Remembering Caspar

caspar

Caspar Bowden, one of the most remarkable people I’ve been lucky to know, has died. His Wikipedia entry summarises his remarkable, highly-principled life and his accomplishments. I first met him in 1999 when campaigning against the Regulation of Investigatory Powers bill which was then on its way through a clueless UK parliament.

He was an extraordinarily serious man in whose company, I always felt slightly frivolous by comparison. But his seriousness derived from a deeply perceptive and informed concern about the scale of the surveillance nightmare into which we were sleepwalking — a concern that was amply corroborated by the Snowden revelations.

Caspar and I were both speakers at the conference in Copenhagen University held in December 2013 to mark the centenary of the Bohr model of the atom. I was lecturing on “Neils Bohr as a public intellectual” and in the course of my talk I slipped in a small but heartfelt tribute to Caspar:

On the face of it, it might seem that we have plenty of scientifically- and technologically literate public intellectuals: television and other mass media are awash with media superstars like Brian Cox, the rock-musician-turned-physicist who has been wowing British TV audiences for what seems like an eternity. Other cultures doubtless have their own equivalents.

The problem is that scientists like Cox are not really public intellectuals, because what they are doing is just explaining their disciplines to a general audience rather than engaging with the thorny public issues that science and technology now poses. What they do is important and often delightful in its way, but it’s not the heavy lifting that needs to be done.

A very good example of this heavy lifting is the work done by Caspar Bowden in unravelling the real nature and implications of NSA surveillance. This is difficult and often unrewarded labour but it’s what democracies need. And it’s only when one sees what’s involved that one really appreciates why people might settle for the comfortable option of media stardom rather than getting down and dirty in the public marketplace of ideas.

Caspar had seemed very depressed during the conference, so one reason for mentioning him was to cheer him up and let him know that some people really valued his work.

Later, he emailed me:

I missed your talk because I had promised my wife 1st proper holiday in 2 yrs and only way to make flights work affordably.

I haven’t justified my inlcusion – yet, but I take it as a spur to fulfil some rather late developing potential. I have consciously tried to re-read Arendt, Russell, Orwell, Lippmann and Chomsky over last few years. Almost more fun reading between the lines of what even they seemed to regard as unsayable about the power systems of their time, and why.

Failing my Maths Tripos 30 years ago has been both a curse (much time wasted in rather pointless jobs and many jobs inaccessible still) and a blessing (it saved me from specialisation and I can read as eclectically as I like).

With Caspar’s passing we have lost someone brave and significant. May he rest in peace.

Ross Anderson has written a lovely obituary in the Guardian.

Later Thanks to James Miller for spotting the incorrect link to Caspar’s Wikipedia entry. Now fixed.

“HEADLESS BODY IN TOPLESS BAR”…

… was the timeless tabloid headline devised by Vinnie Musetto, a former editor at the New York Post, who recently passed away and was accorded respectful obituaries in various newspapers. It ranks with “Small Earthquake in Chile. Not many dead”, which Claud Cockburn claims once won a competition at the London Times for the most boring headline.

Writing in the New Yorker, John Cassidy sees a new role for the late Mr Musetto as “the Godfather of Clickbait”. He’s right.

New models of journalism?

We’ve been having conversations on my Press Fellowship programme about what journalism should be like in a digital era. In thinking about different models, I remembered some of the astonishing stuff done by John Oliver in his TV show — for example his terrific exposé of the NCAA — and this programme about Edward Snowden and surveillance.

Most print journalists would probably not regard Oliver as a journalist, for a variety of reasons but mainly because he appears to mix fact and opinion so readily and powerfully. Well, he does mix them, but on the other hand he really makes people think. Witness the impact that his programme about Net Neutrality had. We don’t know how many of the four million public submissions received by the FCC were directly attributable to Oliver’s show, but I’m willing to bet that a lot of them were. And in the end the FCC bowed to that public pressure.

Straight up

Ignore the hideous music, and watch the near-vertical takeoff. And then ask yourself if RyanAir will buy some.

Remembering Charles Kennedy

Very nice, generous tribute in the Economist:

Bad times for his party, the union, Britain’s place in Europe: Mr Kennedy’s death speaks to all these. Yet for the many who mourn him, it is above all dreadfully sad, because he was delightful, and in fact this was the main reason for his success. He was, extraordinarily in politics, without malice. He was never, despite his remarkable precociousness, pompous. His jokes, which were frequent, were usually aimed at himself, the institution he served, or both.

Narrating a television documentary on the House of Commons last year, he glanced up, on camera, at a mosaic of St Andrew that towers over Central Lobby. The patron saint of Scots, he quipped, had been positioned to signal the way to the bar. Though he was a political insider—an MP at 23, for goodness sake—Mr Kennedy’s plain good humour always suggested he had a foot in that ruder soil, the real world, which matters most. And that, O politicians, is why he was loved.

Amen.

The ghosts of C.P. Snow

Christ's front court

I had dinner the other night in Christ’s and as I was walking out through Front Court, with the Master’s Lodge in the far corner, I was suddenly reminded of C.P. Snow’s novel The Masters and fell to musing that, at least architecturally, not much had changed since the events recorded in the book. I re-read it recently, and concluded that, as a novel, it’s rather feeble. But as a sociological study of a part of Cambridge society in the 1930s it’s actually rather good, and I suspect pretty accurate.