Pivotal moments

From Dave Winer.

And today Neil Armstrong died. And yes, I remember where I was the day he landed on the moon. I was at the Newport Folk Festival in Newport, Rhode Island. Thousands of us were watching the landing from a small portable TV on top of a VW minibus. I couldn’t really see what was happening, but I remember the moment, very emotional, a moment of pride and amazement at what we could do. It was one of those “pinch me” moments. I still feel the emotional charge now, 43 years later.

Harrying Harry

“What’s next?” asks Glen Newey on the LRB blog after the Sun publishes pics of Prince Harry in the nude.

The Prince of Wales in Photoshopped congress with a polo mare? Princess Anne on the can? This blogger is hardly one to shield the royals from the blastments of the public sphere. It’s not exactly what John Stuart Mill had in mind in Chapter 2 of On Liberty. There is the argument that the Sun is to liberty what cowpats are to fillet steak, an unavoidable byproduct, however unpalatable, of something there’s good reason to promote (vegetarians may substitute a different analogy). But, of course, you don’t just get the pat itself – you get its producer trying to pass it off as something wholesome. On the subject of plausible half-truths and their exposure, recall Geoffrey Robertson’s immortal observation that Rupert Murdoch is a great Australian in more or less the same sense that Attila was a great Hun.

Lovely blog post. Worth reading in full.

Cover Art: an exegesis

I don’t know who does the covers for the Economist but s/he is a genius.

Consider this one on the issue of August 11-17, 2012.

It shows the German Chancellor pondering a question that must be on every Eurocrat’s mind, but one that nobody dares to speak about: whether to ditch the Euro, and if so how to do it. I’m willing to bet that every Finance Ministry in Europe has a bulging secret file on the subject.

What’s fascinating about the picture is the amount of narrative detail it contains. Here it is close up.

Note the detail. First of all, the ‘strictly confidential’ Cabinet file (though it’s in a Whitehall-style red leather binder; I suspect the German Chancellery favours dark green leather.)

Next to her left arm is an envelope containing the airline tickets to the various capitals that need to be visited bearing the bad news. And the post-it note revealing the increasingly desperate calls from Mario Draghi, the Chairman of the European Central Bank.

And then on the other side, the black coffee and whiskey needed to fortify her for the awful decision she will eventually have to make.

Not many magazine covers can stand this kind of exegesis. I hope that the Economist plans one day to have an exhibition of its best work. Some of us would pay good money for a signed copy of a cover like this.

Raining on the Silicon Valley parade

Here’s a good one. A month ago a guy called David Sacks sold Yammer, the social-networking-for-enterprises company he founded four years ago, to Microsoft for $1.2 billion. Mr Sacks then withdrew to spend some time with his money. But boredom got the better of him and so the other day he logged into his Facebook account and wrote this:

“I think Silicon Valley as we know it may be coming to and end. In order to create a successful new company, you have to find an idea that (1) has escaped the attention of the major Internet companies, which are better run than ever before; (2) is capable of being launched and proven out for ~$5M, the typical seed plus series A investment; and (3) is protectable from the onslaught of those big companies once they figure out what you’re onto. How many ideas like that are left?”

Now if there’s one thing that gets the digerati of the Valley into a stew it’s any suggestion that their Wonderland might one day cease to exist. So Mr Sacks’s little squib provoked a veritable storm of outrage, scorn and refutation. The response was such as to cause him to qualify his original speculation. “Human creativity has not changed”, he conceded,

“and there will always be new ideas and opportunities. But the question is, how many of those opportunities will be captured by startups versus incumbents? It seems like a statistical fact that when you go from virtually no incumbents to multiple well-run incumbents, an increasing percentage of opportunities will be captured by the latter. That’s the point I’m making about Silicon Valley — we may not be running out of ideas, but we might be running out of big new companies.”

I was pondering this and wondering where to begin (just for starters, had he never heard of Kodak, Microsoft, Clayton Christensen and the Innovator’s Dilemma?) but then I checked again and there was Marc Andreessen, one of the smartest guys in the Valley, rebutting Sacks, and doing it better than I could in a series of snappy bullet points:

  • There are only a few competent incumbents.
  • Each of those incumbents can only do so many new things before you get B and C teams screwing up.
  • Startups continually drain talent out of the incumbents, further impairing their ability to continue to innovate.
  • As the incumbents become more powerful, they increasingly prioritize stability over change — Peter Thiel’s argument — betting on incumbents over time equals bettting against technological change.
  • Innovator’s Dilemma — incumbents tend not to cannabilize themselves through disruptive innovation not because they are poorly run, but precisely because they are well run.
  • Precisely.

    (If you’re interested, TechCrunch has a much more extensive list of the comments provoked by Mr Sacks’s pessimism.)

    The strange case of the Pope and his Butler

    I noticed that the Pope’s butler has been rotting in sweltering Vatican cells until the other day, when a press officer announced that he has been placed under house arrest. Beyond that, I paid little attention, on the grounds that life is short and the Catholic Church’s odious little statelet isn’t all that interesting. But my friend Conor Gearty has been paying attention, which is only right and proper as he understands Human Rights law. Not that they go in for that kind of thing much in the Vatican.

    The web site of the Holy See takes you to a Vatican City State site, the section on the governance of which begins with the simple statement that ‘The form of government is that of an absolute monarchy’ [‘La forma di governo è la monarchia assoluta’]. Short summaries of the further disposition of power then appear. The ‘Fundamental Law of Vatican City State’ promulgated by John Paul II on 26 November 2000 has more on the nature of the Vatican flag than on the rights of anyone who might be affected by the exercise of executive power. Both the Holy See and the Vatican City State have signed up to various international Conventions – but these have not included anything so specific as the European Convention on Human Rights, with its prohibition on inhumane treatment, its demand for fair trials and its requirement that detention be non-arbitrary.

    Celebrating Thomas Kuhn

    My (longish) Observer piece celebrating Thomas Kuhn and his remarkable book.

    Fifty years ago this month, one of the most influential books of the 20th century was published by the University of Chicago Press. Many if not most lay people have probably never heard of its author, Thomas Kuhn, or of his book, The Structure of Scientific Revolutions, but their thinking has almost certainly been influenced by his ideas. The litmus test is whether you’ve ever heard or used the term “paradigm shift”, which is probably the most used – and abused – term in contemporary discussions of organisational change and intellectual progress. A Google search for it returns more than 10 million hits, for example. And it currently turns up inside no fewer than 18,300 of the books marketed by Amazon. It is also one of the most cited academic books of all time. So if ever a big idea went viral, this is it…

    Prematurity

    I’m indebted to the many readers of the International Herald Tribune who spotted my obituary and emailed to convey their condolences. Just to put the record straight, I am not and have never been:

    (a) 73
    (b) a reporter
    (c) an editor, or
    (d) dead.

    I do, however, claim a certain amount of sly wit.

    In fact, the hack memorialised in the Trib is James M. Naughton who was

    “a prank-loving White House and national correspondent for the New York Times during the Nixon, Ford and Carter administrations and later a senior editor at The Philadelphia Inquirer for almost two decades.”

    My namesake also maintained that an occasional prank was essential to the spirit of journalism,

    “and he enthusiastically abided by that belief, earning a reputation for twitting colleagues and candidates alike. He once turned up at a presidential press conference wearing the head of a chicken costume; another time, in Philadelphia, he had two motorcycles roar round his newsroom to liven things up. Good for morale, he said.”

    A man after my own heart.

    Premature obits have a long and honourable history in journalism. The classic case is Mark Twain’s celebrated riposte to his: “reports of my death have been greatly exaggerated”. One of my earliest mentors was the wonderful Claud Cockburn, who was very kind to me when I was an undergraduate in Ireland. In his respectable years he had worked for The Times and at one stage was sent to China to cover some obscure conflict in which he was reportedly killed, The paper duly published a brief obit, which he then read with glee and cabled the Editor saying “HAVE READ OBITUARY STOP KINDLY ADJUST SALARY ACCORDINGLY”.

    In the summer of 1968 my girlfriend (later my first wife) and I stayed with him and his wife Patricia in Brook Lodge, their ramshackle but splendid house outside Youghal in Co. Cork. As we were leaving, Claud asked me what I proposed to do with my life. I replied that I was thinking of becoming a journalist. “Well then”, he said, solemnly, “you must remember that there is one golden rule for success in journalism: libel someone famous early in your career “.

    Remembering Robert Hughes

    Somerset Maugham said that before embarking on a new book he read Voltaire’s Candide as a way of cleansing his style. Other writers have used Hemingway or Tom Wolfe in the same way. I have often reached for Robert Hughes or Clive James when feeling jaded or pedestrian, not because I wanted to try and emulate their styles but because I wanted to inhale something of their approach to writing: serious without being pompous; a talent for muscular prose with an inbuilt-capacity to shock or surprise; unwillingness to take the great and the good at their inflated estimations of themselves; and a wonderful capacity for caricature. Who will ever forget Clive’s description of Arnold Schwarzenegger as “a condom filled with walnuts”? Or Hughes’s dismissal of Jeff Koons? (“He has the slimy assurance, the gross patter about transcendence through art, of a blow-dried Baptist selling swamp acres in Florida. And the result is that you can’t imagine America’s singularly depraved culture without him.”)

    So I mourn the passing of Robert Hughes, who even when he was wrong, was wrong in entertaining and thought-provoking ways. Looking for a round-up of obituaries and tributes, I went straight to the wonderful Arts & Letters Daily, which is normally terrific at doing that kind of round-up (See, for example, what they did for Gore Vidal recently). But, strangely, they seem to have missed out on Hughes.

    So here is my tentative substitute.

  • “Hughes didn’t merely write muscular prose, he was the Arnold Schwarzenegger of art criticism.” Blake Gopnik in The Daily Beast.
  • “His prose was lithe, muscular and fast as a bunch of fives. He was incapable of writing the jargon of the art world, and consequently was treated by its mandarins with fear and loathing. Much he cared.” Michael McNay, the Guardian.
  • “His style was forthright, humorous and often irreverent. At a time when much of modern art was riddled with posturing and hyperbole, Hughes fixed his gaze unwaveringly on the work of art itself, regardless of its political or social agenda. His judgments could be merciless. Of Jeff Koons, for example, he said: ‘Koons is the baby to Andy Warhol’s Rosemary. He has done for narcissism what Michael Milken did for the junk bond.’ The duo Gilbert and George were among the ‘image-scavengers and recyclers who infest the wretchedly stylish woods of an already decayed, pulped-out postmodernism’.” Daily Telegraph.
  • “Robert Hughes: Forthright critic who transformed the public perception of modern art.” Marcus Williamson, The Independent.
  • “I prefer to remember him, however, … as the kind of god of criticism that he was to a generation of young writers like myself. He could turn a phrase on a dime, he could paint and write poetry, he could speak Latin, Spanish, and Italian — he was a polymath in an age of imbeciles. He was, in short an intellectual warrior, fierce in his views, frequently combative, but ever passionate about the necessity of art.” Benjamin Genocchio, ArtInfo.com.
  • “The eloquent, combative art critic and historian who lived with operatic flair and wrote with a sense of authority that owed more to Zola or Ruskin than to his own century”. New York Times.
  • LA Times.
  • My favourite, though, is Nick Cohen’s terrific tribute in the Spectator