YouTube biggest hits may not be infringers

Interesting NYT report

ON YouTube, copyrighted video clips of movies and TV shows are far less popular compared with noncopyrighted material than previously thought, according to a new study.

On their face, the results could have serious implications for YouTube’s owner, Google, and the media companies, most notably Viacom, with which it has been negotiating. But not everyone agrees.

Vidmeter, which tracks the online video business, determined that the clips that were removed for copyright violations — most of them copyrighted by big media companies — comprise just 9 percent of all videos on the site. Even more surprising, the videos that have been removed make up just 6 percent of the total views (vidmeter.com).

The Vidmeter report is here.

Yo Blair!

Hmmm… New Labour has decided that it must “use” the “YouTube channel”. Somehow, I don’t think it’ll catch on. Especially when it’s up against stuff like this.

When is a ‘friend’ not a friend?

(Answer: when he’s Rupert Murdoch.) This morning’s Observer column

Tom Anderson, the founder of MySpace, had – as of 9.42am on Friday 30 March – 167,144,385 ‘friends’. This is not because he is exceedingly sociable, but because anyone who signs up on MySpace automatically becomes one of Tom’s friends. By the time you read this, he will have another 500,000. (MySpace is adding 250,000 users a day.)

The MySpace concept of a friend may seem contrived, but is much closer to what a businessperson would describe as a ‘contact’. This may be why the corporate world is gazing anxiously at the social networking phenomenon and wondering if it has anything to offer. Two studies – by Forrester Research, a market research firm, and McKinsey, a consultancy – offer conflicting views…

That anti-Clinton YouTube ad (contd.)

You may recall that I liked the YouTube video which mixed the 1984 Apple Macintosh Superbowl ad with Hilary Clinton’s “our conversation” video. Well, Rex Hughes has now pointed me at the next instalment of the story. Read on…

News watchers need to buckle up today as the mainstream media does its whipsaw thing now that the identity of the infamous anti-Hillary Clinton/pro-Barack Obama “Vote Different” video has become publicly known – and that man is now out of a job. The ad, a take-off on Apple’s legendary “1984” spot, had become a YouTube sensation and the guessing game over the author an online parlor game. (Note string of updates below)

For those who haven’t seen it, the anti-Clinton ad, while unflattering, is reasonably clever, not the least bit offensive, and, by modern-day standards, more of a love note than a Swift-boating. … But, as we’re seeing, none of that matters in a practical, political sense.

Phil De Vellis, a political operative at Blue State Digital (the company name tells you what party’s candidates it serves), has been outed as the ad’s designer, and, depending on which account you wish to believe, has resigned or been fired because his employer’s most prominent client is presidential candidate Obama. He claims he did it on his own time and without the knowledge of Blue State Digital or the Obama campaign. You can read more of what De Vellis has to say for himself here on the Huffington Post.

So why all the fuss?

This is high-stakes presidential politics and everybody has a well-defined role to play.

Clinton feigns outrage because that’s her role. She’s been in politics all of her adult life and is no more outraged by that video than her husband was believable when wagging his finger. She does, however, recognize opportunity when it knocks and this video is an opportunity for her to play the victim … and no doubt attempt to inoculate herself against what promise to be truly vicious assaults to come.

Obama feigns outrage because that’s his role. He may be newer to politics, but he’s smart enough to recognize the risks – such as they are – of having his campaign appear to be “attacking” a fellow Democrat. The senator may indeed prefer that his campaign not be associated with such a video, but you can be certain that is a tactical decision and not an intellectually honest assessment of the spot’s message or style.

De Vellis feigns resignation – and says he resigned – because that’s his role. Even if we take him at his word about the project being his and his alone, he knew full well what the consequences would be if he his identity should become public. With free speech comes consequences. He’s no naïf. Weep not for him.

The mainstream media knows its role here, too: Just fan the flames. There isn’t a reporter or pundit on the planet who honestly believes that ad was out of bounds. There isn’t a reporter or pundit on the planet who believes that Clinton or Obama might be genuinely outraged. (There may be a few who believe De Vellis a “victim,” but they haven’t thought it through.) But every reporter and pundit on the planet recognizes good political theater when they see it.

So, what should have happened, you might be asking.

Clinton should have watched the video and shrugged. Obama should have told his people to tell Blue State Digital to get a tighter grip on its employees. De Vellis should have shown reporters his slapped wrist, apologized for causing a client trouble, and gotten on with his career.

But this is presidential politics. Those roles aren’t in the script…

My instincts would be to hire Mr De Vellis. His skills are useful.

Viacom, YouTube and Joost

This morning’s Observer column

Think of it as mud-wrestling, but at a higher level. Viacom is suing Google for a billion dollars because YouTube (which Google purchased a while back for $1.6bn) continues to host clips of Viacom’s video properties. The documents launching the suit express moral outrage wrapped in three coats of prime legal verbiage. The gist, however, is clear: nasty bully Google is getting rich on the back of poor little artists and the companies that support them…

YouBeeb — or is it BeebTube?

From SplashCast

The BBC announced today that it has singed [sic] a deal with Google in regards to BBC video on YouTube. The agreement raises interesting strategic questions as it represents an important alternative approach to the high profile requests to remove content by other publishers. The BBC has made a series of high-profile announcements regarding new social media – the organization said it was remaking its website in the image of MySpace last April for example. We’ll see how much is hype and how much of this activity is smart use of new media.

The basics of the deal announced today are these:

* The BBC will create two channels on YouTube now and one more by the end of the year.
* The main channel will be advertising free promotional clips of entertainment programming, designed to drive traffic to the BBC’s own site for viewing the full programs.
* The secondary entertainment channel, BBC Worldwide, will include archival footage and some pre-roll ads. UK viewers will be able to see this and that’s a big deal, as the licensing fees every pays are supposed to keep their BBC experience ad-free.
* The third channel, out later this year, will show about 30 news clips per day and will include ads. Those ads, however, won’t be visible to UK users. Fascinating.
* The BBC will not actively hunt down its copyrighted materials in other users’ accounts, but it does reserve the right to swap low quality footage out for high quality versions and make other small changes. That’s very smart.

Hmmm…. We’ll see.

Jobs’s bloopers

Nice YouTube compilation of Apple’s presiding genius having the kind of trouble with live demonstrations that ordinary mortals experience.

Thanks to Michael Dales for the link. I love the closing line: “It’s pretty awesome when it works.”