Assignment Zero

Billed as An Experiment in Pro-Am Journalism

“One day stories with a thousand people on the masthead might become routine, and we’ll know how to do them. For now we just need hundreds, acting in the spirit of the enterprise, to help us take apart and put together a single, sprawling story. Assignment Zero is a starting point, a base line. Who knows where we will end up. But if reporting in the open style ever comes into its own–at our site or someone else’s–that might very well change journalism and expand what’s humanly possible with the instrument of a free press.”

Digital sharecropping

This morning’s Observer column — about user-generated content…

The London bombings of 7 July 2005 marked the first time we had seen such content impact on traditional news media in Britain. On that terrible day there was far too much going on, in too many locations, and movement was so restricted after the initial shock, that networks found themselves unable to cope and were desperate for any footage and imagery that became available. It flooded in from the cameraphones and digital cameras of observers on (and under) the ground; a lot of it was striking, moving and informative; some was tasteless, even ghoulish. But whatever its characteristics, it was greedily accepted by the networks. Mainstream media suddenly began to understand what user-generated content meant…

The Giant Zero

Interesting essay by Doc Searls on citizen journalism, user-generated content and related topics. It concludes:

The Net is a giant zero. It puts everybody zero distance from everybody and everything else. And it supports publishing and broadcasting at costs that round to zero as well.

It is essential for the mainstream media to understand that the larger information ecosystem is one that grows wild on the Net and supports everybody who wants to inform anybody else. It no longer grows inside the mainstream media’s walled gardens. Those gardens will continue to thrive only to the degree that they do two things: 1) open up; and 2) live symbiotically with individuals outside who want to work together for common purposes.

Framing is a huge issue here. We have readers and viewers, not just “audiences” and “consumers”. We write articles and essays and posts, not just “generate content”. “User-generated content”, or UGC, is an ugly, insulting and misleading label.

“Content” is inert. It isn’t alive. It doesn’t grow, or catch fire, or go viral. Ideas and insights do that. Interesting facts do that. “Audiences” are passive. They sit still, clap and leave. That might be what happened with newspapers and radio and TV in the old MSM-controlled world, but it’s not what happens on The Giant Zero. It’s not what happens with blogging, or with citizen journalism. Here it’s all about contribution, participation. It involves conversation, but it goes beyond that into relationship — with readers, with viewers, with the larger ecosystem by which we all inform each other.

As I’ve said before (and I said it again at the conference), we don’t just “deliver information” like it’s a Fedex package. We inform each other. That is, we literally form what other people know. If you tell me something I didn’t know before, I’m changed by that. I am not merely in receipt of a box of facts. I am enlarged by knowing more than I did before. Enlarging each other is the deepest calling of journalism, whether it’s done by bloggers, anchors or editors.

We are all authors of each other. What we call authority is the right we give others to author us, to make us who we are. That right is one we no longer give only to our newspapers, our magazines, our TV and radio stations. We give it to anybody who helps us learn and understand What’s Going On in the world. In that world the number of amateur informants goes up while the number of editors on newspaper staffs goes down. Between these two facts are many opportunities for symbiosis.

“Curation” and “curative” are words tradition-bound journalists like to use when they defend their institutions. [Editorial note: this is a reference to the NYT Publisher’s statement that “”We are curators, curators of news. People don’t click onto the New York Times to read blogs. They want reliable news that they can trust.”] But these are museum words. They suggest collections of artifacts behind locked doors in basement collections. The New York Times may have a financial success with Times Select, its online paper. But Time Select is a walled garden with a locked gate. You can’t look up anything there in Google, because its “conent” is trapped behind a paywall. Only subscribers can see it, and there’s a limit on how much archival material they can see without paying more.

The majority of papers today still lock up their archives. It’s time to stop that, for the simple reason that it insults the nature of the Giant Zero environment on which they now reside. They can make as much or more money by exposing those archives to Google’s and Yahoo’s indexing spiders, by placing advertising on them, by linking to them and bringing interest and visitors to them, by making them useful to other journalists (many of whom will be bloggers) seeking to write authoritatively about their communities and their communities’ histories.

Established media institutions have enormous advantages. But they can’t use them if they continue to live in denial of the nature of their new world — and of the interests, talents and natural independence of the other inhabitants there.

Journalists less well known than they used to be

Interesting report from the Pew Research Center.

The increasingly fragmented media landscape has diminished the prominence of the nation’s top journalists.

Two decades ago, the vast majority of Americans had a “favorite” journalist or news person, and the top picks were representatives of the big three broadcast television networks. Today, only a slim majority can name the journalist they admire most and the preferences are much more scattered.

Reflecting the myriad choices news consumers have today, the top 10 journalists named by the public are drawn from the networks, cable news channels, public television and even Comedy Central.

In another sign of the times, the internet was a major source of news about the recent downturn in the stock market. One-in-five Americans who were paying at least some attention to the stock market news say they first heard about the drop in stocks by going online. After a major market tumble in 1997 only 2% of those following the news story said they first heard about it online. Far fewer Americans got the recent news about the market from television compared with 10 years ago. Among those who were following the stock market news very closely, the internet was an even bigger source of information. Fully 29% of this group first heard about the market downturn online, only 40% heard the news on television (down from 66% in 1997).

Our exploding dataverese

From today’s Guardian

Last year enough digital information – from emails and blogs to mobile phone calls, photos and TV signals – was generated to fill a dozen stacks of hardback books stretching from the earth to the sun, according to research published today.

The proliferation of digital cameras and mobile phones that can take pictures, coupled with the popularity of online video services such as YouTube and BitTorrent, has caused an explosion of images. This pushed the world’s total digital content last year to 161bn gigabytes. That is the equivalent of 161bn iPod Shuffles or 161 of so-called exabytes.

The sheer amount of data that has been created by the digital age becomes clear when comparing it with the spoken word. Experts estimate that all human language since the dawn of time would take up about 5 exabytes if stored in digital form. In comparison, last year’s email traffic accounted for 6 exabytes.

The survey, conducted by the technology consultancy IDC and sponsored by the IT firm EMC, shows that growth in the digital universe is being driven by the switch to digital imagery; the move from traditional phone calls to digital telephony such as mobile and voice over the internet calls, and the rise of digital TV.

Roughly a quarter of the digital universe is original – such as pictures or emails or even phone calls – while the other three-quarters is replicated material including forwarded emails, movies on DVD and pirated music.

Much of this digital information is being produced by individuals. YouTube, for instance, hosts about 100m daily video streams, while more than a billion songs are shared over the internet every day.

IDC estimates that by 2010, more than 70% of all the digital information in the world will have been created by consumers…

More… From GMSV:

From the Department of Unreproducible Results comes word that we are in a new space race and we are losing. Tech research firm IDC took a whack at calculating how much digital information the world is generating and came up with a figure of 161 billion gigabytes — 161 exabytes — for last year, factoring in the multiple copies of files like songs and videos. To put that in perspective — well, I don’t know … does saying that would fill 2 billion top-line iPods help at all? Luckily, says IDC, total available storage last year was 185 exabytes, leaving room for a big swap file. But the trend looks threatening. IDC figures we’ll have about 601 exabytes of storage available in 2010, but we’ll be producing 988 exabytes (closing in on 1 zettabyte) of new information, creating an overflow situation that will result in headlines like “Toddler swept away in raging data stream.”

This, as Tom Foremski at Silicon Valley Watcher notes, raises some interesting questions — like how does all that extra 2010 data get “produced” if there’s no place to store it. But don’t spend too much time worrying about it. This sort of extrapolation is usually rendered moot by real-world developments. Now that it’s been noted, go ahead and delete.

YouBeeb — or is it BeebTube?

From SplashCast

The BBC announced today that it has singed [sic] a deal with Google in regards to BBC video on YouTube. The agreement raises interesting strategic questions as it represents an important alternative approach to the high profile requests to remove content by other publishers. The BBC has made a series of high-profile announcements regarding new social media – the organization said it was remaking its website in the image of MySpace last April for example. We’ll see how much is hype and how much of this activity is smart use of new media.

The basics of the deal announced today are these:

* The BBC will create two channels on YouTube now and one more by the end of the year.
* The main channel will be advertising free promotional clips of entertainment programming, designed to drive traffic to the BBC’s own site for viewing the full programs.
* The secondary entertainment channel, BBC Worldwide, will include archival footage and some pre-roll ads. UK viewers will be able to see this and that’s a big deal, as the licensing fees every pays are supposed to keep their BBC experience ad-free.
* The third channel, out later this year, will show about 30 news clips per day and will include ads. Those ads, however, won’t be visible to UK users. Fascinating.
* The BBC will not actively hunt down its copyrighted materials in other users’ accounts, but it does reserve the right to swap low quality footage out for high quality versions and make other small changes. That’s very smart.

Hmmm…. We’ll see.

Kazaa boys going straight too…

It’s catching. After the BitTorrent announcement come this York Times story.

But with their latest creation, a Web video venture called Joost, Mr. Friis and Mr. Zennstrom, who were behind the file-sharing service Kazaa and the Internet telephone service Skype, are doing everything by the book. Revenue-sharing agreements have been signed. Licenses have been granted.

“The reason we’re doing this is because of our history,” Mr. Friis said in a telephone interview last week. “We know how these things work. And above all, we know that we don’t want to be in a long, multiyear litigation battle.”

Jobs’s bloopers

Nice YouTube compilation of Apple’s presiding genius having the kind of trouble with live demonstrations that ordinary mortals experience.

Thanks to Michael Dales for the link. I love the closing line: “It’s pretty awesome when it works.”