulting firm, along the lines of McKinsey & Company. Firms like McKinsey are hired for a wide variety of reasons, and A.I. systems are used for many reasons, too. But the similarities between McKinsey—a consulting firm that works with ninety per cent of the Fortune 100—and A.I. are also clear. Social-media companies use machine learning to keep users glued to their feeds. In a similar way, Purdue Pharma used McKinsey to figure out how to “turbocharge” sales of OxyContin during the opioid epidemic. Just as A.I. promises to offer managers a cheap replacement for human workers, so McKinsey and similar firms helped normalize the practice of mass layoffs as a way of increasing stock prices and executive compensation, contributing to the destruction of the middle class in America.

A former McKinsey employee has described the company as “capital’s willing executioners”: if you want something done but don’t want to get your hands dirty, McKinsey will do it for you. That escape from accountability is one of the most valuable services that management consultancies provide…


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