Why the climate-wrecking craze for crypto art really is beyond satire

Today’s Observer column:

On 24 December, the movie Don’t Look Up began streaming on Netflix following a limited release in cinemas. It’s a satirical story, directed by Adam McKay, about what happens when a lowly PhD student (played by Jennifer Lawrence) and her supervisor (Leonardo DiCaprio) discover that an Everest-size asteroid is heading for Earth. What happens is that they try to warn their fellow Earthlings about this existential threat only to find that their intended audience isn’t interested in hearing such bad news.

The movie has been widely watched but has had a pasting from critics. It was, said the Observer’s Simran Hans, a “shrill, desperately unfunny climate-change satire”. The Guardian’s Peter Bradshaw found it a “laboured, self-conscious and unrelaxed satire… like a 145-minute Saturday Night Live sketch with neither the brilliant comedy of Succession … nor the seriousness that the subject might otherwise require”.

Those complaints about crudity and OTT-ness rang a bell. It just so happens that a distinctly over-the-top satire published in 1729 attracted comparable reactions…

Read on