What all those US newspapers are getting wrong

George Lakoff points out what’s wrong with the hashtag they’ve adopted — #NotTheEnemy — in contesting Trump’s assertion that journalists are “the enemies of the people”.

The key lesson: when we negate a frame, we evoke the frame.

When President Richard Nixon addressed the country during Watergate and used the phrase “I am not a crook,” he coupled his image with that of a crook.

He established what he was denying by repeating his opponents’ message.

This illustrates a key principle of framing: avoid the language of the attacker because it evokes their frame and helps make their case.

Why? Because, in order to negate a frame, you have to activate it. Frames, like all other ideas, are constituted by neural circuitry in the brain. Every time a circuit is activated, its synapses get stronger. When you negate a frame, you help the other side.

Avoid repeating the charges! Instead, use your own words and values to reframe the conversation. When journalists protest that they are “Not The Enemy,” they should remember how well “I am not a crook” worked for Nixon.

The important frame here is Truth. Donald Trump despises journalists because the duty of a good journalist is to tell the truth and inform the public. Trump doesn’t like the truth – or an informed public – because the success of his anti-democratic agenda depends on lies and distractions.

This is why he has labeled journalists as “enemies.” Because Trump is an enemy of truth, and you can’t have democracy without truth.

Journalists are the courageous people we trust to #ProtectTheTruth.

Obvious, isn’t it? We had the same experience in the Brexit referendum when good people devoted endless resources to pointing out that the Leave campaign’s claim that leaving the EU would give an extra £350 a week for the NHS was incorrect. The more they corrected it, the more firmly the figure of £350m was embedded in people’s minds.

Twitter slowly gets smarter

From the New York Times

WASHINGTON — Twitter on Tuesday suspended the account of the far-right conspiracy theorist Alex Jones for a week after he tweeted a link to a video calling for supporters to get their “battle rifles” ready against media and others, in a violation of the company’s rules against inciting violence.

The social media company followed up on Wednesday by also suspending the account for Infowars, the media website founded by Mr. Jones, for posting the same video.

The twin actions effectively prevent Mr. Jones and Infowars from tweeting or retweeting from their Twitter accounts for seven days, though they will be able to browse the service.

Charles Arthur has an astute assessment of this strategy:

Clever move by Twitter. In effect, it was waiting for Jones to make the slightest wrong move, and he fell straight into the trap. The week’s suspension isn’t quite congruent for the Jones account and the Infowars account (by a few hours, the latter is in jail longer). It’s going to be harder and harder for him not to all into Twitter jail repeatedly, and eventually get banned. And so Twitter wins, without having to go to war.

Yep.

Meanwhile, the Washington Post is reporting that Twitter’s boss, Jack Dorsey, has embarked on a major re-think.

Jack Dorsey said he is rethinking core parts of the social media platform so it doesn’t enable the spread of hate speech, harassment and false news, including conspiracy theories shared by prominent users like Alex Jones and Infowars.

In an interview with The Washington Post on Wednesday, Dorsey said he was experimenting with features that would promote alternative viewpoints in Twitter’s timeline to address misinformation and reduce “echo chambers.” He also expressed openness to labeling bots — automated accounts that sometimes pose as human users — and redesigning key elements of the social network, including the “like” button and the way Twitter displays users’ follower counts.

Good luck with that. Twitter is now oscillating between being a vast network of cesspools and an equally vast universe of echo-chambers. And it’s also the tool that has been captured by Trump.

On the wall

Every summer the city of Arles hosts a massive photography festival — which, among other things, mean that there are prints and photographs everywhere, including on walls.