Daily Archives: September 23, 2012
Twitter, disenchantment and etymology
Mt friend Michael Dales has written a thoughtful blog post triggered by disagreement with something I wrote about Twitter in my Observer column.
Here’s the relevant para:
This new disenchantment with Twitter seems daft to me. […] as for the API restrictions, well, Twitter isn’t a charity. Those billions of tweets have to be processed, stored, retransmitted – and that costs money. Twitter has already had more than $1bn of venture capital funding. Like Facebook, it has to make money, somehow. Otherwise it will disappear. Even on the internet there’s no such thing as a free lunch.
Michael says:
I agree with John’s reasoning, but not his conclusion that it’s daft. The reason why is this: in an effort to make money, Twitter is changing the product. I think it’s similarly daft to me (sorry John :), to assume that just because I liked product A, when it’s changed into product B, I should like it just as much. I don’t disagree that Twitter needs to find a revenue stream, or object that it should make changes to make that happen. I don’t agree however that I should like the new Twitter just because I liked the old Twitter.
I now have to repay the compliment. I agree with Michael’s reasoning. It’s not ‘daft’ for him to come to his conclusion.
The problem — I now realise — lies in my casual use of the term ‘daft’. When I wrote that the “new disenchantment with Twitter seems daft to me” I should perhaps have used the word “naive”. At any rate, what was in my mind as I wrote the sentence was that it’s naive or unrealistic to expect that a service that is expensive to provide can continue forever without its owners seeking to commercialise it in some way.
The etymology of ‘daft’ is interesting btw. The wonderful Online Etymology Dictionary says that it derives from the Old English gedæfte — meaning “gentle” or “becoming” — and sees a progression over the centuries from “mild” (c.1200) to “dull” (c.1300) to “foolish” (mid-15c.) to “crazy” (1530s).
Quis custodiet ipsos custodes?
This morning’s Observer column.
The first thought to strike anyone stumbling upon the now-infamous Innocence of Muslims video on YouTube without knowing anything about it would probably be that it makes Monty Python’s The Life of Brian look like the work of Merchant Ivory. It’s daft, amateurish beyond belief and, well, totally weird. So the notion that such a fatuous production might provoke carnage in distant parts of the world seems preposterous.
And yet it did. In the process, the video created numerous headaches for a US administration struggling to deal with the most turbulent part of the world. But it also raised some tricky questions about the role that commercial companies play in regulating free speech in a networked world – questions that will remain long after Innocence of Muslims has been forgotten…